Movies
‘Fright Night’ Vampires to be a Uber-Violent Killers
The remake of Tom Holland’s classic 80’s vamp Fright Night has been in development for jeez, I don’t even remember how long now. The idea of remaking a movie so unique to the actors, time and random cheese is retarded to me, especially because no matter what you do you can’t recreate the original. Thankfully, DreamWorks is looking to make their own interpretation of the violent vampire flick that sounds like it’s be a remake in name only (because, you know, everyone knows about Fright Night). Below you can see what producer Michael De Luca has to say about it.
“And with Fright Night, with all the romantic vampire stuff going on with The Vampire Diaries and True Blood and Twilight, the most obvious,” De Luca tells Collider.
“We thought it would be interesting if, in this atmosphere of the way the vampire is being portrayed right now as a romantic object, under the wire of all that in the culture the real thing moves in next door. And the real thing is a killer. Just a predator. It’s the shark from Jaws. On the outside it’s a seductive package and it looks like a human being, but it’s just about ripping your throat out and drinking your blood. And introducing that kind of vampire into the current environment.”
Netflix is reuniting with Emilia Perez director Jacques Audiard on an adaptation of French horror novel La Nuit ravagée, Variety reports today.
The project is described as an elevated horror film based on the critically acclaimed horror novel by Jean-Baptiste Del Amo.
It’s set in “Saint-Auch, a fictional suburb on the outskirts of Toulouse in Southern France, in the early 1990s. It follows a group of teenagers drawn to an abandoned house that exerts a strange power on them. After one of their friends dies under disturbing circumstances, they decide to enter the house, not suspecting it’s alive with something supernatural. Once they enter it, it begins to feed on their private fears, desires, and traumas, turning their psychological vulnerabilities into something monstrous and inescapable.“
The French-language Netflix original marks Audiard’s first foray into horror.
The divisive Emilia Perez, Audiard’s Spanish-language musical crime drama, amassed 13 nominations at the 97th Academy Awards but also met with controversy when offensive tweets by star Karla Sofía Gascón during the film’s award campaign.
Del Amo’s source novel was published last year and has been described as an homage to ’80s and ’90s horror in the vein of Stephen King, though its social realism is what lends itself to the elevated horror concept and Audiard’s attachment to the project.
Stay tuned for more as it arrives.
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