Exclusives
Producer Brad Fuller Talks ‘A Nightmare on Elm Street’
Recently, Bloody-Disgusting had the opportunity to hop on the phone with A Nightmare on Elm Street Producer Brad Fuller (Platinum Dunes) to discuss the upcoming remake hitting theaters this Friday. Among other topics, Fuller talked about their desire to stay true to the darker tone of the original, the decision to make Freddy a pedophile instead of a child-murderer, and the nature of the reshoots that were done following some initial test screenings. Read on for all the deets…
BD: I’ve heard it said the goal for this film was to keep it closer to the darker tone of the first movie and keep it from becoming too “jokey” like the sequels. Even the first movie had Freddy spouting some one-liners though. Can we expect a few of those in this one as well?
Brad Fuller: Freddy certainly has a very dark sense of humor in this movie, and he says some very clever and funny things. Having said that, the character of Freddy Krueger…we want him to be really scary. We didn’t want him to be construed as jokey or light, so it [the wit element] is there, but it’s not there as it was in the later films.
BD: I know Freddy is now a child molester as opposed to a child-murderer. Were you guys at all reticent to go that route?
Brad Fuller: Yes, of course. And I think that when you see the film, you’ll see that it’s not something that’s totally in people’s face[s], but the fact is, if it were someone who had killed a bunch of children, there’s no way to keep that a secret, there’s no story to tell because the kids have to figure out what’s happening to them. It’s as simple as, you know, if there were five children killed in this town in Ohio, that would be on the Internet, and people would be able to find it. So we had to figure out some other ways to tell the story.
BD: So that kind of sprung out of wanting to make it more of a mystery.
Brad Fuller: Well, also that was how Wes Craven originally conceived of the story, and we liked that. We thought if we’re going back to tell the first one, let’s do it in a way that maybe they couldn’t or chose not to originally.
BD: How did Jackie Earle Haley come on board?
Brad Fuller: Through a lot of begging. He was the only person that we ever wanted for the role. We felt it was really important, because Freddy Krueger is so incredibly iconic, we wanted to get an actor, and we were hopeful that the fan base would say, `you know what, it’s not Robert Englund, but it’s such a good actor maybe he can make the character his own.’ And you know, the fact that Jackie Earle Haley was nominated for an Academy Award two years ago, and that he was interested in playing Freddy Krueger, made all of our jobs a lot easier.
BD: How does he approach the role differently from Robert Englund?
Brad Fuller: I don’t know cause I wasn’t on set with Robert. I can just tell you that Jackie was so on top of everything that this character did, and gave it so much thought. He committed totally to this. And he had a ton of time every day to really think about how he could be as evil as humanly possible, because his makeup took between 3
Exclusives
New Documentaries Explore the Cult Legacies of ‘The Keep’ and ‘Wolfen’; Watch the Trailers Now [Exclusive]
Undersung werewolf gem Wolfen and Michael Mann’s The Keep get the spotlight in a pair of feature documentaries acquired by Antenna Releasing.
A World War II Fairy Tale, which covers the infamous production of and reception to The Keep, will receive a limited theatrical release in October, followed by a TVOD release on Apple/Amazon. The Keep will also screen as a double feature for some showings.
For Uncovering Wolfen, Antenna eyes a limited theatrical release for 2027. Both films are currently available for booking via Antenna prior to their theatrical and digital releases.
Both documentaries are directed by Stewart Buck, who co-helms with Stéphane Piter on A World War II Fairy Tale.
“We at Antenna are obsessed with film history,” said Chief Acquisitions Officer Billy Ray Brewton. “Stewart has done such a remarkable job of really diving into the deepest recesses of how these films were made and, in doing so, has created the definitive histories of both projects.”
“We’re delighted to be partnering with Antenna Releasing!” said director Buck. “It’s refreshing to see a filmmaker-friendly approach to distribution with people who know what it’s like to be in the trenches with independent projects that struggle to find a home in the crowded marketplace.”
Check out our exclusive trailer and poster reveal of both documentaries below.
Released in 1983, Michael Mann’s The Keep was a notorious box office bomb, critically lambasted and all but forgotten for years, save for the fascination with Tangerine Dream’s iconic score. In recent years, the film has enjoyed a bit of a resurgence and is widely considered a cult classic, though director Michael Mann and many cast members refuse to acknowledge it.

Wolfen, on the other hand, was critical success but was overshadowed heavily by its flashier 1981 siblings An American Werewolf in London and The Howling. It’s also a trailblazer for socio-political horror, and the doc will explore that via the craftspeople who made it.

Look for them both in theaters soon. Stay tuned for more as it arrives.

You must be logged in to post a comment.