Music
[Review] Lou Reed & Metallica ‘Lulu’
The album kicks off with Brandenburg Gate, which sets the course over its 4:19 length, the shortest song on the album. Want to know what’s in store for you? The same riff, over and over and over and over and over and over… again. To make things worse, add on top of the mind-numbingly repetitive music Lou Reed’s inane, out of tune ramblings. The only redeeming thing about this song is that it is over soon, although it doesn’t necessarily feel that way.
I will say that the production of the album is very solid. With the plethora of instruments used and the dynamic ranges that the album goes through, it is mixed and arranged wonderfully. There were some moments where the instruments sounded very raw and trashy, but that was done more to build upon the emotion of the moment, creating the greatest effect. With solid guitars, thumping bass, beautiful textures, and surprisingly clever drumming from Lars Ulrich, this album will sound wonderful on a solid sound system.
The album stretches on for nearly 90 minutes, which requires it to be released on 2 discs. However, with some editing and tweaking, the album could easily have been condensed into a much more manageable 70 to 75 minutes. All that would need to happen is for Lou Reed to ramble a bit quicker, which then allows repetitive riffs to be shortened.
Look, this album isn’t all bad. Some of the riffs are awesome and I did find myself nodding along to the music several times. But then the novelty wore off and I was looking at my watch wondering when things would progress. The repetition makes every song feel much longer then their actual length.
The Final Word: It seems fairly obvious that Metallica and Lou Reed came together to create an album that surpassed music and instead became a work of art. The problem with that is that a lot of art is terrible and only a few gems withstand the test of time. Sorry boys, Lulu won’t hold up compared to the individual discographies that you have each issued.
Seminal slasher Scream rewrote the rules in 1996, and for its 30th anniversary, Varèse Sarabande and Craft Recordings are celebrating with a new anniversary reissue of Marco Beltrami’s landmark score.
The original 14-track album returns to vinyl in a collectible “blood-soaked” sleeve on August 28.
If blood red isn’t your color, there’s good news: the reissue will also be available in many different limited-edition exclusive pressings.
In addition to the wide “Woodsboro Bloodbath” red vinyl pictured below, look for the following exclusives:
- “Knife’s Edge” silver vinyl with poster (Target)
- “Surprise, Sidney” metallic blend vinyl (Barnes & Noble)
- “Don’t Hang Up” clear vinyl (Books-A-Million)
- “I’ll Be Right Back” blue vinyl (Urban Outfitters)
- “Final Girl” splatter vinyl (Hot Topic)
- “Wrong Answer” Blood Red Splatter vinyl (Varèse Sarabande/Craft Recordings)
- “Final Phone Call” blue vinyl at select indie retailers
An Extended Cut Edition of the Scream (Original Motion Picture Score), featuring all 40 of the film’s cues from the 2022 Scream boxset, will also be available on CD. All formats are available to pre-order or pre-save today.
Top L-R: “Knife’s Edge” silver vinyl with poster (Target), “Surprise, Sidney” metallic blend vinyl (Barnes & Noble), “Don’t Hang Up” clear vinyl (Books-A-Million),
Bottom L-R: “I’ll Be Right Back” blue vinyl (Urban Outfitters), “Final Girl” splatter vinyl (Hot Topic), “Wrong Answer” Blood Red Splatter vinyl (Varèse Sarabande/Craft Recordings), and “Final Phone Call” blue vinyl (Indie Retail)
Marco Beltrami composed the iconic score as a then young, up-and-coming composer—one who, ironically, had never scored or even seen a horror film.
Yet just three years after he completed the University of Southern California’s rigorous scoring program, Beltrami submitted 13 minutes of music for Scream’s opening sequence and his future was forever changed. “We knew in half a minute that we had found our composer,” Craven told Variety in 2012. “The music was haunting, beautiful and totally original. Marco turned out to be shy and soft-spoken, but a fountain of ideas and innovation. I never looked back.”
Scream (Original Motion Picture Score) (30th Anniversary Deluxe Edition)
CD Tracklist
1. Dimension Logo (0:19)
2. The Cue from Hell (10:33)
3. Trouble in Woodsboro (1:52)
4. Sid’s House (1:12)
5. Red Herring (2:13)
6. Killer Calls Sydney (2:52)
7. Chasing Sidney (1:29)
8. Cell Phone (1:00)
9. Backdoor Gale (0:49)
10. Schoolyard 2 (1:17)
11. Sid’s Doubt (1:23)
12. Bathroom (2:58)
13. Mr. Himbry Gets It (2:11)
14. Sherriff and Dewey (1:21)
15. Tatum’s Torture (2:46)
16. Sidney Wants It (3:09)
17. Dewey and Gale (1:57)
18. Off to See Himbry (0:41)
19. Killer Stabs Billy (2:50)
20. Randy Almost Gets It (2:33)
21. Gale Crashes the Van (1:33)
22. They’re Crazy (9:42)
23. Sid Stabs Billy (4:24)
24. Billy’s Back (0:52)
25. End Credits (1:40)
26. Sid’s Window (0:26)
27. Gut Someone (0:13)
28. Sid Looks (0:16)
29. Billy Looks (0:24)
30. Billy to Cell (0:34)
31. Killer Calls Again (0:35)
32. Bang Into Billy (0:12)
33. Girl Talk (0:54)
34. Video Store (0:45)
35. Why She’s Here (0:16)
36. Billy Sting (0:13)
37. Prescott’s Car (0:29)
38. Hairbrush (0:38)
39. The Cue from Hell (Orchestra Only) (6:28)
40. I Don’t Care (Vocals Performed by Dillon Dixon) (3:01)
Scream – Original Motion Picture Score
Vinyl Tracklist
Side A:
1. Dimension Logo (0:19)
2. The Cue from Hell (10:33)
3. Trouble in Woodsboro (1:52)
4. Red Herring (2:13)
5. Chasing Sidney (1:29)
6. Backdoor Gale (0:49)
7. Schoolyard 2 (1:17)
8. Bathroom (2:58)
Side B:
1. Sherriff and Dewey (1:21)
2. Tatum’s Torture (2:46)
3. Sidney Wants It (3:09)
4. Killer Stabs Billy (2:50)
5. They’re Crazy (9:42)
6. End Credits (1:40)
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