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[Review] Puscifer ‘Conditions Of My Parole’

Published

15 years ago

on

puscifercompcover

For as big a Tool and A Perfect Circle fan as I am, I just could not enjoy Puscifer’s V Is For Vagina. As a matter of fact, I flat out couldn’t stand it. So, when Conditions Of My Parole was announced, I met the news with a healthy dose of skepticism and, I’ll admit it, scorn. My interest became piqued when Maynard described it as “Twin Peaks in the desert”. Well, I just so happen to love Twin Peaks, so I found myself becoming more and more curious about the album. When Man Overboard came out, I couldn’t believe it. What a great song! I loved the feel, the atmosphere, the flow, the whole damn thing! Why, with this song, the whole album has to be just as good…right? Check after the jump for my answer.

The album starts with Tiny Monsters, a track that opens up with 70’s synths that were very reminiscent of Goblin’s Dawn Of The Dead soundtrack. When Maynard’s vocals come in, the melody is surprisingly soothing and, dare I say, happy. The bass guitar comes in with crystalline clarity followed by sparse drums, both analog and electronic. The song is a subtly eerie but beautiful introduction to an astonishing album. 
The production is a fantastic mixture of pristine electronics and wonderfully raw acoustic instruments. While this mixture can very easily fail with spectacular results, Conditions Of My Parole has navigated a very fine line and come to the finish line with an album that is an utter joy to listen to. It also needs to be mentioned that having female vocals harmonize alongside Maynard creates an ethereal aura that is almost physically palpable.
I’m going to let you know this right now: you need to listen to this album in one sitting. Sure you can enjoy the songs on their own with great relish. However, there is something about listening to the album in one go that has the songs building upon each other, layering each other, creating a musical journey that is undeniably altering. 
The Final Word: What I was expecting and what I was hoping could not have been more different. I expected to be disappointed although I hoped for some engaging tracks. What I experienced is an album that astonished me and had me begging to hear it over and over again. Puscifer’s Conditions Of My Parole is an album that should become one of the few timeless classics that defines an artist.
Check out: Horizons, Monsoons, and Tumbleweed for the more mellow tracks while The Rapture (Fear Is A Mind Killa Mix) and Toma have a bit of a heavier edge to them.
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Music

Marco Beltrami’s ‘Scream’ Score Gets Deluxe Reissue For 30th Anniversary

Published

1 day ago

on

July 9, 2026

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Seminal slasher Scream rewrote the rules in 1996, and for its 30th anniversary,  Varèse Sarabande and Craft Recordings are celebrating with a new anniversary reissue of Marco Beltrami’s landmark score.

The original 14-track album returns to vinyl in a collectible “blood-soaked” sleeve on August 28.

If blood red isn’t your color, there’s good news: the reissue will also be available in many different limited-edition exclusive pressings.

In addition to the wide “Woodsboro Bloodbath” red vinyl pictured below, look for the following exclusives:

An Extended Cut Edition of the Scream (Original Motion Picture Score), featuring all 40 of the film’s cues from the 2022 Scream boxset, will also be available on CD. All formats are available to pre-order or pre-save today.

Top L-R: “Knife’s Edge” silver vinyl with poster (Target), “Surprise, Sidney” metallic blend vinyl (Barnes & Noble), “Don’t Hang Up” clear vinyl (Books-A-Million),
Bottom L-R: “I’ll Be Right Back” blue vinyl (Urban Outfitters), “Final Girl” splatter vinyl (Hot Topic), “Wrong Answer” Blood Red Splatter vinyl (Varèse Sarabande/Craft Recordings), and “Final Phone Call” blue vinyl (Indie Retail)

Marco Beltrami composed the iconic score as a then young, up-and-coming composer—one who, ironically, had never scored or even seen a horror film.

Yet just three years after he completed the University of Southern California’s rigorous scoring program, Beltrami submitted 13 minutes of music for Scream’s opening sequence and his future was forever changed. “We knew in half a minute that we had found our composer,” Craven told Variety in 2012. “The music was haunting, beautiful and totally original. Marco turned out to be shy and soft-spoken, but a fountain of ideas and innovation. I never looked back.”

Scream (Original Motion Picture Score) (30th Anniversary Deluxe Edition)

CD Tracklist

1. Dimension Logo (0:19)

2. The Cue from Hell (10:33)

3. Trouble in Woodsboro (1:52)

4. Sid’s House (1:12)

5. Red Herring (2:13)

6. Killer Calls Sydney (2:52)

7. Chasing Sidney (1:29)

8. Cell Phone (1:00)

9. Backdoor Gale (0:49)

10. Schoolyard 2 (1:17)

11. Sid’s Doubt (1:23)

12. Bathroom (2:58)

13. Mr. Himbry Gets It (2:11)

14. Sherriff and Dewey (1:21)

15. Tatum’s Torture (2:46)

16. Sidney Wants It (3:09)

17. Dewey and Gale (1:57)

18. Off to See Himbry (0:41)

19. Killer Stabs Billy (2:50)

20. Randy Almost Gets It (2:33)

21. Gale Crashes the Van (1:33)

22. They’re Crazy (9:42)

23. Sid Stabs Billy (4:24)

24. Billy’s Back (0:52)

25. End Credits (1:40)

26. Sid’s Window (0:26)

27. Gut Someone (0:13)

28. Sid Looks (0:16)

29. Billy Looks (0:24)

30. Billy to Cell (0:34)

31. Killer Calls Again (0:35)

32. Bang Into Billy (0:12)

33. Girl Talk (0:54)

34. Video Store (0:45)

35. Why She’s Here (0:16)

36. Billy Sting (0:13)

37. Prescott’s Car (0:29)

38. Hairbrush (0:38)

39. The Cue from Hell (Orchestra Only) (6:28)

40. I Don’t Care (Vocals Performed by Dillon Dixon) (3:01)

Scream – Original Motion Picture Score

Vinyl Tracklist

Side A:

1. Dimension Logo (0:19)

2. The Cue from Hell (10:33)

3. Trouble in Woodsboro (1:52)

4. Red Herring (2:13)

5. Chasing Sidney (1:29)

6. Backdoor Gale (0:49)

7. Schoolyard 2 (1:17)

8. Bathroom (2:58)

Side B:

1. Sherriff and Dewey (1:21)

2. Tatum’s Torture (2:46)

3. Sidney Wants It (3:09)

4. Killer Stabs Billy (2:50)

5. They’re Crazy (9:42)

6. End Credits (1:40)

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