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Robert Hall’s Almost Human Blends Digital and Practical FX For ‘WER’

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Bloody Disgusting learned today that Robert Hall and his newly re-branded Almost Human Inc. is tackling the Makeup and Visual Effects for WER, the found footage werewolf flick shooting next month in Romania.

The Devil Inside‘s William Brent Bell will direct from a screenplay by longtime collaborator Matthew Peterman. It takes place in police station with the suspect turning into a werewolf.

Hall has embraced the hybrid approach of both practicle and digital effects work as seen in his Laid to Rest films, alongside Don Coscarelli’s forthcoming John Dies at The End, “Wilfred,” and the Steven Schnieder (Paranormal Activity, Tall Man) produced Sxtape, among others.

It makes sense,” says Hall. “I’ve been trying to achieve the perfect balance of digital and practical on my films for years and so many folks have taken notice that we just cant keep it to ourselves anymore…it’s growing, and making the company stronger.” He continues, “I’ve done several movies with Steven Schneider and I really loved the script for WER. Matt, Brian and Morris really know what they want and are not afraid to collaborate. I’m very excited about what we’re making together on this picture.

Hall jokes: “Its juicy…in all the right places…

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R-Rated ‘The X-Files: I Want to Believe’ Director’s Cut Gets New Title and Streaming Premiere Date

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R-Rated The X-Files: I Want to Believe

After a slight delay, Disney has finally announced a new streaming date for the R-Rated director’s cut of The X-Files: I Want to Believe. According to Gizmodo, it’ll also come with a new title.

The X-Files: I Want to Believe Vrach Frankenshteyn begins streaming on Hulu on August 14. 

The new cut was first teased in an interview with director Chris Carter on the Fail Better With David Duchovny podcast from last year, where he teased a much scarier movie he intended.

Now I have a chance to go back and make the scary movie that I always intended to make,Carter explained last year.It’s not just doing a Director’s Cut to do a Director’s Cut. It’s really kind of bringing to life something that for me was on the page and never got to the screen.

The director’s cut of the film was initially set to arrive on Disney+ in June, but quietly disappeared from the schedule without a word. Polygon reported the delay wasdue to some last-minute adjustments being made to the film.” 

The release’s newVrach Frankenshteyn” title certainly suggests those adjustments have been made, likely referring to a Frankensteining of bonus footage.

In the film, Mulder (David Duchovny) and Scully (Gillian Anderson) have been out of the FBI for several years, with Mulder living in isolation and Scully having become a doctor at a Catholic hospital, where she has formed a bond with a critically ill child patient.

When an FBI agent is mysteriously kidnapped, and a former Catholic priest who has been convicted of pedophilia claims to be experiencing psychic visions of the endangered agent, Scully is asked to bring Mulder back to the bureau to consult on the case because of his work with psychics.

The brand new R-rated cut willfaithfully restore the filmmaker’s original vision.

Look for it on Hulu next month.

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