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TV: Image From “Dexter” Season Seven, It’s Not Gonna Ignore The Deborah Situation…
A new on-set snapshot from the seventh season of “Dexter” provides some decent support for their assertion that they’ll tackle Deborah’s simultaneous love declaration and discovery of Dexter’s dark passenger head on. Executive producer Scott Buck tells TV Guide, “Viewers might think we shy away from that moment of Debra walking in and seeing Dexter stabbing into Travis’ chest, but it’s just the opposite. She now has to deal with what she’s seen and what she knows. And it forces him to defend and define himself.”
For those of you keeping tabs on new characters, Matt Gerald (Avatar, “The Shield”) joined up for a multi-episode arc as a violent blue-collar criminal. Katia Winter (Arena) was cast as a Russian stripper who works in a Miami club. She joined fellow Season 7 newbie Ray Stevenson (“Rome”), who was recently cast a high-ranking member of an Eastern European crime ring who arrives in Miami determined to learn who killed one of his associates, and TV vet Jason Gedrick as the owner of the club where Winter’s character works.
“Dexter”‘s seventh season is set to premiere Sunday, September 30. Head inside for the (smallish) pic.
We have an exclusive first look at A Man in the Woods With an Axe, a blood-soaked, genre-twisting homage to 1980s slasher films.
Spanning four decades, A Man in the Woods With an Axe begins in the summer of 1987 before pushing into the modern era, weaving together timelines and perspectives in a way that builds both dread and intrigue.
Drawing inspiration from genre standouts like Tucker and Dale vs. Evil, Hatchet, and The Cabin in the Woods, the film blends visceral horror with moments of dark humor, creating a uniquely balanced experience that honors tradition while carving its own identity.
Writer-director Dillon Brown (Primal Darkness) aims to deliver everything fans crave from a slasher while boldly subverting expectations with a mid-film twist that redefines the story.
“This is an unapologetic love letter to the films that made me fall in love with horror,” Brown tells Bloody Disgusting. “But I didn’t just want to recreate that feeling; I wanted to challenge it. About halfway through, the film takes a turn that completely changes how you view not only this story, but the genre itself.”
Brown describes the vintage-inspired production as “far and away the bloodiest film I’ve ever made,” with practical effects helmed by Cody Ruch (The Mill, Pig Hill), an instructor at Tom Savini’s Special Make-Up Effects Program.
From Horror Dadz Productions, A Man in the Woods With an Axe is currently in production and targeting an early 2027 release.
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