Movies
Verbinski’s ‘Bioshock’ Hits Troubled Waters
Literally this very morning I busted out my copy of Bioshock and restarted my venture into the underwater city of Rapture, one of the most mystical, beautiful… and insanely terrifying cities on the planet. With the sequel on its way to game systems this year, and director Gore Verbinski passing on a fourth Pirates film to fast track the live-action feature film adaptation, I couldn’t wait a second longer to dive make into that universe. Too bad Verbinski and Universal can’t figure their sh*t out and Uni has pulled the drain on the project… for now. Read on for the skinny.Via Variety:
“Universal Pictures has put the brakes on “Bioshock,” the Gore Verbinski-directed live action adaptation of the bestselling Take-Two Interactive vidgame. The picture was in pre-production, but the studio has halted that effort–and let some production staff go–as Universal and Verbinski figure out a way to make the film at a more reasonable budget.
Sources said that the John Logan-scripted picture was gearing up to shoot in Los Angeles, but that changed when the budget rose to the vicinity of $160 million. U and Verbinski are looking at alternatives like shooting in London as a way to pare costs. The plotline takes place in the underwater city Rapture, where a pilot crash-lands near a secret entrance and becomes involved in a power struggle.
“We were asked by Universal to move the film outside the U.S. to take advantage of a tax credit,” Verbinski said. “We are evaluating whether this is something we want to do. In the meantime, the film is in a holding pattern.”
Verbinski and sources at the studio say they are determined to make the pic. Indeed, Verbinski (who has also been directing the Paramount animated film “Rango” with Johnny Depp) bowed out of directing a fourth installment of “Pirates of the Caribbean” so that he could direct “Bioshock” and produce under his Blind Wink banner.
Studio sources said that the budget simply became untenable, but U sources said this is no different than when the studio delayed the start of the untitled Robin Hood pic that Ridley Scott is now directing with Russell Crowe starring. U is making that picture for $130 million, a much lower budget that in its first incarnation. For a number of reasons that included the need for extra script work, that picture temporarily halted, a move which enabled Crowe to star in “State of Play” when Brad Pitt fell out.
All parties vow that “Bioshock” will not become another “Halo,” the live action adaptation of the Microsoft game that was going to be turned into a film by U and Fox until both studios got cold feet and cancelled the deal over budget fears.
Universal acquired “Bioshock” in a multi-million dollar deal against gross points with Take-Two (Daily Variety, May 8).”
The trailer for Ti West’s upcoming adaptation of A Christmas Carol raised a lot of eyebrows when it dropped earlier this week. While plenty of folks initially dismissed Ebenezer as a derivative project meant to cash in on the recent wave of unnecessary prequels that expand the backstory of beloved characters (such as 2023’s Wonka), Charles Dickens’ original novel already made a point of exploring Ebenezer Scrooge’s origins in detail – meaning that this new film is likely just a particularly faithful adaptation of the source material under a different name.
Couple that with the fact that the movie is being helmed by a genuine horror auteur and I think it’s safe to say that the latest iteration of the first modern ghost story is in good hands.
That being said, one detail that immediately jumped out at me during the brief teaser (other than a blink-and-you’ll-miss-it nod to Johnny Depp’s iconic bedroom death scene from the original A Nightmare on Elm Street) is the fact that many of Ebenezer’s ghosts appear to have been directly lifted from the iconic John Leech illustrations that accompanied the first edition of Dickens’ novel.
Here are a couple of stills from the trailer compared to the original artwork:
The Ghost of Christmas Yet to Come in ‘Ebenezer’ and ‘A Christmas Carol’
The Phantoms in ‘A Christmas Carol’ and ‘Ebenezer’
Marley’s Ghost in ‘Ebenezer’ and ‘A Christmas Carol’
Mainly working with old-school wood and steel engravings that would later be transferred to print, Leech was instrumental in crafting the iconic look of history’s most influential phantoms – especially since Dickens is said to have been deeply involved with the creation of these so-called “comic illustrations.”
And since the novel is commonly said to have popularized spiritualism in Victorian England, much of the ghostly iconography that we still see in genre media to this very day (including some of Ti West’s previous films) can be traced back to the author’s partnership with Leech.
Ebenezer won’t be the first A Christmas Carol adaptation to borrow heavily from these designs, but I can appreciate how Ti West is incorporating an important part of horror history into his latest film.
Ebenezer will be available in theaters starting November 13.
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