Movies
Crime Scene in Latest ‘Texas Killing Fields’ Clip, Hi-Res Gallery!
Anchor Bay has provided us with a hi-res image gallery and a third clip for Texas Killing Fields, the Ami Canaan Mann-directed thriller arriving in limited theaters on October 14.
Directed by Ami Canaan Mann, daughter of acclaimed Director Michael Mann, the thriller is inspired by true events and “follows a local homicide detective (Sam Worthington) in a small Texan town and his partner, a transplanted cop from New York City (Jeffrey Dean Morgan) as they track a sadistic serial killer dumping his victims’ mutilated bodies in a nearby marsh locals call ‘The Killing Fields.’
The killer changes the game and begins hunting the detectives, teasing them with possible clues at the crime scenes while always remaining one step ahead. When a familiar local girl, Anne (Chloe Grace Moretz) goes missing the detectives find themselves in a race against time to find the killer and save her life.”
Click the image for the gallery.
The feature directorial debut of Emily Robinson (Eighth Grade) is titled Ugly Cry, and Deadline reports that Obscured Releasing has picked up the movie for U.S. distribution.
Ugly Cry is expected to be released in theaters this Fall and later on Digital.
Also starring Emily Robinson, the horror-comedy follows a young Hollywood actress’ dark descent into body dysmorphia as she struggles to fulfill impossible beauty standards.
Ryan Simpkins, Aaron Dominguez and Robin Tunney also star.
Emily Robinson wrote the film in addition to directing and starring.
“Ugly Cry contemplates the horror of having a body in the age of the internet. What’s scarier, cringier, and funnier than modern society?” said Robinson. “Our collaboration with Obscured began at SXSW, which made it clear no one understands our genre-bendy feature better than they do. We’re thrilled to be partnering with them for our North American release.”
“Emily Robinson’s feature debut represents the discovery of a true talent in filmmaking,” said Obscured Releasing. “Her writing is so acute, her performance as Delaney finds all the nuances within the character, and her masterful direction of an incredible cast reminds us of the early thrillers of Hitchcock with an acerbic modern lens.”