Movies
Finally Some Uber-Creepy Stills From Religious Horror ’11-11-11′!
I’m a huge fan of religious horror (Exorcist, Omen, Ninth Gate) which is why I’m crazy excited for Rocket Releasing and Big Air Studios’ 11-11-11, Darren Lynn Bousman’s take at a Biblical apocalypse that opens on November 11. While most of the cool stuff has been kept in secret, the Gates of Hell have finally been opened as we’ve landed a handful of demonic imagery (and behind-the-scenes pics) that can be enjoyed after the break.
“After the tragic death of his wife and child, famed American author Joseph Crone travels from the United States to Barcelona, Spain to reunite with his estranged brother Samuel and dying father, Richard. However, fate has a different plan for Joseph as his life becomes plagued with strange happenings, and the constant sightings of the number 11. Curiosity quickly turns to obsession, and Joseph soon realizes that this number holds a horrific meaning not only to himself but possibly to all of religion. Isolated in a foreign country with only the support of his companion, Sadie, Joseph soon realizes that 11/11/11 is more than just a date, it’s a WARNING!” Timothy Gibbs, Michael Landes, Wendy Glenn, Lluis Soler, Ángela Rosal, Brendan Price, Salomé Jimenez, Benjamin Cook and Montse Alcoverro all star.
Bousman, who directed Saw II-IV, Repo! and Mother’s Day, is currently filming The Barrens in the outskirts of Toronto. 
Netflix is reuniting with Emilia Perez director Jacques Audiard on an adaptation of French horror novel La Nuit ravagée, Variety reports today.
The project is described as an elevated horror film based on the critically acclaimed horror novel by Jean-Baptiste Del Amo.
It’s set in “Saint-Auch, a fictional suburb on the outskirts of Toulouse in Southern France, in the early 1990s. It follows a group of teenagers drawn to an abandoned house that exerts a strange power on them. After one of their friends dies under disturbing circumstances, they decide to enter the house, not suspecting it’s alive with something supernatural. Once they enter it, it begins to feed on their private fears, desires, and traumas, turning their psychological vulnerabilities into something monstrous and inescapable.“
The French-language Netflix original marks Audiard’s first foray into horror.
The divisive Emilia Perez, Audiard’s Spanish-language musical crime drama, amassed 13 nominations at the 97th Academy Awards but also met with controversy when offensive tweets by star Karla Sofía Gascón during the film’s award campaign.
Del Amo’s source novel was published last year and has been described as an homage to ’80s and ’90s horror in the vein of Stephen King, though its social realism is what lends itself to the elevated horror concept and Audiard’s attachment to the project.
Stay tuned for more as it arrives.
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