Music
Baroness’ John Baizley: “Simply Put: It’s Time To Get Back To It”
Prog sludge metal band Baroness singer/guitarist John Baizley has issued an update regarding the band’s current situation as well as his own personal recovery since the bus accident that left him with a broken arm and a broken leg earlier this year.
In the update, Baizley also posted a video of himself and guitarist Pete Adams performing their song “Stretchmarker” acoustically. The song comes from their latest album Yellow & Green (review). This is the first performance footage from the band since the bus accident. It’s a beautiful rendition and well worth checking out.
You can read the full statement and watch the video below.
John Baizely:
“Simply put: it’s time to get back to it. Since my belated and thankful return to the USA (after our painful test in motorcoach-aeronautics) i can definitively say i’ve exhausted my reserve of potential leisure activities (there’s not that many of them, after all). in recent weeks, i’ve come dreadfully close to boredom, and in those moments i can’t help but focus on my glaring physical infirmities. television offers little respite from this relative stasis; i’m sure by now i have sampled every biker-meth-dealer-zombie-low-talking-cop-crime-scene-serial-killer-real-housewife soap opera that is currently being broadcast (and there’s no small number of them). i’ve tried to fill my weekly routine with as much physical therapy as possible but the truth is, PT is not fun, and its benefits come with a great deal of mental/physical/spiritual pain and struggle. furthermore, i believe am getting a touch of Stockholm syndrome when it comes to my doctors and therapists (the highlight of my week should NOT involve a clinic). music might be the best therapy i have right now. perhaps it’s both the cause and the cure (the thought has crossed my mind); but i feel lost without it. Pete and i have just spent a long week surveying our musical wreckage and, surprisingly, we are quite well and intact. sure, there’s some substantial obstacles to overcome before we write, record or perform any time soon; but we still have everything we need to get “back in” that particular “saddle again”. Most of my peers are familiar with such high-school-gym-teacher poeticisms as “risk equals reward” and “no pain, no gain”; but did any of us every really believe there was any real wisdom in those adolescent platitudes? i didn’t. i am, however, starting to understand the essence of these and many of our other favorite cliches.
as odd as it might be for me to write these “updates” after 10 years of personal silence on the internet, i feel that i owe everyone who’s voiced or given their support to Baroness a brief synopsis of our situation and more importantly a heartfelt thanks. honestly, it has made this ordeal much easier on me. what little publicity that surrounds our crash has given voice to so many people who have shared their own stories of injury, trauma and struggle with us, and has furthered my own faith in the communicative and universal strength of music. as every singer on every stage has nightly said, “we wouldn’t be where we are without you.” thanks everyone. we look forward to seeing you soon. here’s a short clip of a song we wrote.”
Got any thoughts/questions/concerns for Jonathan Barkan? Shoot him a message on Twitter or on Bloody-Disgusting!
Music
John Carpenter Releases New Single “The Ferryman” From Upcoming Audio/Visual Project ‘Cathedral’
Horror master John Carpenter and bandmates Cody Carpenter and Daniel Davies have released “The Ferryman“, the second single from Carpenter’s upcoming audiovisual project Cathedral.
The graphic novel arrives on August 4 through Storm King Comics, with the companion album following on August 7 via Sacred Bones Records.
In other words, every track on the companion album corresponds to a chapter in the book, with liner notes guiding listeners through the story as they read.
The 120-page graphic novel is written by Carpenter, editor/producer/wife Sandy King, and Sean Sobczak, illustrated by Federico De Luca and Luis Guaragna, colored by Ryan Winn, and lettered by Marshall Dillon.
“I like that one because it really seems to feature all three of us in a special way,” guitarist Daniel Davies said in a statement about the new single. “It has interesting harmonies that Cody put together and John’s signature pad-style string parts. It’s more of an electronic metal track in a way, but we just wanted to make it as heavy and driving as possible.“
“The Ferryman” follows the previously released “Lord of the Underground“.
The synopsis for Cathedral: “An abandoned cathedral. A gruesome murder. A powerful supernatural entity living in the catacombs. It all comes to a head in downtown Los Angeles. What will happen and who will live to tell the tale? Such is the storyline of Cathedral, the thrilling new album and terrifying graphic novel from legendary director and musician John Carpenter, based on a dream he had in 2024.“
“It was so cinematic and vivid,” the director said. “I thought, ‘I have to score this.’ It’s kind of our first heavy metal album.”
Get ready to immerse yourself in John Carpenter’s universe all over again.

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