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[Blu-ray Review] ‘Phantasm II’ Juggles Absurdity, Comedy, and Suspense
Reviewed by Patrick Cooper
11 years after Don Coscarelli’s Phantasm became a cult hit, Universal decided to bankroll a sequel. By the late ‘80s, horror sequels were tremendously popular, so Universal figured they would pump a bunch of money into a Phantasm sequel and have another cash cow on their hands. Thanks to the enhanced budget, Phantasm II has got some fantastic special effects and explosions, but unfortunately, with great budgets comes great studio intervention.
As Coscarelli explains in Scream Factory’s Blu-ray commentary, Universal wouldn’t let him recast A. Michael Baldwin as the main protagonist, Mike. The studio said they wanted a “working” actor and since Baldwin hadn’t done much in the decade since the first Phantasm, they wouldn’t let Coscarelli bring him back. They had faith in the immense drawing power of actor James LeGros though. The Solarbabies star had a devout band of worshippers at the time (maybe) and seeing his name attached to the sequel would surely have admirers lining up outside the theaters.
I’m just kidding. James LeGros does a fine job as grown-up Mike. They get around the actor switch by having Phantasm II take place a decade later. Part two initially picks up right where one ends and shows what happened to Reggie (Reggie Bannister) while Mike was upstairs. The Tall Man takes Mike and when Reggie runs upstairs he encounters the dwarf-corpses – who are now enhanced with great looking animatronic faces. After some clever gas-oven trickery, Reggie and Mike escape from the house just as it blows up. It’s a fun action sequence – particularly when Reggie has to climb up a shaft while the dwarves are nipping at his heels.
The film then jumps a decade into the future. Mike is in a psychiatric hospital and has recently been dreaming of a blonde girl named Liz (Paula Irvine) who is experiencing Tall Man problems herself. The two achieve a telepathic link and when Mike prophetically senses that Liz is in danger (not just dreamland danger), he escapes from the loony bin to save her. Shortly after, he teams up with Reggie, who seems to have forgotten that a decade earlier he had to blow up his own house to save their asses. He’s convinced himself it was all a hallucination or dream or something, so as he and Mike are driving up to his new house, it explodes to remind him the Tall Man is real.
Mike and Reggie hit the road using Mike’s dreams and psychic hunches as a map to the Tall Man. They create some pretty badass makeshift weapons, like a 4-barreled shotgun and a fire extinguisher flamethrower, and cruise cross-country in a muscle car. The film cuts between their vengeful road trip and Liz’s encounters with the Tall Man. Things really don’t pick up until the two parties meet and go after the Tall Man in his funeral home headquarters. At a nearby bed and breakfast they set up some great booby-traps, like a hand grenade in a beer can attached to a string and the ol’ shotgun aimed at the door gag. All the real action happens at the funeral home though.
The balls are back (as the tagline reads) and they’ve got some souped-up tricks. One can burn through a door and another has a motion-sensor laser. There are a few great ball-POV shots when they’re chasing Mike and Liz. One continuous POV shot goes through some doors – like the spirit in Evil Dead. All of the special effects look great and stand up decades later. With these 1080p HD Blu-rays of older horror films, a lot of times the clearer definition and details can spoil the effects. It’s easier to spot zippers and things like that. There are none of those effect blemishes on the Phantasm II Blu-ray. The effects and gore look like they were shot yesterday. In particular, the hunchback puppet and crawling dwarf-fetuses look amazing.
Because of test screenings mandated by Universal, Coscarelli was forced to create a more linear film and tone down the hallucinatory, stream-of-consciousness storyline that made the first one so unique. The result is a more action-orientated film and I’m fine with that. Most importantly, the fun of the first one is there. Coscarelli is a master of juggling absurdity, comedy, and suspense in his films and Phantasm II is no different. It’s a great sequel and is finally getting the packaging deserves via Scream Factory.
A/V
Scream Factory presents Phantasm II in 1080p 1.78:1 widescreen with 5.1 DTS Master Audio. The transfer is pretty damn flawless. Like I said in the review, it looks like a brand new movie. Colors pop, blood glistens, and embalming fluid sparkles. The details are stunning – you can count the wrinkles on Angus Scrimm’s face.
Special Features
AUDIO COMMENTARY FEATURING DON COSCARELLI, ANGUS SCRIMM, AND REGGIE BANISTER: Coscarelli talks about Universal’s restrictions and the compromises they led to. The usual process aspects are covered (writing, casting, filming) with some fun anecdotes thrown in.
THE BALL IS BACK: THE MAKING OF PHANTASM II (47:00): This making of features Coscarelli, Angus Scrimm, Reggie Bannister, Paula Irvine, and Kenneth Tigar. Coscarelli talks about the reasons II has a more linear approach, the creative compromise that led to A Michael Baldwin not being recast as Mike, and the deleted love making scene, and several other aspects of the film. The rest of the cast throws in their two cents, most notably Angus Scrimm, who reveals what he believes the Tall Man really is.
GORY DAYS (22:00): This vintage featurette looks at the career of special effects artist Greg Nicotero. Greg talks about his involvement in the project and the crew’s approach to Phantasm II’s gnarly effects. There’s loads of fantastic behind the scenes footage of the effects crew taking care of business.
DELETED SCENES (7:00): Scream Factory restored a few deleted scenes from 35mm archival footage. There are extended scenes of Liz going through her notebook, Reggie’s house exploding, and Liz and her grandma driving to the funeral.
WORKPRINT SCENES (7:00): Alternate takes, scene extensions, deleted sequences, and additional elements of gore. Includes the deleted sex scene!
BEHIND THE SCENES FOOTAGE: Two 10-minute segments of behind the scenes footage.
VERY BIZARRE AND RARE SHORT FILM STARRING ANGUS SCRIMM AS ANOTHER TALL MAN, ABRAHAM LINCOLN.
STILL GALLERIES, TRAILERS & TV SPOTS
Home Video
Halloween Classic ‘Lady in White’ Now Available on 4K Ultra HD from Vinegar Syndrome
Scream Factory brought Frank LaLoggia’s 1988 Halloween movie Lady in White to Blu-ray several years back, and now Vinegar Syndrome gives the film a 4K Ultra HD upgrade.
Vinegar Syndrome’s Lady in White 4K release is available now and shipping now!
Watch the trailer below and grab your copy from Vinegar Syndrome today.
This limited edition 4-disc 4K UHD/Blu-ray x 3 set comes with a spot gloss hard slipcase + slipcover combo (designed by Dylan Haley), includes a 40-page perfect bound book and is limited to 8,000 units. It is only available on their website and at select indie retailers.
The full Special Features package includes…
- 4-disc Set: 1x 4K Ultra HD (High Bitrate BD100) / 3x Region A Blu-ray
- 4K UHD presented in Dolby Vision High-Dynamic-Range
- Newly scanned & restored in 4K from its 35mm original camera negative
- Presented in three versions: 126-min Pre-Release Director’s Cut (UHD+BD), the 118-min Extended Home Video Cut (BD), and the 113-min Theatrical Cut (BD)
- New group commentary track with writer/director Frank LaLoggia, alongside actors Lukas Haas, Joelle Jacobi, and Len Cariou for the Pre-Release Director’s Cut
- New commentary track with Frank LaLoggia, moderated by Scott Neumyer for the Extended Home Video Cut
- New commentary track with authors Emma Westwood and Stephen A. Russell for the Extended Home Video Cut
- Archival commentary track with Frank LaLoggia for the Extended Home Video Cut
- “Learning How to Fly” (10 min) – an interview with actress Karen Powell
- “A Snapshot in Time” (9 min) – an interview with actress Lisa Taylor
- “Human Touches” (6 min) – an interview with actress Lucy Lee Flippin
- “Still Relevant” (16 min) – an interview with actress Rose Weaver
- “75% Listening, 25% Editing” (9 min) – an interview with editor Steve Mann
- “Welcome to Willowpoint Falls” (6 min) – a location featurette hosted by Benjamin Scrivens, founder of Fright-Rags
- “Dream Talking: Looking Back” – a visual group commentary for the Pre-Release Director’s Cut with Frank LaLoggia, and actors Lukas Haas, Joelle Jacobi, and Len Cariou (103 min)
- Deleted Scenes with introduction and optional commentary by writer/director Frank LaLoggia (36 min)
- Behind-the-scenes footage with introduction and optional commentary by writer/director Frank LaLoggia (16 min)
- Extended behind-the-scenes footage (73 min)
- Introduction from the 20th anniversary dvd release
- Promotional ‘industry sales’ trailer (7 min)
- 40-page perfect bound book with essays by film historians Molly Henery, Mark H. Harris, and Heidi Honeycutt (limited edition only)
- Multiple radio spots
- Theatrical trailer
- Multiple TV spots
- Workprint trailers (7 min)
- Still gallery
- Reversible sleeve artwork
- English SDH subtitles
1962. Nine-year-old Frankie Scarlatti enjoys a homespun childhood in a rustic Western New York town. The entire community gets into the spirit of Halloween, but then two bullies prank Frankie by locking him in his school cloakroom, leaving him trapped for the night. Alone and afraid, his slumber is interrupted when the ghost of a little girl appears, and Frankie witnesses the specter of her murder by an unseen assailant. Later, while recovering at home, the girl’s ghost appears to him again. With help from his older brother, Frankie begins investigating the circumstances of her death. He soon discovers that her murder was one of several unsolved crimes connected to a local child-killer. As the town’s bucolic veneer fades and long-buried secrets and tensions bubble to the surface, all of the clues to the mystery seem to point towards a huge mansion inhabited by a reclusive woman known as “The Lady in White.”
A nostalgia-driven ghost story wrapped within an intricate murder mystery and coming-of-age drama, writer-director-composer Frank LaLoggia’s passion project Lady in White remains one of the most beautiful and original American horror films of the 1980s. Featuring acclaimed actors Alex Rocco (The Godfather), Len Cariou (Executive Decision), and Sydney Lassick (Carrie, The Unseen), it boasts the first starring role by Lukas Haas (Mars Attacks, Inception) as well as breathtaking photography by Academy Award® winner Russell Carpenter (True Lies, The Lawnmower Man). Vinegar Syndrome is honored to bring this genre masterpiece to 4K UHD, newly restored from its original 35mm camera negative and presented in three versions: its pre-release director’s cut, its extended home-video version, and its original theatrical version, along with an abundance of both new and archival extras.
Paul Lê wrote here on Bloody Disgusting back in 2023, “Over the years, fans have described this film as gateway horror, but they liken it more to The Watcher in the Woods than, say, Hocus Pocus or Casper. There are chilling moments that warrant its PG-13 rating.”



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