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It’s Official: Jamie Foxx is Your New ‘Spawn’

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The Jamie FoxxSpawn love story began five years ago when the star told Movies.com that he was “aggressively pursuing” a role in the Todd McFarlane-directed comic adaptation. “Spawn is one, yeah. And Mike Tyson,” said Foxx. “Those are two roles I would just love to do. I’m aggressively pursuing them.”

Now, with Blumhouse backing the new live-action Spawn, McFarlane has been teasing “big names” to star, even though it’s asserted that the title character/Al Simmons will have a minor role and won’t speak. Today, it’s been confirmed that Foxx will star as the title character, an elite mercenary (Al Simmons) who is killed but comes back from Hell as a reluctant soldier of the Devil.

“The scariest movies, from Jaws to John Carpenter’s The Thing, or The Grudge and The Ring, the boogeyman doesn’t talk,” McFarlane told Deadline, who confirmed the news.

“Spawn” was the first massive launch pad for Image Comics in May of 1992. New Line Cinema would adapt the comic in 1997 with Michael Jai White starring alongside John Leguizamo. A “Spawn” animated series also ran from 1997-1999 totally 18 episodes. It’s about damn time for a revival.

McFarlane previously teased that the new film will be a “dark/hard ‘R’ and be about the boogeyman.

Deadline says the new incarnation has Foxx playing “Al Simmons”, a member of a CIA black ops team who is betrayed twice. After being set up by his cohorts to be murdered with his corpse set aflame, Simmons is double-crossed in Hell. He is convinced to become a Hellspawn warrior in exchange for being able to be reunited with his wife. But Spawn finds himself stuck in a demonic creature shell, and that his wife moved on and married his best friend. So this is one pissed off antihero who attends to dispatching the scum of the city in good and evil battles that encompass earth, heaven and hell.

There are plans for a trilogy, assuming the first is a hit:

“I’m mentally exhausted from origin stories,” said McFarlane.

He added: “We’ll eventually do some of the background if we make a trilogy, but that’s not this first movie. The first movie is just saying, do you believe? And if you believe than that’s good because I’m hoping to take you for a long ride with this franchise.”

You can read the full interview over at Deadline.

Fan art courtesy of Boss Logic

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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[Review] Graphic Novel ‘Tender’ Is Brilliant Feminist Body Horror That Will Make You Squirm & Scream

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Tender Beth Hetland Graphic Novel

Beth Hetland’s debut graphic novel, ‘Tender,’ is a modern tale of love, validation, and self-destruction by way of brutal body horror with a feminist edge.

“I’ve wanted this more than anything.”

Men so often dominate the body horror subgenre, which makes it so rare and insightful whenever women tackle this space. This makes Beth Hetland’s Tender such a refreshing change of pace. It’s earnest, honest, and impossibly exposed. Tender takes the body horror subgenre and brilliantly and subversively mixes it together with a narrative that’s steeped in the societal expectations that women face on a daily basis, whether it comes to empowerment, family, or sexuality. It single-handedly beats other 2023 and ‘24 feminine horror texts like American Horror Story: Delicate, Sick, Lisa Frankenstein, and Immaculate at their own game.

Hetland’s Tender is American Psycho meets Rosemary’s Baby meets Swallow. It’s also absolutely not for the faint of heart.

Right from the jump, Tender grabs hold of its audience and doesn’t let go. Carolanne’s quest for romantic fulfillment, validation, and a grander purpose is easy to empathize with and an effective framework for this woeful saga. Carolanne’s wounds cut so deep simply because they’re so incredibly commonplace. Everybody wants to feel wanted.

Tender is full of beautiful, gross, expressive artwork that makes the reader squirm in their seat and itch. Hetland’s drawings are simultaneously minimalist and comprehensively layered. They’re  reminiscent of Charles Burns’ Black Hole, in the best way possible. There’s consistently inspired and striking use of spot coloring that elevates Hetland’s story whenever it’s incorporated, invading Tender’s muted world.

Hetland employs effective, economical storytelling that makes clever use of panels and scene construction so that Tender can breeze through exposition and get to the story’s gooey, aching heart. There’s an excellent page that depicts Carolanne’s menial domestic tasks where the repetitive panels grow increasingly smaller to illustrate the formulaic rut that her life has become. It’s magical. Tender is full of creative devices like this that further let the reader into Carolanne’s mind without ever getting clunky or explicit on the matter. The graphic novel is bookended with a simple moment that shifts from sweet to suffocating.

Tender gives the audience a proper sense of who Carolanne is right away. Hetland adeptly defines her protagonist so that readers are immediately on her side, praying that she gets her “happily ever after,” and makes it out of this sick story alive…And then they’re rapidly wishing for the opposite and utterly aghast over this chameleon. There’s also some creative experimentation with non-linear storytelling that gets to the root of Carolanne and continually recontextualizes who she is and what she wants out of life so that the audience is kept on guard.

Tender casually transforms from a picture-perfect rom-com, right down to the visual style, into a haunting horror story. There’s such a natural quality to how Tender presents the melancholy manner in which a relationship — and life — can decay. Once the horror elements hit, they hit hard, like a jackhammer, and don’t relent. It’s hard not to wince and grimace through Tender’s terrifying images. They’re reminiscent of the nightmarish dadaist visuals from The Ring’s cursed videotape, distilled to blunt comic panels that the reader is forced to confront and digest, rather than something that simply flickers through their mind and is gone a moment later. Tender makes its audience marinate in its mania and incubates its horror as if it’s a gestating fetus in their womb.

Tender tells a powerful, emotional, disturbing story, but its secret weapon may be its sublime pacing. Hetland paces Tender in such an exceptional manner, so that it takes its time, sneaks up on the reader, and gets under their skin until they’re dreading where the story will go next. Tender pushes the audience right up to the edge so that they’re practically begging that Carolanne won’t do the things that she does, yet the other shoe always drops in the most devastating manner. Audiences will read Tender with clenched fists that make it a struggle to turn each page, although they won’t be able to stop. Tender isn’t a short story, at more than 160 pages, but readers will want to take their time and relish each page so that this macabre story lasts for as long as possible before it cascades to its tragic conclusion. 

Tender is an accomplished and uncomfortable debut graphic novel from Hetland that reveals a strong, unflinching voice that’s the perfect fit for horror. Tender indulges in heightened flights of fancy and toes the line with the supernatural. However, Tender is so successful at what it does because it’s so grounded in reality and presents a horror story that’s all too common in society. It’s a heartbreaking meditation on loneliness and codependency that’s one of 2024’s must-read horror graphic novels.

‘Tender,’ by Beth Hetland and published by Fantagraphics, is now available.

4 out of 5 skulls

Tender graphic novel review

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