Indie
WORLD OF DEATH Ep. 160 – The Last Stop
Dope as Fuck…
Today’s entry into the World of Death can only be described as “Dope as Fuck”. As an honor bound southsider born and raised in the City of Chicago, I do not throw those words around lightly. The “Dope as Fuck” rating is reserved only for people/places/things that truly are “Dope as Fuck”, but I assure you ladies and gentlemen that The Last Stop, from Davenport, Iowa’s own Izzy Sutton and Chris McClyea, is truly dope as fuck.
What makes The Last Stop dope as fuck? Its brisk six minute running time unfolds the narrative of an exterminator making his titular last stop of the day. The tension expertly mounts thanks to a Carpenter-esque score, proving once again that minimalist synth is fast becoming to horror movie sound design what E-A-B is to rock and roll chord progressions.
When the monster of the piece is finally revealed… words cannot even begin to describe the joy it brought into my heart. Oh wait, they CAN describe it, and that description is dope as fuck! Stories like this live and die on creature design and execution. The monster our poor doomed exterminator meets in the basement is something out of a Gwar music video. The Last Stop utilizes practical effects and I doubt I’m the only filmmaker looking to get Quad City Creature Fabrication and FX involved in their next project.
“This is the most fun you’ll have at the movies all year!” – Poster-bait
– Pat O’Sullivan
World of Death is the web series that fans of independent horror have been waiting for. Featuring short horror films from all over the globe created by the largest variety of talent that a collection has ever been able to boast, WOD provides plenty of blood, guts, screams and laughs for all fans of the macabre. And with episodes averaging around eight minutes in length, WOD is the perfect entertainment for a fan base constantly on the go. Watch it anywhere, at any time, for FREE! New episodes premiere every Monday and Thursday at 10am CST.
WATCH HERE
Her House of Horrors, the horror division of Independent Production House WOMXNOGRAPHY, has launched its Bite Size Short Grant Program, ahead of its film festival Dollhouse of Horror, which will take place in March 2025 in Los Angeles, CA.
The Bite Size Short Grant Program awards $2,000 film grants to female-identifying and queer horror filmmakers. Shorts must be able to be made for $2,000, with a minimum runtime of 8 minutes. Submissions are now open on Filmfreeway, and are being judged by a panel of horror lovers and content creators.
The 2024 Bite Size Short Grant Program judge lineup is as follows:
“James H. Carter II- A documentary director, film producer, podcaster, marketing specialist, and writer. James is the founder and co-owner of Creepy Kingdom. Creepy Kingdom was founded in 2011 and is a multimedia website, and production studio specializing in creepy content. Their primary focus lies at the intersection of childlike fantasy and the macabre, covering horror films, theme parks, haunts, and much more. Beyond their extensive media coverage, Creepy Kingdom hosts events, offers original merchandise, and engages in film production under the Creepy Kingdom Studios brand producing original films like “Foolish Mortals”, exploring Disney’s “Haunted Mansion” fan culture, and “Georgie”, featuring Tony Dakota from the original “It” miniseries.
“In addition to founding Creepy Kingdom, James has won awards for his documentary work, including the award-winning “Foolish Mortals,” which has earned him recognition. He has been featured on Freeform’s 31 Nights of Halloween special.
“Ashleeta Beauchamp is the editor-in-chief of Peek-A-Boo! Magazine, a cheeky horror magazine created to uplift marginalized writers, artists, models and other creators within the horror community. She also runs The Halloween Coalition, a community group to provide support and marketing for horror and Halloween events around the Southern California area.
“Titeanya Rodríguez is a multi-hyphenate creative, and the founder and owner of HER HOUSE OF HORRORS, home of DOLLHOUSE OF HORROR and the horror division of WOMXNOGRAPHY. As a fellow storyteller and a self-proclaimed artivist, Titeanya’s mission is to create opportunities for women of color and queer women, across film, tv, sports, music, and beyond. She is also the creator of the BITE SIZE SHORT grant program.”
Winners will have a one-night theatrical screening at Regal Cinemas. Submissions Close April 8 at Midnight. Winners will be announced on May 27, 2024. Shorts must be shot and through post-production by June 30, 2024. The screening will take place on July 8, 2024, in Los Angeles, CA.
WOMXNOGRAPHY, HER HOUSE OF HORRORS, and Rodriguez are represented by Azhar PR, Granderson Des Rochers, and Kinsella Holley Iser Kump Steinsapir.
To submit your short to the Bite Size Short Grant Program, go to the FilmFreeway link here.
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