Movies
Oh Hell, ‘The Blackcoat’s Daughter’ Just Got Pushed to 2017…
Incredibly disappointing news this Monday morning as I just found out that Osgood Perkins’ masterful The Blackcoat’s Daughter (read my review), starring Emma Roberts (“American Horror Story”, “Scream Queens”) and Kiernan Shipka (“Mad Men,” Carriers), has been delayed until an undisclosed 2017 date.
One of the best films I saw in 2015, A24 (The Witch) was set to release the Satanic chiller August 25th on DirecTV, with a theatrical run set for September 30th.
Now, we’re going to waiting another several months to see what’s easily one of the best slow-burn horror films this decade.
Lucy Boynton (Miss Porter), James Remar (“Dexter”), and Lauren Holly (Dumb and Dumber) also star.
“A deeply atmospheric and terrifying new horror film, The Blackcoat’s Daughter centers on Kat (Kiernan Shipka) and Rose (Lucy Boynton), two girls who are left alone at their prep school Bramford over winter break when their parents mysteriously fail to pick them up. While the girls experience increasingly strange and creepy occurrences at the isolated school, we cross cut to another story—that of Joan (Emma Roberts), a troubled young woman on the road, who, for unknown reasons, is determined to get to Bramford as fast as she can. As Joan gets closer to the school, Kat becomes plagued by progressively intense and horrifying visions, with Rose doing her best to help her new friend as she slips further and further into the grasp of an unseen evil force. The movie suspensefully builds to the moment when the two stories will finally intersect, setting the stage for a shocking and unforgettable climax.”
Principal photography took place in Ottawa on the film written and directed by Osgood Perkins, son of legendary Psycho actor Anthony Perkins.
The Blackcoat’s Daughter is produced by Unbroken Pictures’ Adrienne Biddle and Bryan Bertino (The Strangers), Rob Paris’ Paris Film, Inc. (Everly), Zed Filmworks’ Rob Menzies and Alphonse Ghossein of Go Insane Films. Carissa Buffel and Kevin Matusow are executive producing under their Traveling Picture Show (The Quiet Ones) banner along with 120dB Films’ Peter Graham and Steve Hayes, and Arianne Fraser.
Movies
‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts
In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.
The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.
But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).
Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.
That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.
Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.
Stay tuned for more box office reporting in the coming days.
In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”
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