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Mr. Disgusting’s Top 10 Horror Films of 2015!

BEST and WORST 2015 | via Bloody Disgusting

Mr. Disgusting’s Top 10 Horror Films | 10 More Must-See Horror Films of 2015! | Kalyn’s Top 20 Genre Movies | Adam’s Top 5 Horror Games | T. Blake’s Top 5 Horror Games | Chris’ Best Blu-ray Releases | Chris’ Best Double Features Blu-rays | Trace’s Top 5 Horror Films | Jon’s 5 Best Horror Soundtracks | Jon’s Top 10 Albums | 10 Most Disturbing Moments | 10 Best Horror Movie Posters | 10 Worst Horror Movie Posters | 10 Best Trailers | 10 Worst Trailers | 10 Most Surprising Horror Movies | 10 Most Disappointing Horror Movies | Jorge Solis’ 10 Scariest Comic Books | From Worst to Best: Comic Book & Superhero TV in 2015


As Bloody Disgusting embarks on its 15th year, it’s hard to look back and say any were better than this one.

In 2003 we saw the release of Wrong Turn, The Texas Chainsaw Massacre, Cabin Fever, Freddy vs Jason, Underworld and even Identity, with 2004 becoming the year of SAW, with Dawn of the Dead, Shaun of the Dead also hitting theaters.

But 2015 was still the best, and one worthy of celebration. The reason? With the aid of VOD platforms and direct distribution, independent cinema really took off.

Last year, independent films dominated my “best of” list. But what really bothered me was that none really blew me out of the water. It was a great year, with The Babadook and all, but no title felt like it deserved to be cemented as a statue alongside other greats in the horror parthenon.

While The Babadook was the (unfortunate) clear best genre film of 2014, deciding which deserved the honor this year was a painstaking process. There were four indie films that easily deserved the honor of being dubbed “the best” – too bad only one will get bragging rights.

[Related Post] 10 More Must-See Horror Films of 2015!

Whatever the case, what you really should be looking at is how there are zero studio productions included on the following list. Yes, ZERO! It’s important to note that all of the below were independently made (some acquired by studio labels), which is incredibly telling. It’s sad that studio slates are filled with franchises and half-assed “packaged” films that all look the same – this leaves no room for them to take a chance on the critically acclaimed indie films that break out during their festival runs.

Hopefully things change in the future. But for now, let’s just celebrate the artists outside of the studio system who put their heart and soul into delivering quality horror…

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