Connect with us

Music

Album Review: Yelawolf ‘Trunk Muzik 0-60’

Published

on

With not a lot of releases last week, I thought I would travel back to a November release I did not know existed until recently. Yelawolf is a rap artist from Alabama whose name is making rounds in the underground scene because of his work with Bizarre of D-12 and a future track with Tech N9ne. He is scheduled to bring his unique style to Warped Tour this summer, so anyone attending should be sure to check out this review of “Trunk Muzik 0-60.”

yelawolftrunkmuzikcover

The first track “Get the Fuck Up” sounds like the best track to hear him perform live. With a banging beat, half the song is rapping and the other half is almost yelling. It does not do much as far as how talented he is though, not like track two “Daddy’s Lambo” does. He shows off how the dirty south can pull off that speed up slow down style the Midwest perfected. Track three “That’s What We on Now” slows down with a hook about a country girl and a pick up truck that makes him sound like the artist from Alabama he is. Track four is the club jam “I Just Wanna Party.” Featuring mainstream artist Gucci Man, this track will definitely get stuck in your head. Track five “Billy Crystal” has a very enjoyable beat, but it is definitely not some of his best writing. It focuses too much on the story and not enough on the lyrics. Track six, “Pop the Trunk,” slows down the beat as the lyrics get real gangsta. Track seven “Box Chevy” is another slower beat that speeds up the lyrics in a way that no one could do better. Track eight “Good To Go” brings you a crunk hook with fast lyrics. This track features underground king Bun B and could have been the best track on the album if Bun B just had a couple more bars to do his thing. Track nine “Marijuana” is my favorite track on the album. It features a heavy guitar riff on the beat with more of a straightforward delivery in his rapping. Track ten “Love is Not Enough” is the very catchy love story of the album with very smooth lyrics. Track eleven “I Wish” features Wu Tang Clan alumni Raekwon. It has a very nice drum track in the beat and the lyricists complement each other nicely. The album ends with track “Trunk Muzik.” It’s a nice mellow beat with lots of bass to end the album, but he sings a little too much in the hook. He could have gotten someone with a nicer voice on the hook to make it the perfect ending to the album.

Music

“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

Published

on

John Carpenter music

It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

Continue Reading