Movies
Miley Cyrus Descends Into Dark Dreams With ‘Wake’
Hmmm. On the verge of her 18th birthday, Miley Cyrus may be taking a step into the darkness. The Disney princess is attached to star in an adaptation of Lisa McMann’s young-adult paranormal thriller novel Wake for Paramount Pictures and MTV Films, which are picking up film rights to the property. Disturbia co-writer Christopher Landon will adapt the book for the screen. Wake is the first of three novels written by McMann about a 17-year-old girl named Janie with the unwanted ability to become sucked into people’s dreams. Not surprisingly, she sees things she would rather not see. But when she gets pulled into a terrible nightmare, Janie dangerously goes from mere witness to participant. The edgy sequels, “Fade” and “Gone,” detail her investigations with boyfriend Cabel into the perverse activities of teachers at their school and the difficult fate that lies ahead for her. Paramount and MTV Films are grabbing rights to the entire series — all of which have been New York Times best-sellers — with the desire to spark a franchise.
Oink
Movies
Matilda Firth Joins the Cast of Director Leigh Whannell’s ‘Wolf Man’ Movie
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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