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Box Office Report: Early Horror Estimates

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We just got our hands on early box office estimates that are pretty disappointing. With movies about Facebook and idiotic owls flying around in 3-D, big horror took quite a pounding. Hammer and Overture Films’ Let Me in was beaten and bruised by a overcrowded weekend opening #7 to an estimates $5.3m on 2,021 screens. Paramount’s long delayed Case 39 took #8 with $5m on 2,211 screens. New Media quietly released their long-shelved slasher Chain Letter on 410 screens taking in a mere $106,000. Adam Green’s Hatchet 2 collected $75,000, but on only 67 screens. Inside you’ll find our reviews and links to write your own. Seriously, you had four horror films to choose from, where were you? I better not find out you were watching owls fly around in 3-D…..
CLICK ANY TITLE BELOW FOR OUR REVIEW, OR SHARE YOUR THOUGHTS AT THE OTHER LINK:

LET ME IN (write your review): “Ultimately, if the Swedish version is near perfection, Matt Reeves’s version achieves complete supremacy. Masterpiece is an overused word, but it’s hard to think of another so powerful. Let Me In is the new standard for vampire movies.

HATCHET II (write your review): “While the death scenes are great, if nothing new, and the two laughs in the film are especially gut-busting (one on the racist side, and the other just bizarrely strange), Hatchet II carries few of the first film’s charms.

CASE 39 (write your review): “Alvart clearly favours scares over tension and loads the film with the former while completely ignoring the latter. There are countless jumps to be had, but most are delivered through actions inconsequential to the story (an alarm clock charms unexpectedly, a loud knock at the door) with little suspense generated even as Lillith becomes ever more unpredictable and threatening.

CHAIN LETTER (write your review): When high school senior Jessie Campbell (Nikki Taylor) and her tight-knit group of friends begin to receive a series of foreboding email chain letters, they have no idea the terror that awaits them. With a warning that if they break the chain, they will lose a life, the seemingly harmless email turns deadly when one-by-one the friends that do not forward the chain letter are hunted down and gruesomely killed by horror’s newest villain, the Chain Man.

SCAR 3D (write your review): “SCAR is a thriller/drama mixed with a torture film – when the torture sequences hit the big screen, you’re going to be in for a great time. Some of the sh-t shown was disgusting and brutal… like a girl getting her tongue cut out and thrown on the floor! I found myself cringing on numerous occasions…” (thoughts from 2007!)

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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Matilda Firth Joins the Cast of Director Leigh Whannell’s ‘Wolf Man’ Movie

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Pictured: Matilda Firth in 'Christmas Carole'

Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.

Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things),  Julia Garner (The Royal Hotel), and Sam Jaeger.

The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).

Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.

Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.

Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.

In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.

Wolf Man 2024

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