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[Original] 9/11 – 10 Years Later: A Metal Head’s Plea

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For those of us who are old enough, we can still remember exactly where we were when 9/11/01 happened. For me, I was a senior in high school and I was sitting in my Latin Civilization class. Our teacher had just started ‘The Burning Season’, the film with Raul Julia. The opening credits hadn’t even finished when our principal came in and pulled out our teacher who, a minute later (at the most), came back in, stopped the movie and turned on the news channel where we saw WTC #1 in flames. Not five minutes later WTC #2 was hit. The person sitting next to me burst into tears as other students were frantically calling their family, friends, loved ones, whomever they could get a hold of. 
I can remember more details about that day than I can nearly any other day of my life. But what I remember was the sense of community that poured forth. Yes, we were different cultures, different races, different ethnicities and different genders. But that didn’t matter because we were Americans and we were going to stand together and unite against this horrific attack. For months, the question, “Where were you?” needed no explanation. For one of the first times ever, we were able to understand each other in a way that had never been felt before. And for one of the first times ever, we stood by each other, comforted each other, and helped each other out in ways that had never before been seen.
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So, by now, I’m certain that many of you readers are wondering why I’m even discussing this on BD Music. It is because of the camaraderie and sense of community that was once so strong that I am writing this. The vast majority of music that I write about on here is metal, or some variation thereof, and for years I’ve noticed the complete disconnect between us metal heads. I find myself constantly asking myself, “Why do us metal fans, who already face the scorn and condemnation of the vast majority of society, turn on each other?”
Let me give you an example: Korn, Godsmack, Disturbed, and Five Finger Death Punch. To all of the metal “purists”, these bands would not be called metal or even hard rock in any way, shape, or form. But why? Why the negativity? To be sure, they might not be as heavy as Cannibal Corpse or Meshuggah or Behemoth, but they’ve got the attitude and the want to bring heaviness to the masses. Every night they go up on stage they bring this urge with them, this need to show fans a way to connect the dots; that metal and positivity CAN be one. 
Now, let’s talk about bands like Bullet For My Valentine, Escape The Fate, Motionless In White, and Black Tide. Again, purists wouldn’t dare call these bands metal, but give me a reason why. If you don’t like their music, that’s fine. Everyone is entitled to their own opinion. But don’t go around saying, “These guys are all emo fags and their pussy music isn’t worth two shits.” Instead, respect that they are trying to do what all other metal bands aim to do; put out what they believe is heavy music to inspire and open people up to new musical horizons. 
Be honest with yourself metal heads, did you really start listening to Opeth right off the bat? I’m sure that you had to go through a few years of finding the style of metal that suited you right, be it through AC/DC, Judas Priest, Iron Maiden, Black Sabbath, Metallica, Slayer, whatever. If you look at the audience of those “emo” bands, you’ll probably realize that they are mostly made up of younger teenagers. Take the opportunity to let these kids know what else is out there, that these bands are NOT the “end all be all” of music. Let them know about bands such as The Haunted, Within Temptation, and Dark Tranquillity. Get them listening to the Big Four. Turn them onto Black Sabbath, Dio, and Kiss. Teach them about Pink Floyd, King Crimson, and Rush. Show them what an astonishing, beautiful, and powerful history we metal heads have come from. 
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What we fail to understand, or perhaps know and just ignore, is that by attacking those who listen to metal genres that we don’t like, we only harm our own community. What good does it do to prove society right? Instead, we should be looking at each other, respecting everyone’s musical choices even if we don’t like them, and helping each other find new and exciting material. For all you know, that “emo fag”, who you have been mocking and hating, knows of a song that will change your view of their music. It ends up being your own fault for denying yourself that experience. 
The biggest block in the path of metal heads and respect is the common misconception that metal music is all negative, violent, satanic, etc… To say that this is not true is not even scratching the surface of how ignorant that statement is. Metal has been shown time and again to be an effective method of catharsis. I personally listen to metal not to build up anger, but to release it. I listen to metal to wake up and get pumped up for the day. If the lyrics are satanic, so be it. For every metal band that writes satanic lyrics, there is another metal band that writes lyrics about change and positivity. 
Metal, just like horror, is not just what we enjoy but also a huge part of who we are. The music I listen to is a part of my identity, just as the movies I love are important to who I am and can help someone understand my character. I belong to the metal community and I have no shame or regrets about standing next to my metal brethren. However, I mourn our self-imposed segregation. So I end this by asking that we remember those feelings of community after 9/11 and try and bring them back. If you see someone wearing a t-shirt of a metal band that you don’t haven’t heard of, ask them what their favorite song of that band is and give it a serious shot. What’s the worst that could happen?

Managing editor/music guy/social media fella of Bloody-Disgusting

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“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

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It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

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