Editorials
Bill & Phil’s Music Video for “Dirty Eye” is Brilliant
What if I told you a horror icon and a metal legend teamed up to form a kick-ass super group? Is that something you might be interested in? Well, in case you didn’t know already, Bill Moseley (Texas Chainsaw Massacre 2, House of 1,000 Corpses, Devil’s Rejects) and Phil Anselmo (Pantera, Down, Superjoint) formed a band, appropriately named Bill & Phil. It’s pretty much everything you would hope it to be. Last week, they premiered their first music video for “Dirty Eye” off their debut album, ‘Songs of Darkness and Despair.’ It is available now via all your favorite platforms, from Housecore Records.
The video itself comes from director Ryan Oliver at Deathblow Productions. Oliver had previously directed a video for Child Bite, another band signed to Housecore Records. I was able to catch up with Ryan Oliver and ask him how he got the gig.
“Kate Richardson, from Housecore Records contacted me after the last video we did for Child Bite. She’s awesome and is super cool to work with. I’ve screened my films at their horror fest over the years and they’ve always been really supportive and encouraging of my work…Also working on two Bill Moseley projects back to back is a damn gift. I’ve been a long time fan of his work, can’t pass on the double down offer.”

Eye creatures from outer space are the new Killer Klowns
The video’s main concept centers around an alien race of eyeball creatures coming to invade Earth. In the meantime, Bill & Phil get into some crazy situations themselves. The whole video uses puppets and miniature sets. It’s pretty damn cool to see so much detail and effort put into a music video these days. When I asked Oliver about the ebbs and flows of puppetry, he responded, “The best part is actually making the stuff. I like being a shop rat and sitting around with my cohorts making things, playing music and bullshitting…None of us were trained puppeteers so there was a learning curve, but I got some talented friends and we figured it out. We had a good mix of styles including, marionette, rod puppets, and hand puppets.”
In a time when MTV has mostly dropped music videos and has been inundated with teen dramas and horrible reality shows, Bill & Phil’s “Dirty Eye” stands out from the rest. It’s reminiscent of the Tool music videos of the 90’s with the puppets and stop-motion nightmares. Who better to serve us up a slice of horror puppetry than horror icon Bill Moseley and metal legend Phil Anselmo? The music rocks and the video is brilliant.
Check out both Housecore Records for future releases and Deathblow Productions for future films and an upcoming podcast.
Now go watch the video, you dog dicks!
Editorials
6 Dark Fantasy Films That Every Genre Fan Should Watch
From child-eating witches to village-burning dragons, fairy tales have always had a foot in the horror genre. That’s why it makes sense that, for every The Hobbit and The Chronicles of Narnia, there are also darker and more adult-oriented stories about magical worlds inhabited by ravenous monsters and cruel villains.
Funnily enough, these sinister tales were precisely the ones that I gravitated towards back when I was a kid, and I was reminded of this while watching Netflix’s recently released I Am Frankelda, Mexico’s first ever feature-length stop-motion animation and one hell of an entertaining parable about the intersection between fiction and reality.
In honor of this special kind of horror-adjacent fairy tale, today I’d like to share this list recommending six Dark Fantasy films that horror fans might enjoy.
For the purposes of this list, we’ll be defining Dark Fantasy as fantastical stories that don’t shy away from the more macabre elements that fuel classic fairy tales. That being said, don’t forget to comment below with your own grim favorites if you think we missed a particularly thrilling one.
With that out of the way, onto the list!
6. Hansel & Gretel: Witch Hunters (2013)

I’m fascinated by bizarre attempts at blockbuster filmmaking – especially when the resulting movies are somehow still fun despite their corporate-mandated origins. Hansel & Gretel: Witch Hunters is precisely one of these strangely compelling studio projects, as this surprisingly successful action-thriller boasts a lot of heart (and tongue-in-cheek humor) for a CGI-heavy creature feature.
Directed by Dead Snow’s Tommy Wirkola, Witch Hunters re-frames the classic fairy tale as an origin story for a duo of badass monster-slayers. Of course, it’s the flick’s anachronistic aesthetic and overall visual flair that make it stand out from other action-horror endeavors from around the same time.
5. The Wolf House (2018)

Made in the tradition of faux cursed films in the same vein as Antrum: The Deadliest Film Ever Made, the eerie backstory to 2018’s Chilean animated flick The Wolf House (La Casa Lobo in the original Spanish) already makes it a nightmarish experience before the flick even really begins.
After all, the movie is presented to us as a faux propaganda film produced by the leader of a death cult (heavily inspired by the real life Colonia Dignidad), with this hybrid animated feature using complex movie magic to simulate a single uninterrupted shot as it tells the story of a lazy young girl who runs away from an isolated colony and encounters a creepy old house in the woods.
4. The Brothers Grimm (2005)

Out of all the Monty Python alumni, Terry Gilliam has had the most interesting career outside of the original comedy group. From fascinating canceled projects (such as his scrapped adaptation of Watchmen) to dystopian parodies that feel more relevant by the minute (1985’s Brazil), even his “lesser” films are still intriguing in their own way.
2005’s The Brothers Grimm is one such project, with this peculiar movie attempting to combine the comedian-turned-filmmaker’s unique visual style with a more blockbuster-oriented plot reimagining the titular brothers as con-artists rather than mere writers. The end result isn’t exactly a masterpiece, but it’s still a legitimately fun ride with plenty of memorable monsters and wonderful performances by both the late, great Heath Ledger and Matt Damon.
3. Dante’s Inferno: An Animated Epic (2010)

2010’s Dante’s Inferno game may have a reputation as something of an unapologetic God of War clone, but I’d argue that the now-obscure game was aesthetically unique enough to deserve a bigger fanbase. However, while the title remains trapped on the seventh console generation, its highly underrated anime adaptation is a lot easier to get a hold of!
Animated by 6 different studios in order to make the 9 circles of hell feel unique from each other, this may not be a completely faithful adaptation of Dante Alighieri’s poem, but it’s still one heck of a great (not to mention gory) time that I’d highly recommend to fans of Netflix’s take on Castlevania.
2. Underworld: Rise of the Lycans (2009)

My personal favorite entry in the Underworld franchise, Rise of the Lycans, is a highly ambitious prequel that actually works better if you haven’t had the story spoiled to you by the previous Underworld films.
While the rest of the series features plenty of urban fantasy elements as the movies combine machine guns and modern environments with gothic storytelling, Patrick Tatopoulos’ prequel fully embraces its fantastical origins and tells a classic tale about a doomed romance between a werewolf and a vampire amid a medieval uprising.
And the best part is that we get a lot more Michael Sheen as the fan-favorite Lucian.
1. Solomon Kane (2011)

One of my personal favorite movies on this list, MJ Basset’s criminally underseen adaptation of Robert E. Howard’s other iconic warrior is thoroughly steeped in horror ambience and features plenty of memorable monsters. However, it’s also a classic origin story for a swashbuckling hero that wouldn’t feel out of place in a tabletop RPG.
While I’ve already written about how the film deftly combines both horror and fantasy elements without breaking the bank, I’ll never pass up an opportunity to recommend the bizarre movie where James Purefoy expertly plays a puritan John Wick.
It’s just too bad that we never got the other films in this intended trilogy.


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