Movies
Stars, Director Long to Reunite for Third ‘X-Files’ Mystery
Even while the long-gestured The X-Files: I Want to Believe was one of the biggest disappointments since Alien vs. Predator (both Fox films; coincidence?), I still find myself clamoring for more mysterious to be solved by FBI agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson). The previous film featured A LOT of talking by both stars about their willingness to uncover another “X-File”, which eventually did happen. Two and a half years later, it all begins again. Details inside.
David Duchovny wants to make another “X-Files” movie, so says Show Biz Spy.
The Hollywood actor says he’s keen to reprise his role as Agent Fox Mulder for a third flick in the franchise.
“I’m always game. It always rides on Fox. [Chris Carter] is game. I know [Gillian Anderson] is game. We all, at this point, love the show. We all, at this point, would love to work with one another again. We’re all good friends and miss one another, and miss working together.
“We worked together so hard for so long, so closely. We had some ups and downs personally, sure. But in the end, they are really like family to me. We’re all like this little X-Files family and I, for one, would love to continue. And I think there’s a lot left in the show. You know? And I think we can continue to make good movies.
“It’s just a matter of spending enough on a movie that can compete in the summertime. We made a movie and released it in the summer, but it wasn’t really a blockbuster movie. And it got kind of overshadowed by the bigger ones. So, we’re saying, make us big. We’ll fight with the big boys.”
What say you?
Movies
‘Boorman and the Devil’ Documentary Trailer Chronicles Complicated Relationship with ‘Exorcist II’
Critically acclaimed documentary Boorman and the Devil chronicles how one of the world’s greatest filmmakers made one of the most hated movies ever: Exorcist II: The Heretic. A new trailer highlighting some of the troubled production woes has arrived.
Boorman and the Devil opens at The Quad in NYC on August 28 before opening wider in various cities on September 4, including: Los Angeles, Columbus, Houston, Pittsburgh, Philadelphia, Seattle and more.
After the success of Point Blank and Deliverance, Warner Brothers offered John Boorman the opportunity of a lifetime: the chance to direct a sequel to their smash hit, The Exorcist. The result was one of the biggest disasters in movie history. A critical and financial failure that not only changed how Hollywood did business, but nearly ended Boorman’s filmmaking career… but to be an artist is to be a risk-taker.
Now, John Boorman, Linda Blair, Louise Fletcher, Karyn Kusama, Joe Dante, Mike Flanagan, and more reflect back on the ambition of the film, the artistry and craft, and the value of big creative swings.
“I am beyond thrilled that Yellow Veil has come on board to help us share this story with a larger audience,” said director David Kittredge. “Like myself and the rest of our team, they’re huge cinema-lovers. It’s so exciting that a film which is not only a love letter to John Boorman, but also to ambitious filmmaking, will be handled by people who share the same passions that our team shares.”
“I first saw the film at an early festival screening and the post-screening buzz was just electric. Everyone was loving Boorman and the Devil,” added Yellow Veil co-founder Justin Timms. “To be able to team up with David and the filmmaking team on this release is incredibly exciting, and we can’t wait to spread that post-screening electricity with audiences across the country.”
Boorman and the Devil is produced by Kittredge’s Triple Fire Productions, Travis Stevens (Jodorowsky’s Dune, Starry Eyes) of Snowfort Pictures, and Jim Fall (The Lizzie McGuire Movie), with Alan Koenigsberg of Milton Ventures Media serving as co-producer.
Daniel Kurland wrote in his review, “Boorman and the Devil goes above and beyond to be the definitive text on Exorcist II. This documentary will delight horror and Exorcist fans alike, but it also provides incredible insight for anyone who is just marginally interested in film production.”