Movies
TV: The Biggest Cock Tease of My Life, and Why Fox Sucks: ‘Locke & Key’ Not Ordered
Either the pilot episode directed by Mark Romanek was a piece of sh*t (not likely) or Fox hasn’t actually read the comic series by Joe Hill (more likely), either way the studio has passed on bringing the pilot episode of Locke & Key to series, reports Entertainment Weekly. (How much do you wanna bet that Fox spent too much money in getting “House” back for one measly season?)
Easily one of the best genre comic series on the market, “Locke & Key,” from Stephen King’s son, tells the story of Nina Locke (Miranda Otto) and her three children, Tyler (Jesse McCartney), Kinsey (Sarah Bolger), and Bode (Skylar Gaertner), who survive an unspeakable horror and attempt to rebuild their lives at Keyhouse, their family home in Lovecraft, Massachusetts. It is a mysterious New England mansion, with fantastic and transformative keys hidden inside its walls that are also being sought by a hate-filled and relentless creature with ties to the Locke family’s past who will stop at nothing to accomplish his sinister goals.
Nick Stahl and Ksenia Solo also starred in the pilot presentation.
The fact that a pilot was shot and then dumped makes this one of the biggest cock tease of my life. Although there is a small, teensy-weensy bit of hope as EW reports that none have been confirmed dead by the network, as they could be retooled for a later release or picked up by another outlet.
Movies
‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts
In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.
The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.
But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).
Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.
That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.
Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.
Stay tuned for more box office reporting in the coming days.
In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”
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