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[Review] Anathema ‘Weather Systems’

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Anathema has long been a band that I know I can come back to for solid, amazing music. From their start as a doom metal band to their progression into progressive alt-rock, the band has always delivered atmospheric, beautiful, emotional songs that resonated deep within. So when I heard that a new album, Weather Systems, was coming out, I knew that it was something I had to hear, something that I had to dive into. I was lucky enough to get an advance copy and I have spent the past several days listening to the album. Join me below to hear my thoughts.

Starting with Untouchable part 1, the album starts with a quick fingerpicked acoustic while singer Vincent Cavanagh sings gently, beautiful vocal harmonies coming in to back him up at perfect moments. The song builds dramatically, adding in symphonies, distorted guitars, percussion, perfect drums, all with the fingerpicked acoustic laying a foundation. The lyrics tell the story of learning to let go of love. The pained calls of Cavanagh, “I had to let you go/Into the setting sun/I had to let you go/To find a way back home!” are nothing short of heartbreaking, even in their triumph.

The Gathering Of The Clouds and Lightning Song must be heard as a pair. The first flows effortlessly into the second and the emotional journey is astonishing. Female vocalist Lee Douglas proudly sings, with gorgeous vocal harmonies, “This world is beautiful/So wonderful/If only you could open up your mind and see/Your world is everything you ever dreamed of/If only you could open up your mind and see“. The climax of Lightning Song brought tears to my eyes and made me realize that I had forgotten to breath.

The Beginning And The End is another track that shows how to perfectly build a song without needing to change the foundation chords. Each new section only serves to amplify and expand upon what was already there. The guitar solo in this song is also stunning. Perfectly structured without any overplaying or unnecessary flair, it suits the mood wonderfully.

The production of the album is fantastic. Everything sounds warm, lush, and very organic. The mix is also fantastic, with instruments panned neatly and vocal harmonies precisely measured. And perhaps what is best about this album is the dynamics it offers. I kept my finger close to the volume control for much of the album, which is something I personally love.

This album is not meant for casual listening. It is an album that needs full attention and a bit of participation. The music hits on some of the most intense, sensitive emotions we can feel: loss, despair, love, heartbreak. I personally put this album on my sound system, sat back, and didn’t move from the first note until the last. Then I did it again. And then once more for good measure.

The Final Word: Anathema has not delivered an album: they have delivered an affirmation of the beauty of life, be it in sadness and despair or in joy and hope. Weather Systems is not just a contender for Album of the Year, it’s a contender for Album of my Life.

Follow Jonny B. on Twitter

Managing editor/music guy/social media fella of Bloody-Disgusting

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“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

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It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

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