Movies
[BD Review] ‘The Road’ Is A Chilling And Effective Ride
Opening today (in limited theaters, VOD, Netflix and more) from Freestyle Releasing is Yam Laranas’ R-rated Filipino horror The Road, a supernatural chiller that’s a trilogy all within one movie! It’ll play in select markets including: Los Angeles, New York, Chicago, Honolulu, Jacksonville, Philadelphia, Phoenix, San Diego, San Francisco, Seattle and Washington D.C. If you don’t live in one of those, you’re gona want to hit up iTunes or Netflix, because it’s a damn good movie.
“Speaking of horrors, there’s a number of them. The bloody bag used in the promos figures heavily, and the film isn’t short on brutality. But one of the film’s most effective and terrifying moments takes place in broad daylight in an unassuming shot. The matter-of-factness with which the violence is treated renders it almost as horrifying as the shot where Leatherface slams the metal door shut in ‘The Texas Chainsaw Massacre’.”
Click here for the full review. And be sure to write your own review once you’ve seen it.
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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