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R.I.P. (For Real This Time) Type O Negative’s Peter Steele

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Update: official statement has been made. We don’t usually report music news here on the front page, but this one struck me pretty hard as I still listen to Type O Negative’s “October Rust” on a nearly daily basis (14 years and counting). Mistress Juliya of Fuse TV posted on Twitter today the heart sinking message, “Peter Steele passed today,” later adding, “He passed of heart failure today. Just spoke to Kenny [Hickey].” There has been no official statement, although KNAC is claiming to have confirmed at 11:15PM PST. Peter Steele, born Petrus T. Ratajczyk on January 4, 1962 in Brooklyn, was 48. Read my personal reflection inside and say your piece as well.Blabbermouth caught wind of the breaking news adding, “Back in 2005, many people were shocked when they logged into the TYPE O NEGATIVE web site and saw a gravestone with the words “[P]eter Steele – 1962 – 2005 …. Free At Last” carved on it. According to Epinions.com, there were rumors at the time that Steele was sick (with anything from cancer to AIDS), was on his deathbed, attempted suicide … and the list goes on. Needless to say, it turned out that Steele was very much alive and the gravestone was merely a joke, albeit one that wasn’t viewed as being in particularly good taste.

Before forming Type O Negative, Steele played for the metal group Fallout and the thrash band Carnivore.

A PERSONAL REFLECTION:

Peter SteeleI have such fond memories of Type O Negative that go back to the CD release of “Bloody Kisses” back in 1993. At the age of 13 I was just coming into my own, having become a huge fan of bands like White Zombie, Pantera, Megadeth, Metallica and Alice in Chains over the years. My late Uncle Lorin knew I was getting into these bands and had heard of Type O and recommended them to me.

I rushed off to Best Buy (I think it was Best Buy at the time?) and picked it up – I made sure to get the deluxe edition with the bonus tracks.

I was shocked, unsettled and hated every second of it. In fact, I took a knife to the CD and gave it a good scratch, rushed back to the store and demanded a refund (you see, back in the day you could pull crap like this off).

At the time, they were on tour with Pantera. I hated them so much that even I made sure to miss their opening act (well, I caught the encore, and looking back now – holy f*ck).

Anyways, enter high school. My friends would play “My Girlfriend’s Girlfriend” and “Cinnamon Girl” over and over again. I melted, sucked it up and let Peter Steele and his Brooklyn goth/metal band into my life. I’ve never looked back. As I stated earlier, “October Rust” is a pinnacle of music in my life, an album that defines me as a person. It’s an album that represents a lot about me, and the best times of my life. Losing Peter Steele, and thus Type O, is like losing a piece of me.

Growing old and seeing this band more times than I can count, one thing I could always count on was their live performance. Type O could sound even BETTER live than on the album. Peter always appeared to take this seriously as one troubled show in Chicago resulted in him destroying his instrument and screaming at the venue. Sure, he was also aggravated by the weak sales (telling us he was gonna quit because we’d rather steal it than buy it), but the passion was fuming.

I introduced my wife Andrea to Type O, and always told her how incredible they were live (I’ll never forget the stage set up with dead trees and snow falling). Unfortunately for her, catching them in recent years would display the wear and tear of life on Steele, who would mumble and go off on ambient tangents leaving the band befuddled. It has been apparent for years that Type O Negative might be dying, but catching tracks like “Tripping a Blind Man” and “Dead Again” gave me a glimmer of hope for a triumphant return.

The sinking feeling in my stomach is that “The Dream is Dead”. Type O has become another “remember when” and that’s the most painful thing of all.

Arrows fester in my heart
Each memory another dart
Love and death both colored red
Showing my past, the dream is dead
The dream is dead, yea.


Watch tons of Type O Negative videos here or here

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SCREAMBOX Hidden Gems: 5 Movies to Stream Including Dancing Vampire Movie ‘Norway’

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Pictured: 'Norway'

The Bloody Disgusting-powered SCREAMBOX is home to a variety of unique horror content, from originals and exclusives to cult classics and documentaries. With such a rapidly-growing library, there are many hidden gems waiting to be discovered.

Here are five recommendations you can stream on SCREAMBOX right now.


Norway

At the Abigail premiere, Dan Stevens listed Norway among his four favorite vampire movies. “I just saw a great movie recently that I’d never heard of,” he told Letterboxd. “A Greek film called Norway, about a vampire who basically exists in the underground disco scene in ’80s Athens, and he can’t stop dancing ’cause he’s worried his heart will stop. And it’s lovely. It’s great.”

You won’t find a better endorsement than that, but allow me to elaborate. Imagine Only Lovers Left Alive meets What We Do in the Shadows by way of Yorgos Lanthimos. The quirky 2014 effort follows a vampire vagabond (Vangelis Mourikis) navigating Greek’s sordid nightlife circa 1984 as he dances to stay alive. Not as campy as it sounds, its idiosyncrasies land more in the art-house realm. Stylized visuals, colorful bloodshed, pulsating dance music, and an absurd third-act reveal help the existentialism go down in a mere 74 minutes.


Bloody Birthday

With the recent solar eclipse renewing public interest in the astrological event, Bloody Birthday is ripe for rediscovery. Three children born during an eclipse – Curtis Taylor (Billy Jayne, Parker Lewis Can’t Lose), Debbie Brody (Elizabeth Hoy), and Steven Seton (Andrew Freeman) – begin committing murders on their 10th birthday. Brother and sister duo Joyce (Lori Lethin, Return to Horror High) and Timmy Russell (K.C. Martel, The Amityville Horror) are the only ones privy to their heinous acts.

Bloody Birthday opened in 1981 mere weeks before the release of another attempt to claim the birthday slot on the slasher calendar, Happy Birthday to Me. Director Ed Hunt (The Brain) combines creepy kid tropes that date back to The Bad Seed with slasher conventions recently established by Halloween and Friday the 13th – with a little bit of the former’s suspense and plenty of the latter’s gratuity. The unconventional set up helps it to stand out among a subgenre plagued by banality.


Alien from the Abyss

Starting in the late ’70s and throughout the ’80s, Italy built an enterprise out of shameless rip-offs of hit American movies. While not a blatant mockbuster like Cruel Jaws or Beyond the Door, 1989’s Alien from the Abyss (also known as Alien from the Deep) was inspired by – as you may have guessed from its title – Alien, Aliens, and The Abyss.

After a pair of Greenpeace activists attempt to expose an evil corporation that’s dumping contaminated waste into an active volcano, the environment takes a backseat to survival when an extraterrestrial monster attacks. Character actor Charles Napier (The Silence of the Lambs) co-stars as a callous colonel overseeing the illicit activities.

Director Antonio Margheriti (Yor: The Hunter from the Future, Cannibal Apocalypse) and writer Tito Carpi (Tentacles, Last Cannibal World) take far too long to get to the alien, but once it shows up, it’s non-stop excitement. The creature is largely represented by a Gigeresque pincer claw that reaches into the frame, giving the picture a ’50s creature feature charm, but nothing can prepare you for its full reveal in the finale.


What Is Buried Must Remain

Set against the backdrop of displaced Syrian and Palestinian refugees, What Is Buried Must Remain is a timely found footage hybrid from Lebanon. It centers on a trio of young filmmakers as they make a documentary in a decrepit mansion alleged to be haunted on the outskirts of a refugee camp. Inside, they find the spirits of those who died there, both benevolent and malicious.

It plays like Blair Witch meets The Shining through a cultural lens not often seen in the genre. The first half is presented as found footage (with above-average cinematography) before abruptly weaving in more traditional film coverage. While the tropes are familiar, the film possesses a unique ethos by addressing the Middle East’s plights of the past and the present alike.


Cathy’s Curse

Cathy’s Curse is, to borrow a phrase from its titular creepy kid, an “extra rare piece of shit.” The Exorcist, The Omen, and Carrie spawned countless low-budget knock-offs, but none are as uniquely inept as this 1977 Canuxploitation outing. Falling squarely in the so-bad-it’s-good camp, it’s far more entertaining than The Exorcist: Believer.

To try to make sense of the plot would be futile, but in a nutshell, a young girl named Candy (Randi Allen, in her only acting role) becomes possessed by the vengeful, foul-mouthed spirit of her aunt, destroying the lives of anyone who crosses her path. What ensues is a madcap mélange of possession, telekinesis, teleportation, animal attacks, abandoned plot points, and unhinged filmmaking that must be seen to be believed.


Visit the SCREAMBOX Hidden Gems archives for more recommendations.

Start screaming now with SCREAMBOX on iOS, Android, Apple TV, Prime Video, Roku, YouTube TV, Samsung, Comcast, Cox, and SCREAMBOX.com!

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