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Watch The Trailer For The Re-Release Of ‘Halloween’

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We’ve just now landed the official trailer for Screenvision, Compass International Pictures and Trancas International Films’ re-release of John Carpenter’s immortal 1978 classic, Halloween. This nationwide release, beginning October 25th with select showings through October 31st, will be the widest distribution the film has seen since originally shocking audiences in 1978. This cinema scare classic will be presented in a striking, new HD transfer and 5.1 audio. While we’ve been e-mailed with unconfirmed reports that the UK release will be shown on Blu-ray, a Screenvision representative is checking to confim the film’s new HDCAM projection as I write this article. A Twitter follower tells me it will be a satellite-broadcast digital version like Fathom Events (something I will never return to). I guess you’d be going will the sole intent to experience it with a group of horror fans in theaters?

Screenvision’s presentation of Halloween will also include an exclusive documentary short entitled “You Can’t Kill The Bogeyman: 35 Years of Halloween.” The documentary focuses on the undeniable impact the film, and series, has had on culture and the genre. A full list of exhibiting theaters will be announced soon.

In the film, the villain, Michael Myers, has spent the last 15 years locked away inside a sanitarium under the care of child psychiatrist Dr. Sam Loomis. On October 30, 1978, Myers escapes and makes his way back home to Haddonfield, turning a night of tricks and treats into something much more sinister for three young women, including Laurie Strode, the star-making role for Jamie Lee Curtis. Dr. Loomis is their only hope, but will he find his shadow-dwelling patient in time?

We are thrilled to bring John Carpenter’s original Halloween back to the screen after almost 35 years,” says series producer Malek Akkad. “We are excited for fans from coast to coast to finally get the ultimate theatrical experience.

Darryl Schaffer, EVP of Exhibitor Relations, Screenvision said: “We’re excited to bring the movie that helped define the horror genre back to the big screen for this timely exhibition.

Look for showtimes and locations to be added here soon, and as always keep an eye on HalloweenMovies.com for more information.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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New ‘Sleepy Hollow’ Movie in the Works from Director Lindsey Anderson Beer

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Sleepy Hollow movie

Paramount is heading to Sleepy Hollow with a brand new feature film take on the classic Headless Horseman tale, with Lindsey Anderson Beer (Pet Sematary: Bloodlines) announced to direct the movie back in 2022. But is that project still happening, now two years later?

The Hollywood Reporter lets us know this afternoon that Paramount Pictures has renewed its first-look deal with Lindsey Anderson Beer, and one of the projects on the upcoming slate is the aforementioned Sleepy Hollow movie that was originally announced two years ago.

THR details, “Additional projects on the development slate include… Sleepy Hollow with Anderson Beer attached to write, direct, and produce alongside Todd Garner of Broken Road.”

You can learn more about the slate over on The Hollywood Reporter. It also includes a supernatural thriller titled Here Comes the Dark from the writers of Don’t Worry Darling.

The origin of all things Sleepy Hollow is of course Washington Irving’s story “The Legend of Sleepy Hollow,” which was first published in 1819. Tim Burton adapted the tale for the big screen in 1999, that film starring Johnny Depp as main character Ichabod Crane.

More recently, the FOX series “Sleepy Hollow” was also based on Washington Irving’s tale of Crane and the Headless Horseman. The series lasted four seasons, cancelled in 2017.

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