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[Album Review] Tweaker ‘Call The Time Eternity’

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When I first heard the band name Tweaker many years ago, I didn’t have much association to work with. But then, upon learning that it is a project from Chris Vrenna, who was a member of Nine Inch Nails as well as the composer of American McGee’s Alice, my ears perked up and my radar was set abuzz.

Now, years later, Tweaker is back with a third album, Call The Time Eternity. It’s been eight years since 2a.m. Wakeup Call, so has time treated this group well or should they have stayed in the shadows? Find out below.

The album begins with “Ponygrinder”, a mysterious track with rumbling bass undertones and frantic programmed drum patterns. As the song builds, so does the intensity and pitch, raising itself from low, unsettling notes to higher pitched static sirens.

The following track, “Nothing At All”, which features Jack Off Jill’s Jessicka Addams, is trip hop with a tough quality about it, as though it’s a song that you don’t want to mess around with. Further into the album, “Grounded” is an eerily sexual track that benefits from the vocals of kaRIN (Collide). Perhaps my favorite track on the album is the instrumental “A Bit Longer Than Usual”, which sounds like the perfect marriage between something you’d find on a Silent Hill soundtrack with a classy gothic nightclub.

The production of the album is incredibly varied and always kept me on my toes. It’s also a great length, at just over 40 minutes. While with other albums I might want more time out of it, this is the type of album that gives you enough over the course of 11 tracks that it feels like a full meal rather than an appetizer.

I imagine listening to this album whilst driving down the highway at night would be a very unsettling experience. Then again, listening to this album on a beautiful summer afternoon would make me concerned as to what’s outside and how will it try to kill me?

The Final Word: There is this deliciously sinister sense of foreboding that permeates Tweaker’s Call The Time Eternity. Perfect for the Halloween season but also fantastic for the rest of the year, this is an album well worth picking up.

Got any thoughts/questions/concerns for Jonathan Barkan? Shoot him a message on Twitter or on Bloody-Disgusting!

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“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

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John Carpenter music

It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

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