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[Book Review] ‘Wayward’ Is So Good, Not Even M. Night Can Screw It Up

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Last year’s novel Pines was good enough to backbone a TV mini-series by M. Night Shyamalan, set to premiere on Fox next year. Author Blake Crouch’s follow up, Wayward, (September 17; Thomas and Mercer), is even better. With its dialogue-driven plot and balls-to-the walls pacing, it already flaunts the punchy wordplay of an excellent TV series. Even after considering M. Night’s past flubs (and admittedly, there are many), this is going to be a hard mini-series to jack up; Crouch’s books are just that good.

Pines saw Secret Service agent Ethan Burke waking up in Wayward Pines, a secluded town deep in the forests of Idaho, severely injured after an apparent car accident. Days of concussed, amnesia-driven investigation led Ethan to eventually discover that the entire town was surrounded by an electric fence and under constant electronic surveillance. Nobody comes into Wayward Pines, nobody leaves, and the townsfolk are willing to mob-kill anyone who tries. Is it a government experiment? An episode of The Twilight Zone? The afterlife? Pines concluded with a soul-shattering cliffhanger, as the secret of Wayward Pines was finally revealed to Ethan (a secret I will not divulge here).

Crouch’s sequel finds Ethan not only a voluntary resident of Wayward Pines, but its full-time sheriff. He‘s prohibitted from divulging the town’s dark secret, but when forced to investigate the vicious stabbing murder of one of the townsfolk, Ethan’s loyalties are severely tested. Was the victim murdered by “The Wanderers”, a group of rebels lurking on the outskirts of Wayward Pines? Or someone in town? Does Ethan continue to keep his big secret for the benefit of the 461 residents who occupy the mountain village? Or is it better to tell the truth, at the risk of losing a few dozen citizens? And perhaps most importantly, what’s going on with the misshapen mutant creatures that lurk beyond the fence?

I don’t mean to sound intentionally vague, but based on Pines and Wayward, Crouch’s series is happily mired in the sort of juicy, small-town secrets that keep the pages turning––and I don’t want to spoil any surprises for the uninitiated. Like some, I spent of much of Pines wondering if the mysterious plot was going to pay off. But Crouch not only ended Pines with a cliffhanger keen enough to make Stephen King blush in shame, he carried that self-same confidence right into the first chapters of Wayward. Make no mistake–– this is an author who knows exactly what he‘s doing. Fans of Pines (of which I consider myself a proud member) will blaze through this riveting sequel like a forest fire. Just prep yourself for another borderline-cruel cliffhanger going into book three.

Rating:4.5 out of 5 Skulls

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‘Ghostbusters: Frozen Empire’ Heads Home to Digital Next Week

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Less than two months after releasing in theaters, where it has scared up $188 million at the box office, Ghostbusters: Frozen Empire is headed home next week, we’ve learned.

First reported by Ghostbusters News, Frozen Empire comes to Digital Tuesday, May 7.

In Gil Kenan’s Ghostbusters: Frozen Empire, the Spengler family returns to where it all started – the iconic New York City firehouse – to team up with the original Ghostbusters, who’ve developed a top-secret research lab to take busting ghosts to the next level.

But when the discovery of an ancient artifact unleashes an evil force, Ghostbusters new and old must join forces to protect their home and save the world from a second Ice Age.

The cast includes Patton Oswalt, Kumail Nanjiani, James Acaster, and Emily Alyn Lind, alongside Bill Murray, Finn Wolfhard, Ernie Hudson, Mckenna Grace, Paul Rudd, Celeste O’Connor, Logan Kim, Annie Potts, Dan Aykroyd and Carrie Coon.

Jason Reitman, who directed Ghostbusters: Afterlife, is back to produce Frozen Empire.

Meagan wrote in her review for Bloody Disgusting, “Frozen Empire offers familiar set pieces, references, and easter eggs aplenty, but the nostalgia tank is now running on empty.”

“That may be enough for some, especially when Frozen Empire pulls out some deep-cut nods. But by the time the mid-credit scene kicks in, solely designed to inspire merchandising sales, it’s more likely to leave you ready for the Ghostbusters to retire in peace,” she adds.

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