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‘Resident Evil’ HD Review: There and Back Again

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The beloved Resident Evil remake that first arrived on the GameCube in 2002 would not have been at the top of my list of games that need some attention — that spot is reserved for Resident Evil 2 — but that doesn’t make it any less necessary. It benefits from a low bar, too, as a majority of the “HD remasters” we’ve seen during the last few years haven’t been what I would call substantial.

Resident Evil 4, Code: Veronica X, Devil May Cry — Capcom clearly isn’t afraid to gift their older games some much-needed attention, even if it rarely equates to much more than crisper visuals and a few new features.

Next up is the Resident Evil HD remaster, which releases tomorrow for PC, PS3, PS4, Xbox 360 and Xbox One. This is an important game, as its reception — that’s critical and sales, but mostly sales — will likely help determine where the series goes next. So that leaves us with a very important question, and it’s one I’ll try and answer for you today.

Is this Jill Sandwich worth returning to for another nostalgic mouthful, or has the decade and change since its initial release left it stale?

The short answer to that question is a resounding yes. I’ve spent enough time with the game now to easily recommend it, even if that recommendation comes with a few caveats.

I can’t imagine there are many people out there who aren’t familiar with the Resident Evil storyline, but it’s been awhile for all of us, so here goes…

In 1998, a squad of super cops called S.T.A.R.S. is sent to a mansion in the woods outside Raccoon City to investigate a string of brutal murders. They disappear, so another team is sent to find out what’s going on. The rest of the S.T.A.R.S end up getting trapped in the mansion their comrades were meant to investigate, and that’s where the game begins.

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Among the surviving S.T.A.R.S. members are fan favorites Jill Valentine and Chris Redfield. Both are playable with their own unique stories and objectives. There was significant replay value in the original and that hasn’t changed. Each campaign is lengthy, even if you don’t spend as much time as I do obsessively managing inventories and seeking out every hidden item.

Much of that is old news, I’m sure. The story hasn’t been changed, but almost everything else has. That includes the static environments, which have been vastly improved so scouring every inch of the Spencer Estate is that much easier. Anyone who played it on the GameCube first ought to appreciate what Capcom has done to update the game for a new audience.

The environments look ridiculously good, even for a remaster of a remake that released in 2002. There’s a number of factors to thank for this, but the introduction of animated models and higher resolution images makes the biggest difference. It’s been ages since I played the original version, but I think some substantial tweaks were also made to the lighting.

It sounds like such a small thing until you see bloom effects in a now 13 year-old game.

The remaster brings with it some new features, too. Widescreen support shows off more of those new-and-improved environments, but purists are free to stick with the standard option, if they wish. The display can even be switched in-game so no time or precious ink ribbons are wasted by those who wish to experiment.

To this day, the Resident Evil remake still has one of the best video game soundtracks I’ve ever heard. It’s atmospheric, haunting and one of my personal favorites. This makes me a wee bit jealous of first-timers since they’ll be able to hear it, possibly for the first time, in super high quality.

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Also worth mentioning if you’re planning on using this to pop your old school Resident Evil cherry is the addition of a slightly more modern control scheme. It’s still decidedly Resident Evil, but choosing it will make getting around those labyrinthine halls a lot less frustrating.

Otherwise, the classic layout is still very much available and ready for veterans of the genre, and like the display mode, the control layout can be changed without having to leave the game.

There’s not much in terms of brand new stuff, unless you count the addition of small things like Chris and Jill’s costumes from Resident Evil 5, both of which are unlocked from the very beginning. Before you get disappointed, I’ll remind you that this game wasalready jam-packed full of content that more than justifies its totally manageable $20 price tag.

This really is a stellar remaster. Saying it’s one of the best doesn’t mean a whole lot when you look at what we’ve had shoveled on us before, but I’ll say it anyway because it’s true. In a sea of remasters that were barely worth the modicum of effort that went into re-releasing them (Code: Veronica X HD) and others that simply didn’t work (Silent Hill HD Collection), the Resident Evil remaster stands tall.

The last few years have taught me to look at every remaster we get with a wary eye and wonder if more effort could’ve been invested into them. Most of the time, they’re really only worth it for fans of the series or for those who may have been looking for a reason to play a game they missed the first time around. Whichever group you fall under, this is worth checking out.

If you fell in love with this remake in 2002, get ready to fall for it all over again. I know I did.

The Final Word: Capcom has raised the bar for HD remasters with this necessary update of a beloved survival horror classic. Dig in, because this Jill Sandwich is itchy tasty.

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Gamer, writer, terrible dancer, longtime toast enthusiast. Legend has it Adam was born with a controller in one hand and the Kraken's left eye in the other. Legends are often wrong.

Interviews

“Chucky” – Devon Sawa & Don Mancini Discuss That Ultra-Bloody Homage to ‘The Shining’

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Chucky

Only one episode remains in Season 3 of “Chucky,” and what a bloody road it’s been so far, especially for actor Devon Sawa. The actor has now officially died twice on screen this season, pulling double duty as President James Collins and body double Randall Jenkins.

If you thought Chucky’s ruthless eye-gouging of the President was bloody, this week’s Episode 7 traps Randall Jenkins in an elevator that feels straight out of an iconic horror classic.

Bloody Disgusting spoke with series creator Don Mancini and actor Devon Sawa about that ultra-bloody death sequence and how the actor inspires Mancini’s writing on the series. 

Mancini explains, “Devon’s a bit of a muse. Idle Hands and Final Destination is where my Devon Sawa fandom started, like a lot of people; although yours may have started with CasperI was a bit too old for that. But it’s really just about how I love writing for actors that I respect and then know. So, it’s like having worked with Devon for three years now, I’m just always thinking, ‘Oh, what would be a fun thing to throw his way that would be unexpected and different that he hasn’t done?’ That’s really what motivates me.”

For Sawa, “Chucky is an actor’s dream in that the series gives him not one but multiple roles to sink his teeth into, often within the same season. But the actor is also a huge horror fan, and Season 3: Part 2 gives him the opportunity to pay homage to a classic: Kubrick’s The Shining.

Devon Sawa trapped in elevator in "Chucky"

CHUCKY — “There Will Be Blood” Episode 307 — Pictured in this screengrab: (l-r) Devon Sawa as President James Collins, K.C. Collins as Coop — (Photo by: SYFY)

“Collectively, it’s just amazing to put on the different outfits, to do the hair differently, to get different types of dialogue, Sawa says of working on the series. “The elevator scene, it’s like being a kid again. I was up to my eyeballs in blood, and it felt very Kubrick. Everybody there was having such a good time, and we were all doing this cool horror stuff, and it felt amazing. It really was a good day.”

Sawa elaborates on being submerged in so much blood, “It was uncomfortable, cold, and sticky, and it got in my ears and my nose. But it was well worth it. I didn’t complain once. I was like, ‘This is why I do what I do, to do scenes like this, the scenes that I grew up watching on VHS cassette, and now we’re doing it in HD, and it’s all so cool.

It’s always the characters and the actors behind them that matter most to Mancini, even when he delights in coming up with inventive kills and incorporating horror references. And he’s killed Devon Sawa’s characters often. Could future seasons top the record of on-screen Sawa deaths?

“Well, I guess we did it twice in season one and once in season two, Mancini counts. “So yeah, I guess I would have to up the ante next season. I’ll really be juggling a lot of falls. But I think it’s hopefully as much about quality as quantity. I want to give him a good role that he’s going to enjoy sinking his teeth into as an actor. It’s not just about the deaths.”

Sawa adds, “Don’s never really talked about how many times could we kill you. He’s always talking about, ‘How can I make this death better,’ and that’s what I think excites him is how he can top each death. The electricity, to me blowing up to, obviously in this season, the eyes and with the elevator, which was my favorite one to shoot. So if it goes on, we’ll see if he could top the deaths.”

Devon Sawa as dead President James Collins in Chucky season three

CHUCKY — “Death Becomes Her” Episode 305 — Pictured in this screengrab: Devon Sawa as James Collins — (Photo by: SYFY)

The actor has played a handful of distinctly different characters since the series launch, each one meeting a grisly end thanks to Chucky. And Season 3 gave Sawa his favorite characters yet.

“I would say the second one was a lot of fun to shoot, the actor says of Randall Jenkins. “The President was great. I liked playing the President. He was the most grounded, I hope, of all the characters. I did like playing him a lot.” Mancini adds, “He’s grounded, but he’s also really traumatized, and I thought you did that really well, too.”

The series creator also reveals a surprise correlation between President James Collins’ character arc and a ’90s horror favorite.

I saw Devon’s role as the president in Season 3; he’s very Kennedy-esque, Mancini explains. “But then given the supernatural plot turns that happen, to me, the analogy is Michelle Pfeiffer in What Lies Beneath, the character that is seeing these weird little things happening around the house that is starting to screw with his sanity and he starts to insist, ‘I’m seeing a ghost, and his spouse thinks he’s nuts. So I always like that. That’s Michelle Pfeiffer in What Lies Beneathwhich is a movie I love.”

The finale of  “Chucky” Season 3: Part 2 airs Wednesday, May 1 on USA & SYFY.

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