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The Horrors of ‘Allison Road’ Aren’t Limited to a House

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There’s so much more to Allison Road than its source material, and yet, I can’t help but see it as a continuation of the Silent Hill franchise. It’s clear there’s an ambition behind it that’s much more imposing than the claustrophobic hallways and abandoned rooms of the home we’ve seen numerous times now. In fact, there’s a big, wide world out there, and it’s inhabited by even more things that go bump in the night.

“When you are in the house, all you want to do is get out.” explains a post on the game’s Kickstarter page. “When you are out, all you want to do is to get back to the ‘safety’ of the house.”

I’ll be clawing at an exit the moment the walls start bleeding, though I’m not confident that my odds will improve much when I’ve fled into the marshland that surrounds it. There’s a modicum of familiarity that comes with being trapped in a house with a ghost girl, while the sky is literally the limit as to what could be lurking outside.

“The story just really lends itself to be told in contrasting settings and what better way to perceptually open up the quite confined space of the house, than to set it in a proper outdoor environment,” explained Allison Road project lead Chris Kesler in an interview with IGN. “While you are in them you’ll encounter a quite different type of horror/terror of course, since these environments allow for a different kind of game design.”

Kesler may be referring to the bandaged man-corpse we can see in this freshly exhumed artwork, or maybe it’s the freaky tree creature that’s staring at us with the hollow face pits that might be eyes — that is, assuming it even needs them.

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Gamer, writer, terrible dancer, longtime toast enthusiast. Legend has it Adam was born with a controller in one hand and the Kraken's left eye in the other. Legends are often wrong.

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‘Dead Mail’ Exclusive Images: SXSW Horror Movie Begins With a Blood-Stained Postal Box Delivery

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Dead Mail SXSW Dead Mail interview

One of the genre films we’re looking forward to checking out at SXSW this year is Dead Mail, written and directed by Joe DeBoer and Kyle McConaghy and premiering on March 9.

Meagan Navarro will be reviewing Dead Mail for Bloody Disgusting as part of her SXSW coverage, and she writes in her preview for the upcoming fest: “Dead Mail leans heavily into the ’80s analog aesthetic, delivering a unique crime thriller unafraid to get offbeat with its dark narrative. Expect its characters to be as atypical as Dead Mail‘s sense of style.”

In the SXSW 2024 horror film…

“On a desolate, Midwestern county road, a bound man crawls towards a remote postal box, managing to slide a blood-stained plea-for-help message into the slot before a panicking figure closes in behind him. The note makes its way to the county post office and onto the desk of Jasper, a seasoned and skilled “dead letter” investigator, responsible for investigating lost mail and returning it to its sender. As he investigates further, Jasper meets Trent, a strange yet unassuming man who has taken up residence at the men’s home where Jasper lives.

“When Trent unexpectedly shows up at Jasper’s office, it becomes clear he has a vested interest in the note, and will stop at nothing to retrieve it…”

Sterling Macer, Jr., John Fleck, Susan Priver, Micki Jackson, Tomas Boykin, and Nick Heyman star in Dead Mail. Preview the film with an exclusive image gallery below.

Dead Mail SXSW horror movie

Dead Mail SXSW horror

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