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‘Sleepaway Camp 2’ Celebrates Its Trans Villain [Horror Queers Podcast]

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Touch That Tush.

August has featured an American giallo in Eyes of Laura Mars, a Spanish ghost story in The Others, and a Jewish horror comedy in Shiva Baby. Now it’s time to head back to literal summer camp with director Michael A. Simpson‘s very silly horror comedy: Sleepaway Camp 2: Unhappy Campers (1988).

In this sequel to the notorious original, Angela (Pamela Springsteen) is all grown up and working as a camp counselor. She’s transitioned and is seemingly very comfortable with herself, but she can’t shake Aunt Martha’s pesky pious moral code. This sends her into a murderous rage whenever the other counselors – and even some of the campers – break her rules.

What follows is all manner of silly/horrible deaths, albeit with less of the great practical effects of the OG film. Still, it’s fun to watch Angela take out an entire camp in a film that not only lets its trans character be the villain, but also the protagonist and Final Girl.

Be sure to subscribe to the podcast to get a new episode every Wednesday. You can subscribe on iTunes/Apple PodcastsStitcherSpotifyiHeartRadioSoundCloudTuneInAmazon MusicGoogle Podcasts, and RSS.


Episode 244: Sleepaway Camp 2: Unhappy Campers (1988)

Return to camp with Michael A. Simpson’s Sleepaway Camp 2: Unhappy Campers (1988) which finds Angela killing according to Aunt Martha’s conservative moral code.

We’re talking about Pamela Springsteen’s performance (and Felissa Rose’s absence), our love of Ally, and the film’s status as a self-referential horror comedy.

Plus: the lack of short shorts, poor editing, Molly’s end, and debates if the laughs subvert the “trans killer” trope.


Cross out Sleepaway Camp 2: Unhappy Campers!

Coming up on Wednesday: We’re checking in the dysfunctional family at the heart of Park Chan-wook’s sole English language thriller, Stoker (2013).

P.S. Subscribe to our Patreon for more than 258 hours of additional content! This month we’re discussing horror tropes that gotta go, as well as episodes on Meg 2: The Trench,  Talk to Me, and The Last Voyage of the Demeter. And to tie in with that last one, our audio commentary for the month will be on Bram Stoker’s Dracula (the Coppola one).

Joe is a TV addict with a background in Film Studies. He co-created TV/Film Fest blog QueerHorrorMovies and writes for Bloody Disgusting, Anatomy of a Scream, That Shelf, The Spool and Grim Magazine. He enjoys graphic novels, dark beer and plays multiple sports (adequately, never exceptionally). While he loves all horror, if given a choice, Joe always opts for slashers and creature features.

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‘Death Becomes Her’ and the Horror of Aging [The Lady Killers Podcast]

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“This is life’s ultimate cruelty. It offers us a taste of youth and vitality, and then it makes us witness our own decay.”

Is there anything more terrifying than the relentless passage of time? It’s a bitter truth that just when we’ve become accustomed to our bodies, the sands of time turn and we’re forced to watch them slowly break down in a cruel march towards inevitable death. But what if there were a way to stop the aging process – a potion that would return us to our peak physical condition and hold us there until the end of time? Would we take it? And would we eventually find that the blessing of perpetual life is actually a curse? No film explores this dilemma quite like Death Becomes Her. Robert Zemeckis’ 1992 horror comedy pits two showstopping divas against each other for a single spotlight while asking what they would do for eternal youth – and what will be the hidden cost?

Madeline (Meryl Streep) and Helen (Goldie Hawn) are old frenemies with a history of vicious competition. Madeline seems to have won the most recent battle and married Helen’s fiance Ernest (Bruce Willis), but decades later, their marriage is on the rocks and Madeline’s once thriving career is now a thing of the past. When Helen returns with a stunning new look, Madeline turns to unorthodox methods to maintain her feminine dominance. She drinks a potion designed to give her eternal youth, but returns home to find her life turned upside down by her downtrodden husband and jealous “friend.” Having both taken the potion, “Mad” and “Hel” engage in a bitter fight to the death over years of petty snipes and the right to claim the title of Most Desirable Woman.

In their latest episode, The Lady Killers dissect these two glamorous killers and the hidden social commentary in Zemeckis’ iconic film. Co-hosts Jenn AdamsMae Shults, Rocco T. Thompson, and Sammie Kuykendall dish over their own fears of aging, choose their favorite diva, and decide whether they would take the potion should they ever find themselves in Lisle’s (Isabella Rossellini) lavish home. How does the film hit differently when watching as an adult? Could Madeline, Helen, and Ernest ever make a polycule work? Is Lisle a hero or a villain and how does she keep that gorgeous necklace in place? They’ll wrestle with these questions and more in a podcasting shovel battle to the death on this unique horror comedy and one of the most glamorous casts of all time.

Stream below and subscribe now via Apple Podcasts and Spotify for future episodes that drop every Thursday.

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