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The Masque of the Red Death

“Overall, this is a fantastic watch that shows Roger Corman’s directing excellence, and comes with sweet elements of horror. The film has its slow moments, but a fantastic performance from Vincent Price and the film’s amazing visual tone provide an engaging watch that comes with great subject matter. “

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This is a flick that caught my attention solely due to its sweet title, which then became even more awesome when I saw it starred Vincent Price and came directed by Roger Corman. Based on Edgar Allen Poe’s short story of the same name, we get a unique Gothic tale that comes with some of Roger Corman’s finest direction and execution to date.

The Masque of the Red Death centers around a European Prince, Prince Prospero(Vincent Price), who’s countryside is being ravaged by a deadly disease known as the “Red Death”. Prince Prospero decides to invite his fellow nobleman, friends, and a few prisoners(for entertainment purposes) to hole up in his castle and ride out the deadly plague. The guests are subjected to Prince Prospero’s cruel and demeaning festivities, but things become awry for Prince Prospero as well when a red-hooded figure appears in the castle, proving death is always inevitable.

Fans of Poe’s work and Gothic horror should be pleased with this watch. Roger Corman does a fantastic job bringing this adaptation to screen, with utterly fantastic visuals and sets that give Mario Bava and Dario Argento a run for their money. Atmosphere is everything in this film, and Corman provides a gloomy and spooky look sure to keep you visually engaged in the events going on during the film’s slower sequences. As usual, we get a fantastic performance from Vincent Price, whom I really enjoyed given this is one of his crueler roles. Watching him toy with people’s lives for his sole entertainment provides most of the horror we get in this watch, although usage of the hooded “Red Death” was very satisfying as well. It really is sad that critics normally see Roger Corman as a pioneer of sleazy B-movies, because this film is criminally underrated.

Story-wise the film mostly follows Poe’s original short story. The dialogue is fantastic, thanks much to a great job from writers Charles Beaumont and R. Wright Campbell as they adapted the source material into the film’s screenplay. There is a fair amount of drama thrown into the film, which makes this not an entirely horrific watch. This really came as no surprise to me, given we are taking a short story and turning it into a near 90 minute film. Thankfully, the drama is good as well, coming in the form of obsession and debauchery. As far as the horror goes, the acts we are forced to endure at the hands of Vincent Price are made quite terrifying in nature, with high levels of depravity at the hands of his awesome character. His obsession with Satan, his master, makes for most of the reasoning behind this character, which ultimately leads to a sweet conclusion. Of course, the sole objective of the film plays on our inability to avoid death. Death is viewed as an all-powerful entity that does as it pleases without regard for other or negotiation, which proves very symbolic in reference to Prince Prospero, who in the end may have bitten off more than he could chew.

Overall, this is a fantastic watch that shows Roger Corman’s directing excellence, and comes with sweet elements of horror. The film has its slow moments, but a fantastic performance from Vincent Price and the film’s amazing visual tone provide an engaging watch that comes with great subject matter.

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‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts

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In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.

The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.

But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).

Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.

That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.

Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.

Stay tuned for more box office reporting in the coming days.

In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”

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