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[TV Review] “The Walking Dead” Episode 5.1, ‘No Sanctuary’

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“The Walking Dead” returned last night with ‘No Sanctuary,’ and it was not at all what I expected. I’m mildly shocked that the threat of Terminus started and ended in one episode. After all the hype from last season, all the time spent getting there, I’d have thought—in typical “Walking Dead” fashion—that it would have dragged on for at least three or four episodes. And although I love the idea of ‘the intelligent and thoughtful cannibal,’ I’m happy that Terminus is not going to be this season’s major event.

Bookended with flashbacks, ‘No Sanctuary’ shows us a bit of what used to be the humanity of the now sociopathic Terminants. These flashbacks are quick and dark, so don’t blink or you’ll have absolutely no clue what happened. Other than the 30 seconds spent on flashbacks, we remain completely in the present, following three storylines: Tyreese in a run-down shack with a Terminus member and baby Judith, Carol as she breaks necks and takes names to save the captive survivors, and the rest of the crew being held in Terminus, waiting to die. While Rick, Glenn, Bob, and Daryl are taken from the box car (where they were last seen at the end of season four) to a trough to be killed, strung up, and eventually eaten, the rest of the survivors (Maggie, Michonne, Carl, etc.) are forced to wait it out in the box car, fashioning weapons from…I seriously have no idea what.

Taking a step back. That opener was brutal. In more ways that one. Cannibalism is a tough pill to swallow, but watching weeping men hang their heads over a trough as their throats are slit to drain their blood is the type of behind-the-scenes action I’d rather not witness. That’s “brutal” meaning number one. “Brutal” meaning number two is that it was problematic in the practicality sense. There’s a great idiom for it and an accompanying cheeky 90s TV theme song: saved by the bell. Why are they always saved by the damn bell? This is a disease so many shows suffer from. I’d be thrilled if writers could come up with something other than the cliché of the oh-so-perfectly timed distractions to save a life. Glenn is about to be slain and…oh! The bossman walks in the room with an unimportant, completely non-pressing question for the executioner. Glenn is about to be slaughtered a second time and…oh! Another well-timed distraction! It’s not that I want Glenn to die (in fact I’ve said on many occasions that I’ll stop watching the show the day that he DOES die), it’s that I want the writers to work a little harder to make something, anything, believable in this show. And being saved by the bell over and over again, episode after episode, is just so farfetched.

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On the flip side, I will say that for the first time in several seasons, I’m quite impressed with the urgency the writers displayed. They moved us from point A to point B with incredible dexterity and for once didn’t waste our time with long-drawn-out…well…everything. It gives me a lot of hope for the rest of this season. The faster things move, the more excited I become. Last season felt like the movement of frozen molasses.

Lastly, we are finally seeing the emotive results of some major events that transpired last season. Rick has gone full metal jacket. I guess it started with him tearing Joe’s throat out with his bare teeth, but it’s now become completely evident that he no longer has any reservations about anything. It’s a refreshing change. Let someone else be the moral compass for a moment. Second, Carol’s emotional state is very much dictated by the events that happened last season: being cast out and abandoned by Rick, only to end up taking care of his baby girl and eventually having to kill Lizzie, a girl who’d become somewhat of a daughter to her. And because of all this and how it’s transformed Carol, I can honestly say that I’ve never loved her more. She feels like the most realistic character to me. After all she’s been through, she’s arrived in season five showing both a hardness and practicality that will keep her and the others alive, as well as vulnerability about being accepted into the group again. After seasons of being all over the place in her actions and emotions, she seems to have grounded herself in the perfect Zombie Apocalypse survival mode.

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‘No Sanctuary’ offered a violent, fast-paced, no-holds-barred introduction to season five and for someone who’s felt continually let down by the previous seasons, I feel confident in saying: Bring it, Season Five. I’m enthusiastic about the future of this show.

FYI: My new favorite thing ever is the ‘zombie torch.’

What did you think of “The Walking Dead” season five premiere? Would you have liked to see more of Terminus? Who is you current favorite survivor badass?

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‘Witchblade’ is Getting Resurrected This Summer in New Comic Series from Top Cow and Image Comics

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Witchblade cover

Witchblade, the popular comic series that initially ran from 1995 to 2015 and launched a TV series, is getting resurrected in a new comic series from Top Cow and Image Comics. It’s set to unleash heavy metal, black magic and blood this summer.

Look for the new Witchblade series to launch on July 17, 2024.

In Witchblade #1, “New York City Police Detective Sara Pezzini’s life was forever fractured by her father’s murder. Cold, cunning, and hellbent on revenge, Sara now stalks a vicious criminal cabal beneath the city, where an ancient power collides and transforms her into something wild, magnificent, and beyond her darkest imaginings. How will Sara use this ancient power, or will she be consumed by it?”

The series is penned by NYT Best-Selling writer Marguerite Bennett (AnimosityBatwomanDC Bombshells) and visualized by artist Giuseppe Cafaro (Suicide SquadPower RangersRed Sonja). The creative duo is working with original co-creator Marc Silvestri, who is the CEO of Top Cow Productions Inc. and one of the founders of Image Comics. They are set to reintroduce the series to Witchblade’s enduring fans with “a reimagined origin with contemporary takes on familiar characters and new story arcs that will hook new readers and rekindle the energy and excitement that fueled the 90’s Image Revolution that shaped generations of top creators.”

Bennett said in a statement, “The ability to tell a ferocious story full of monsters, sexuality, vision, and history was irresistible.” She adds, “Our saga is sleek, vicious, ferocious, and has a lot to say about power in the 21st century and will be the first time that we are stopping the roller coaster to let more people on. I’ve loved Witchblade since I was a child, and there is truly no other heroine like Sara with such an iconic legacy and such a rich, brutal relationship to her own body.”

“The Witchblade universe is being modernized to reflect how Marguerite beautifully explores the extreme sides of Sara through memories, her personal thoughts, like desire and hunger, in her solitude and when she is possessed by the Witchblade. So, I had to visually intersect a noir True Detective-like world with a supernatural, horror world that is a fantastic mix between Berserk and Zodiac,” Cafaro stated.

Marc Silvestri notes, “This is brand new mythology around Sara, and I can’t wait for you to fall in love with her and all the twists and turns. Discover Witchblade reimagined this summer, and join us as we bring all the fun of the 90s to the modern age and see how exciting comics can be. I can’t wait for you to read this new series.”

Witchblade#1 will be available at comic book shops on Wednesday, July 17th, for $4.99 for 48 pages. And it’ll come with multiple cover variants.

  • Cover A: Marc Silvestri and Arif Prianto (Full Color)

  • Cover B: Giuseppe Cafaro and Arif Prianto (Full Color)

  • Cover C: Blank Sketch Cover

  • Cover D (1/10): Dani and Brad Simpson (Full Color)

  • Cover E (1/25): Marc Silvestri and Arif Prianto, Virgin Cover (Full Color)

  • Cover F (1/50): J.Scott Campbell (Full Color)

  • Cover G (1/100): Bill Sienkiewicz. (Full Color)

  • Cover H (1/250): Line art by Marc. Virgin Cover, Inks (B/W)

Witchblade #1 will also be available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.

Witchblade comic panel Witchblade #1 cover image

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