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[Review] ‘Last Girl Standing’ Captivates But Lacks Serious Scares

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Some moviegoers like to think that the story isn’t really over once the credits roll. Be it superheroes, Disney princesses or even talking animals, some of us like to imagine what might happen to our favorite fictional characters next. Slasher movies, however, are usually a different story. Outside of a few examples like Friday the 13th’s Tommy Jarvis or (to some extent) Laurie Strode in Rob Zombie’s Halloween 2, few filmmakers are interested in what happens once the killer is defeated. Last Girl Standing, Benjamin R. Moody’s first feature film, chooses to focus solely on a final girl’s not-so-happily ever after, with terrific results.

The plot revolves around Camyrn, played by Akasha Villalobos, the sole survivor of a horrific massacre that claimed the lives of all her friends. She struggles to keep her head as she’s haunted by visions of The Hunter, the masked murderer she managed to kill in order to escape. After apparently being attacked at her workplace, she reluctantly befriends Nick and Danielle, played by Brian Villalobos and Danielle Evon Ploeger. Introduced to a new circle of friends, Camyrn is afraid the killer is back from the dead and eager for more victims while her friends wonder if she’s just going insane.

Storywise, it’s a simple script, but it’s also filled with sympathetic characters and believable reactions that make this a memorable film. A lot of time is devoted to simply getting to know these people and their struggles, which makes the grueling climax all the more impactful. Though the dialogue and line delivery was a bit stilted at times, the actors did all they could to breathe life into these characters with such a low-budget venture. Danielle and Akasha, however, really stand out with the most convincing and professional performances in the movie.

Moody obviously did his homework before stepping into the director’s seat, riddling the film with numerous subtle nods to some of the best slashers of yesteryear. Though the movie focused more on the dramatic elements of the story, there were some serviceable horrific scenes peppered throughout. The hallucination and chase scenes weren’t bad, but they could have benefited from a larger budget. The masked killer especially doesn’t look very frightening, with the costume looking like it was cobbled together on the spot from what the crew had lying around in the basement. The ending is also lacking in energy, especially considering how emotional the set up was. Ultimately, these flaws don’t ruin the film, especially since they’re not the main focus, but it would have been much better without them.

I’m actually familiar with some of the director’s earlier videogame-related shorts (Skyrim Intervention comes to mind), and watching those it’s clear Moody has a talent for turning small budgets into an excuse to focus almost exclusively on character. It’s a welcome change of pace compared to the usual disposable cardboard cutouts that populate most slasher films, but the action scenes need some work. Last Girl Standing is a captivating depiction of survivor’s guilt and post-traumatic stress, and a very entertaining movie if you don’t mind focusing more on emotion than the kill count.

Born Brazilian, raised Canadian, Luiz is a writer and Film student that spends most of his time watching movies and subsequently complaining about them.

Indie

“Bite Size Short: Her House of Horrors” Announce Short Grant Program!

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Her House of Horrors, the horror division of Independent Production House WOMXNOGRAPHY, has launched its Bite Size Short Grant Program, ahead of its film festival Dollhouse of Horror, which will take place in March 2025 in Los Angeles, CA.

The Bite Size Short Grant Program awards $2,000 film grants to female-identifying and queer horror filmmakers. Shorts must be able to be made for $2,000, with a minimum runtime of 8 minutes. Submissions are now open on Filmfreeway, and are being judged by a panel of horror lovers and content creators.

The 2024 Bite Size Short Grant Program judge lineup is as follows:

“James H. Carter II- A documentary director, film producer, podcaster, marketing specialist, and writer. James is the founder and co-owner of Creepy Kingdom. Creepy Kingdom was founded in 2011 and is a multimedia website, and production studio specializing in creepy content. Their primary focus lies at the intersection of childlike fantasy and the macabre, covering horror films, theme parks, haunts, and much more. Beyond their extensive media coverage, Creepy Kingdom hosts events, offers original merchandise, and engages in film production under the Creepy Kingdom Studios brand producing original films like “Foolish Mortals”, exploring Disney’s “Haunted Mansion” fan culture, and “Georgie”, featuring Tony Dakota from the original “It” miniseries.

“In addition to founding Creepy Kingdom, James has won awards for his documentary work, including the award-winning “Foolish Mortals,” which has earned him recognition. He has been featured on Freeform’s 31 Nights of Halloween special.

“Ashleeta Beauchamp is the editor-in-chief of Peek-A-Boo! Magazine, a cheeky horror magazine created to uplift marginalized writers, artists, models and other creators within the horror community. She also runs The Halloween Coalition, a community group to provide support and marketing for horror and Halloween events around the Southern California area.

“Titeanya Rodríguez is a multi-hyphenate creative, and the founder and owner of HER HOUSE OF HORRORS, home of DOLLHOUSE OF HORROR and the horror division of WOMXNOGRAPHY. As a fellow storyteller and a self-proclaimed artivist, Titeanya’s mission is to create opportunities for women of color and queer women, across film, tv, sports, music, and beyond. She is also the creator of the BITE SIZE SHORT grant program.”

Winners will have a one-night theatrical screening at Regal Cinemas. Submissions Close April 8 at Midnight. Winners will be announced on May 27, 2024. Shorts must be shot and through post-production by June 30, 2024. The screening will take place on July 8, 2024, in Los Angeles, CA.

WOMXNOGRAPHY, HER HOUSE OF HORRORS, and Rodriguez are represented by Azhar PR, Granderson Des Rochers, and Kinsella Holley Iser Kump Steinsapir.

To submit your short to the Bite Size Short Grant Program, go to the FilmFreeway link here.

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