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The World, the Flesh, and the Devil: ‘Häxan-Witchcraft Through the Ages’ at 100 [Gods and Monsters]
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Spooky Fun for the Family: 15 Great Halloween Movies for Scaredy Cats
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Must Be the Season of the Witch: ‘Halloween III’ Turns 40
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Death in Living Color: Rediscovering Lost Classics ‘Doctor X’ and ‘Mystery of the Wax Museum’
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Are We Not Men? – ‘Island of Lost Souls’ and What It Means to Be Human
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Savage Spawn: The Brutal First Films of Wes Craven
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We Could Have Been Friends: The Prison of Bitterness in ‘What Ever Happened to Baby Jane?’
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The Return of the Hitchcock Touch: Brutal Suspense Thriller ‘Frenzy’ at 50
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The Lives of Christopher Lee: An Icon at 100
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Resurrection: ‘The Curse of Frankenstein’ and the Rebirth of Gothic Horror
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Creeping Shadows: Why ‘Nosferatu’ Still Holds Up 100 Years Later
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A Legend Worth Celebrating: The Unparalleled Legacy of Roger Corman
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One of Us: The Life, Death, and Resurrection of ‘Freaks’ [Gods and Monsters]
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A Night at the Museum: Digging Up ‘The Relic’ 25 Years Later
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‘Evil Dead II’ Turns 35 and It’s Still the Ultimate Horror-Comedy Hybrid
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Frozen Hell: The History of ‘The Thing’ from 1936 to 2011
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The Enduring Power of Oscar-Winning Horror Classic ‘Dr. Jekyll and Mr. Hyde’ [Gods and Monsters]
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Horror Fans in Horror Movies: ‘Scream’ and the Evolution of the Monster Kid
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Naughty or Nice: The Ups and Downs of the ‘Silent Night, Deadly Night’ Franchise
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It’s Still Alive: ‘Frankenstein’ at 90 [Gods and Monsters]
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Catherine Corman on Growing Up Corman and Shooting Short Film “Lost Horizon” on Super 8 [Interview]
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The Quiet Revolution: Roger Corman’s Edgar Allan Poe Cycle is One of the Best Series in Horror History
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“Are You Even a Horror Fan?” On Toxic Fandom and Gatekeeping in the World of Horror
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Danger Zones: The Transgressive Nature of Horror