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A Beautiful Desolation: Poe, Price, Corman, and ‘The Masque of the Red Death’ [Gods and Monsters]
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Steal Your Soul: Satanic Panic and Halloween Horror Gem ‘Trick or Treat’
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The Longest Night: The Original ‘Halloween II’ at 40
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[Review] New Book ‘Puppet Master Complete: A Franchise History’ is an Exhaustive Must Own
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Standing in the Shadows of Hammer: Amicus and ‘The House That Dripped Blood’ [Gods and Monsters]
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Mark of the Beast: ‘The Wolf Man’ at 80 [Gods and Monsters]
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Requiem for a Vampire: Remembering Bela Lugosi 65 Years After His Passing
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The Weak and the Wounded: Danvers, Demons, and the Heart of Darkness in ‘Session 9’
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Pure Celluloid Mayhem: Stephen King’s ‘Maximum Overdrive’ Turns 35
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Slaves of Satan: Mario Bava, Barbara Steele, and ‘Black Sunday’ [Gods and Monsters]
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Feelings Change: Anger, Fear, and ‘Possession’ in Andrzej Zulawksi’s Nightmare Divorce
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Mother’s Off Her Rocker Again: ‘Psycho III’ is Ripe for Reappraisal at 35
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You Have Been Warned: ‘The Omen’ Turns 45
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They’re Here Already: The Perpetual Relevance of ‘Invasion of the Body Snatchers’ [Gods and Monsters]
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Vincent Price—A Life Well Lived: Celebrating the 110th Birthday of an Icon
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Terror in Transition: The Fifty-Year Legacy of ‘The Abominable Dr. Phibes’ [Gods and Monsters]
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Reinvention and Resurrection: The ‘Friday the 13th’ Sequels That Elevated the Franchise
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You’ll Never Get Rid of Me: Val Lewton, Boris Karloff, and ‘The Body Snatcher’ [Gods and Monsters]
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In the Company of Ghosts: Guillermo del Toro’s Poetic Masterwork ‘The Devil’s Backbone’ at Twenty
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Bet You Didn’t See That Coming: Why ‘Scream 4’ May Be the Best Film in the Franchise
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‘King Kong vs. Godzilla’: The Original Giant Monster Smackdown Took Place in the 1960s [Gods and Monsters]
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Why Classic Horror? A Conversation About Classic Films and Why They Still Matter
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Full Moon Fever: The Werewolf Horror Movies of 1981
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There Are Such Things: The Power of ‘Dracula’ Remains Potent at 90 [Gods and Monsters]