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Erotic Thriller ‘Double Lover’ Is Provocative, Sexy and Silly [Sex Crimes]
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‘The Adjuster’ Is a Psychosexual Baptism by Fire [Maple Syrup Massacre]
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‘Amityville Uprising’ Wraps Up an Unofficial Trilogy with an Amityville Zombie Movie [The Amityville IP]
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The “Dumb Fun” of Renny Harlin’s Homoerotic ‘The Covenant’ [Horror Queers Podcast]
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‘Last Night at Terrace Lanes’ Review – Bowling Slasher Lands Somewhere Between Strike and Gutterball
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The Silly, Subversive Queerness of ‘Killer Condom’ [Horror Queers Podcast]
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‘Amityville Scarecrow’ Takes a Trip into the Amityville Cornfield [The Amityville IP]
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Horror Queers Celebrate the Best of 2023 [Horror Queers Podcast]
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Singing for the Holidays with ‘Anna and the Apocalypse’! [Horror Queers Podcast]
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‘Amityville Vampire’ Finally Explores An Anthology Format [The Amityville IP]
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BD’s ‘Horror Queers’ Celebrate the Best Horror of 2023 with Fifth Annual “Hereditaries” Awards; Vote Now!
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The Fabulous Women at the Heart of ‘Your Vice Is a Locked Room…’ [Horror Queers Podcast]
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‘Polytechnique’ Is a Haunting Portrait of a Real-Life Canadian Tragedy [Maple Syrup Massacre]
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‘Amityville Cult’ Delivers a Familiar, Drawn Out Story [The Amityville IP]
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Double the Women, Double the Fantasy in ‘Open Your Eyes’ and ‘Vanilla Sky’ [Sex Crimes]
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‘The Amityville Moon’ Is a Better Werewolf Film Than Amityville Film [The Amityville IP]
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Asking the Hard Questions About Extreme Cinema Like ‘Deadgirl’ [Horror Queers Podcast]
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‘An Amityville Poltergeist’ – The One That Shamelessly Rips Off J-Horror [The Amityville IP]
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The Father/Son Cronenberg Conversation in ‘Antiviral’ [Maple Syrup Massacre]
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Rob Zombie’s ‘Halloween II’ Is the Best Depiction of Final Girl PTSD [Horror Queers Podcast]
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Overstuffed ‘The Amityville Harvest’ Is Four Movies In One [The Amityville IP]
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‘Founders Day’ Toronto After Dark Film Festival Review – A Mixed Bag Political Slasher
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Celebrating the Best ‘Friday the 13th’ Film With Ginny and ‘Part 2’ [Horror Queers Podcast]
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The Queer Horror of ‘Chucky’: Episode 3.02 – “Let the Right One In”
