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How ‘The Faculty’ Fails Its Outcast Queer Characters [Horror Queers Podcast]
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1990 Direct-to-Video Gem ‘Mirror Mirror’ Pays Homage to Horror Classics [Horror Queers Podcast]
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Celebrating ‘Silent Hill’, the Best Video Game Adaptation [Horror Queers Podcast]
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Repressed Sexuality, Ghosts and Bad Children in ‘The Innocents’ [Horror Queers Podcast]
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Snoozing Through the Bland Secret Society and Gentle Homoeroticism of ‘The Skulls’ [Horror Queers Podcast]
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Carrie and the Queers Battle Jason Voorhees in ‘Friday the 13th Part 7: The New Blood’ [Horror Queers Podcast]
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[Review] ‘The Block Island Sound’ Is a Daring Horror Mish-Mash
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The Exploitation of Young Reese Witherspoon in ‘Freeway’ [Horror Queers Podcast]
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Celebrating 40 Years of Canadian Slasher ‘My Bloody Valentine’ [Horror Queers Podcast]
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Unpacking Nihilism, Sexual Assault and Ripley in ‘Alien 3’ [Horror Queers Podcast]
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[Review] ‘Saint Maud’ Is An Exquisite Religious Psychological Thriller
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The Dumb, Sacrilegious Fun of ‘Hellraiser 3: Hell on Earth’ [Horror Queers Podcast]
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Why ‘Scream 3’ Was Doomed From the Beginning [Horror Queers Podcast]
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[Horror Queers Podcast] Exploring Toxic Masculinity in ‘Better Watch Out’
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[Horror Queers Podcast] The Familial Horror of the Holidays in ‘Krampus’
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BD’s ‘Horror Queers’ Celebrate the Best Horror of 2020 with Second Annual “Hereditaries” Awards; Vote Now!
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[Horror Queers Podcast] Celebrating 100 Episodes With a Little ‘Cruising’
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[Horror Queers Podcast] ‘Hocus Pocus’ as Queer Gateway Horror
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[Horror Queers Podcast] Revisiting ‘Trick ‘r Treat’, the Best Horror Anthology
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[Review] Shudder’s Anthology Film ‘The Mortuary Collection’ Offers Meta Morality Tales
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[Nightstream Review] ‘Anything for Jackson’ Is a Worthwhile Twist on the Exorcism/Possession Subgenre
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[Horror Queers Podcast] ‘The Final Girls’ As Comfort Horror
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[Salem Horror Fest Review] ‘Vise’ Is a Surreal Hallucinatory Experience
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[Salem Horror Fest Review] ‘The Strings’ Inspires Spine-Tingling Thrills
