-
[Horror Queers Podcast] Exploring Toxic Masculinity in ‘Better Watch Out’
-
[Horror Queers Podcast] The Familial Horror of the Holidays in ‘Krampus’
-
BD’s ‘Horror Queers’ Celebrate the Best Horror of 2020 with Second Annual “Hereditaries” Awards; Vote Now!
-
[Horror Queers Podcast] Celebrating 100 Episodes With a Little ‘Cruising’
-
[Horror Queers Podcast] ‘Hocus Pocus’ as Queer Gateway Horror
-
[Horror Queers Podcast] Revisiting ‘Trick ‘r Treat’, the Best Horror Anthology
-
[Review] Shudder’s Anthology Film ‘The Mortuary Collection’ Offers Meta Morality Tales
-
[Nightstream Review] ‘Anything for Jackson’ Is a Worthwhile Twist on the Exorcism/Possession Subgenre
-
[Horror Queers Podcast] ‘The Final Girls’ As Comfort Horror
-
[Salem Horror Fest Review] ‘Vise’ Is a Surreal Hallucinatory Experience
-
[Salem Horror Fest Review] ‘The Strings’ Inspires Spine-Tingling Thrills
-
[Horror Queers Podcast] The Horrors of Sex and Sex Work in ‘Showgirls’
-
[TIFF Review] ‘Shadow in the Cloud’ Throws a Promising Premise Into Freefall
-
[Horror Queers Podcast] The Lurid Melodrama of Lesbian Thriller ‘The Quiet’
-
[TIFF Review] ‘Get the Hell Out’ Mixes ‘Kung Fu Hustle’ and ‘Scott Pilgrim’ to Delirious Effect!
-
[Horror Queers Podcast] The Positive Queer Representation in Argento’s ‘Tenebrae’
-
[Fantasia Review] Retrofuturistic ‘Come True’ Is Filled With Synth Nightmares
-
[Fantasia Review] The Witch Trials of Neil Marshall’s ‘The Reckoning’ Tread Familiar Ground
-
[Horror Queers Podcast] Courting Controversy in Every Conceivable Way with ‘Island of Death’
-
[Fantasia Review] ‘The Columnist’ Taps Into Female Rage With Biting Wit
-
[Horror Queers Podcast] 1985’s Other Queer Horror Film: Celebrating Evil Ed and ‘Fright Night’
-
[Horror Queers] Religious Allegory, Feminist Critique and Lesbian Rage in ‘Alucarda’
-
[Horror Queers Podcast] Patchwork Friends from Predatory Lesbians and Dudebro Filmmakers in ‘May’
-
[Horror Queers Podcast] Female Friendship, Magic and Snakes in ‘The Craft’
