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[Review] Edgar Wright’s ‘Last Night in Soho’ Is a Stylish, But Repetitive Thriller
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The Queer Horror of ‘Chucky’: Episode 4 – “Just Let Go”
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The Killer Hilarity of ‘Clue’: One of the Best Comedies Ever Made [Horror Queers Podcast]
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The Queer Horror of “Chucky” – Episode 3, “I Like To Be Hugged’
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The Queer Horror of “Chucky”: Episode 2 – “Give Me Something Good To Eat”
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The Queer Horror of “Chucky”: Episode 1, “Death By Misadventure”
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‘Joy Ride’, Gay Panic and the Real-Life Case of Matthew Shepard [Horror Queers Podcast]
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Learning to Appreciate Getting Lost In David Lynch’s ‘Mulholland Drive’ [Horror Queers Podcast]
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Debating Camp vs Trash in ‘Freddy’s Dead: The Final Nightmare’ [Horror Queers Podcast]
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[TIFF Review] In ‘Zalava’, a Demonic Possession Leads to Mass Hysteria and Paranoia
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[TIFF Review] Irish Folklore Film ‘You Are Not My Mother’ Finds the Horror at Home
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The Dreadful Comfort of Slow Burn Horror and ‘It Follows’ [Horror Queers Podcast]
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[TIFF Review] Netflix’s Korean Drama Series ‘Hellbound’ Has a Great Premise, But Struggles With Its Execution
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[TIFF Review] Erotic Thriller ‘Inexorable’ Is Stuck at Half-Mast
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[TIFF Review] ‘Memoria’ Is a Contemplative Meditation on Memory and Experience
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Exploring the True Villain of the Original ‘Candyman’ [Horror Queers Podcast]
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[Fantasia Review] ‘Martyrs Lane’ Offers Ghostly Mystery Through a Child’s Eyes
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[Fantasia Review] Supernatural Indigenous Film ‘Don’t Say Its Name’ Is Topical, But Struggles With Its Scares
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[Fantasia Review] ‘King Knight’ Is a Silly, Heartfelt Ode to Being True to Yourself
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‘The Bride of Frankenstein’ as the Epitome of Queer Horror [Horror Queers Podcast]
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The Hilarious Bitchery of ‘Sorority Row’ [Horror Queers Podcast]
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We Need to Apologize for Sleeping on ‘Bones’ [Horror Queers Podcast]
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‘Excision’: Why AnnaLynne McCord’s Pauline Is a Queer Icon [Horror Queers Podcast]
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Predatory Lesbians and Witchy Spells in Nicolas Winding Refn’s ‘The Neon Demon’ [Horror Queers Podcast]
