Peter Strickland is a master of visual and aural storytelling. The Duke of Burgundy is a sumptuous visual masterpiece that is light on story while Berberian...
It is likely unsurprising that Knives Out, the new mystery from Rian Johnson, is more than meets the eye. Any whodunnit worth its salt has a...
With our eight week Camp marathon firmly in the rearview mirror (so long Beef! Adios Geoffrey and Famke! See you soon Gimp Daddy!), Trace and I...
The Horror Queers are closing in on the end of our eight-week camp marathon! Jason Goes To Hell: The Final Friday, Cursed, The Texas Chainsaw Massacre: The Next...
Each month in Horror Queers, Joe and Trace tackle a horror film with LGBTQ+ themes, a high camp quotient or both. For lifelong queer horror fans...
Secret Rape Revenge The Horror Queers eight week camp marathon continues! After Jason Goes To Hell: The Final Friday, Cursed, The Texas Chainsaw Massacre: The Next Generation, and...
Filmmaking! Possum! We’ve hit the halfway point of our eight-week camp marathon and – just like every other week – we have another film with an...
Takashi Miike is one hell of a prolific director. His versatility across genres makes it a pointless exercise to try and pigeon hole him, a fact...
What would happen if Aaron Sorkin – he of The West Wing – wrote a period drama/paranoid alien conspiracy thriller? You would have The Vast of...
Technology remains one of the most influential sources of horror, particularly as it continues to alter our everyday life. In Turkish director Orcun Behram’s dystopian horror...
One of the joys of watching horror films is the discovery. A new director or star. An unexpected scare. A twist on a familiar convention that...
At this point, it’s hard to ignore the political discourse surrounding Joker. Each time the film is screened, there’s a new wave of online reactions which...
Aaron Moorhead and Justin Benson are among the riskiest genre filmmakers working today. Like or hate their films, the pair continue to be incredibly hands-on (they...
Maple Syrup Massacre is a monthly series where Bloody Disgusting dissects the themes, conventions and contributions of new and classic Canadian horror films. The first two...
In the new film by Richard Stanley (Hardware and, more notoriously, 1996’s The Island of Dr. Moreau), a meteorite falls out of the sky and onto the Gardner property. It...
There’s an absurdist streak running through Deerskin, the French dark comedy about a man who slowly turns homicidal under the influence of a new – you...
The year 2014 was a peak period for found footage horror. In addition to the weakening Paranormal Activity franchise and respectable entries such as Creep and...
Ah-Lizzie McGuire! When August began, Trace and I declared it Femme Fatale month, exploring first Takashi Miike’s controversial Audition, and then Tyler MacIntyre’s Tragedy Girls last...
Like and Fave, Bitches. After a few weeks of screening very different “family” films such as Jaume Collet-Serra‘s Orphan and Laika’s ParaNorman, last week Trace and I...
Each month in Horror Queers, Joe and Trace tackle a horror film with LGBTQ+ themes, a high camp quotient or both. For lifelong queer horror fans...
There aren’t many films that inspire the kind of anguished vitriol quite like Grace. Parents, particularly expectant parents, are appropriately traumatized. Childless viewers, meanwhile, tend to...
Despite being terrified of Evil Esther in 2009’s Orphan on last week’s episode, Trace and I decided to stay in the realm of children’s horror with our...
Maple Syrup Massacre is a monthly series where Bloody Disgusting dissects the themes, conventions and contributions of new and classic Canadian horror films. Spoilers follow… In the first edition of...
It’s a fun/odd experiment to watch a film for the first time in order to celebrate its 10th anniversary. Unlike audiences who went in cold in...
You must be logged in to post a comment.