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[Review] ‘Sea Fever’ is a Smart Character Drama That Subverts Aquatic Horror Tropes
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[Horror Queers Podcast] The Enduring Satire of Mary Harron’s ‘American Psycho
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[Horror Queers Podcast] Toasting the Lovable A-Holes of ‘April Fool’s Day’
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Unsettling and Startlingly Topical: ‘Rabid’ as Prototypical Cronenberg [Maple Syrup Massacre]
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[Review] ‘Vivarium’ Explores the Darker Side of the Suburbs
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[Horror Queers Podcast] 80s Slasher Meets Rape/Revenge in ‘The Ranger’
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[Horror Queers] Cruising the Outback in ‘Road Games’
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[Horror Queers Podcast] Celebrating Child Murder and Practical Effects in ‘The Blob’
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[Horror Queers Podcast] Love – and Boredom – Is in the Air With ‘Single White Female’
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[Horror Queers Podcast] Celebrating the Ambition and Audacity of ‘Hellraiser: Bloodline’
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[Horror Queers Podcast] Pro-Queer Message Can’t Save the Tonally Challenged ‘All Cheerleaders Die’
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Celebrating ‘Ghoulies’ and Its Surprising Queerness at 35
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[Horror Queers] Vote Now in the 2020 “Hereditaries” and Celebrate the Best Horror of 2019!
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[Horror Queers Podcast] Explaining Why ‘Scream 2’ is the Best ‘Scream’ Film
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[Horror Queers] Lost and Isolated as a Queer Metaphor in ‘The Grudge’ (2004)
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[Horror Queers Podcast] Celebrating Christmas with a Killer Santa and Aversion Therapy in “American Horror Story: Asylum”
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[Horror Queers Podcast] Homoeroticism and Homophobia in ‘Blade: Trinity’
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[Review] A24’s ‘In Fabric’ Dresses Up a Simple Tale to Haunting Effect
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‘Knives Out’ Review – A Hilarious Crowd-Pleaser With Sly Political Commentary
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[Horror Queers Podcast] Adopting a Child to Save the Gay Relationship in ‘Interview with the Vampire’
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[Horror Queers Podcast] Gentrification, Incest and Leather in ‘The People Under the Stairs’
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[Horror Queers] Boring Men and Bisexual Erasure in ‘Basic Instinct 2: Risk Addiction’
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[Horror Queers Podcast] Hacking Into The Gonzo Twists and Turns of ‘The Perfection’
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[Horror Queers Podcast] The Red & Blue Camp Aesthetic of LiLo’s ‘I Know Who Killed Me’
