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Tubi’s ‘Adopted’ Features a Killer Child Performance [Review]
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The Messy Exploitation Of 2002’s ‘Ted Bundy’ [Murder Made Fiction Podcast]
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The Twisty, Genre-Blending Mysteries of ‘I See You’ [Horror Queers Podcast]
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Tubi Original Thriller ‘Toxic Harmony’ Isn’t a Chart-Topper [Review]
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Lifetime’s ‘Don’t Let Him Find You’ Is ‘A History of Violence’-Lite [Review]
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‘Amityville Ripper’ Is a Parody of the ‘Franchise’… and Itself [The Amityville IP]
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The ‘Waco’ Finale Was Dictated by Its Male Survivors [Murder Made Fiction Podcast]
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The Complex Sexual Politics of ‘Creep 2’ [Horror Queers Podcast]
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‘Amityville: The Final Chapter’ Is a Technical Misfire [The Amityville IP]
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Two Horror Icons Were Born in 1984’s ‘A Nightmare on Elm Street’ [Horror Queers Podcast]
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Ti West Brings a Faux Documentary to Jonestown in ‘The Sacrament’ [Murder Made Fiction Podcast]
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‘The Last Amityville Movie’ Is a Surprisingly Good Dose of Meta Found Footage [The Amityville IP]
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Investigating Jim Jones and the Jonestown Massacre [Murder Made Fiction Podcast]
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The Double Divas at the Heart of ‘Night of the Demons’ [Horror Queers Podcast]
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‘A Nurse’s Revenge’ Is a Classic Lifetime Thriller [Review]
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‘The Line’ Is a Scathing Indictment of Frat Culture [Review]
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Tubi’s ‘The Amityville Curse’ Is the Franchise’s 2nd Remake [The Amityville IP]
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‘House of 1000 Corpses’ is Rob Zombie’s Ode to ‘TCM’ ’74 [Murder Made Fiction]
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The Screaming and Cannibalism of 1974’s ‘The Texas Chain Saw Massacre’ [Horror Queers Podcast]
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‘Sweetpea’ Offers a Familiar But Entertaining ‘Meek to Murder’ Plot [Review]
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Lifetime’s ‘The Book Club Murders’ Features a Great Over the Top Killer [Review]
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‘Birth’ Was So Much More Than Its Notorious Bathtub Scene [Horror Queers Podcast]
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Serving Up a Month of Jeffrey Dahmer [Murder Made Fiction Podcast]
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‘Amityville: Emanuelle’ Brings the Funny Back to the “Franchise” [The Amityville IP]