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‘The Lake’ Review – An Average Kaiju Film Kept Afloat by Great Special Effects
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5 Deep Cut Horror Movies to Seek Out in March 2023
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‘Backcountry’ – This Killer Bear Movie Captures the Primal Fear of Nature
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‘The Long Dark Trail’ Review – Uneven Coming-of-Age Horror Drama Elevated by Its Artistry
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‘Red Rose’ Review – Netflix Teen Horror Series Makes the Internet Feel Unsafe Again
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5 Deep Cut Horror Movies to Seek Out in February 2023
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‘Tamara’ – Digging Up ‘Final Destination’ Creator’s 2006 Revenge Horror Movie
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‘Daughter’ Review – A Suspenseful Study of Traditional Family Roles
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‘The River’ – Rediscovering the ‘Paranormal Activity’ Director’s Found Footage TV Series
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‘Woman of the Photographs’ Review – A Dark Love Story About Authenticity and Image
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‘Viking Wolf’ Review – Netflix’s Norwegian Werewolf Movie Has a Weak Bite
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‘A Lot of Nothing’ Review – An Incoherent Social Thriller
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5 Deep Cut Winter Horror Movies You Maybe Haven’t Seen
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‘Landmine Goes Click’ – This 2015 Revenge Thriller Channels Classic Exploitation Movies
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‘Fear’ Review – Pandemic Horror Movie Sticks Too Close to Genre Tropes and Conventions
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Kids vs. Werewolves in “Goosebumps Series 2000”, “Shivers” and “Strange Matter” [Buried in a Book]
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‘Waking Karma’ Review – Religious Cult Thriller Lacks in Thrills
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‘American Psycho 2’ – Reclaiming the Overhated Sequel as a Campy Slasher Comedy
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‘Hatchet for the Honeymoon’ – Mario Bava Giallo Movie Was Underrated and Ahead of Its Time
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‘Junji Ito Maniac: Japanese Tales of the Macabre’ Review – Netflix Anime Pales in Comparison to Source Material
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Killer Performances: ’90s Horror Books ‘The Stalker’ and ‘Stage Fright’ [Buried in a Book]
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‘Srigala’ – The 1981 Indonesian ‘Friday the 13th’ Ripoff You’ve Probably Never Seen
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‘Friday the 13th: The Carnival’ – This Young Adult Novel from 1994 Delivers Bloody Amusement
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‘Shin Ultraman’ Review – Beloved Japanese Icon Gets Retooled With Fantastic Results