Quantcast
Connect with us

Movies

5 Deep Cut Winter Horror Movies You Maybe Haven’t Seen

Published

on

winter horror

No genre is as prolific as horror, so it’s understandable that movies fall through the cracks all the time. That is where this new recurring column, Deep Cuts, comes in. While some movies remain popular and talked about, regardless of age, countless others have faded into the background or obscurity.

Each themed installment of this series will spotlight several overlooked, unappreciated or generally unknown movies from the past — some from way back when, and others from not so long ago — that could use some more attention.

The first edition of this column will look at horror movies featuring wintry settings. It may not feel or look like winter wherever you are right now, but somewhere it’s cold. And with a frosty backdrop, the five winter horror movies here feel more bleak than usual.


A Cold Night’s Death (1973)

Directed by Jerrold Freedman

Robert Jones and Frank Enrari (Robert Culp and Eli Wallach) are the two scientists dropped off at a research laboratory in the Arctic Circle. Their objective is to run tests on primates for the space program, but after discovering a dead colleague at the station, Jones and Enrari eventually succumb to their environment, isolation and growing paranoia.

A Cold Night’s Death (also known as The Chill Factor) aired as part of ABC’s Movie-of-the-Week series. This slow-burning telepic might not specifically take place during the winter, but it’s rich in atmosphere and unease. Over the years it’s been considered an inspiration for one of the all-time best winter horror movies, John Carpenter’s The Thing.

A low-grade, analog-sourced copy of A Cold Night’s Death has been circulating online for years. The reduced quality makes this horror movie even eerier.


Sleepwalker (1984)

Directed by Saxon Logan

winter horror sleepwalker

Alex (Bill Douglas) and sister Marion (Heather Page) live out in the country in an old and creaky house. When they’re visited by their friends, couple Richard and Angela (Nickolas Grace and Joanna David), tensions flare before everyone is finally consumed in a night of terror and blood.

Sleepwalker is a highly satirical horror story concerning four unpleasant Brits, though some are clearly more loathsome than others. Political discourse and eroticism come up in this 50-minute feature before everything ends on a pulpy note.

The British Film Institute (BFI) has since released Sleepwalker on Blu-ray, and the movie is currently streaming on Cultpix and BFI Player Classics.


Wolf’s Hole (1987)

Directed by Věra Chytilová

horror

When a group of Czech teens is taken on a ski trip in the mountains, a sudden avalanche leaves them stranded. There is no way home in sight, and supplies are becoming limited. The young people develop cabin fever and clash with one another, but when they suspect something strange is going on with the adults in charge, they start working together in order to survive.

Wolf’s Hole (originally Vlčí bouda, also known as Wolf’s Chalet) is a celluloid allegory from avant-garde filmmaker Věra Chytilová. What sounds like a Czech take on the American teen slasher ends up being something else entirely, and the story becomes one long political metaphor. Not recognizing the coding, however, doesn’t impede your enjoyment of this unique and weird teen-horror movie.

Wolf’s Hole is currently streaming on The Criterion Channel.


Black Cadillac (2003)

Directed by John Murlowski

winter horror black cadillac

Two brothers (Shane Johnson and Jason Dohring) and their friend (Josh Hammond) are all joyriding across state lines before they all go their separate ways. After causing trouble at a dive bar in backwoods Wisconsin, the three main characters flee to their car. Little do they know, someone is following them — someone driving a black Cadillac. The young men struggle to escape before finally stopping and confronting their stalker.

Black Cadillac is a harrowing and angsty teen-thriller that never lets its foot off the gas. Sure, the three protagonists argue a lot, but beneath their frayed veneers is a believable kind of fellowship. Randy Quaid also gets in touch with his creepy side as the cop-turned-hitchhiker who you can never trust, despite what he says.

Black Cadillac is currently streaming on Tubi.


Knuckleball (2018)

Directed by Michael Peterson

While his parents are trying to heal their marriage, young Henry (Luca Villacis) is sent to stay with his grandfather (Michael Ironside) at his isolated farmhouse during the winter. The visit soon turns into a nightmare when the grandfather’s only neighbor, the dangerous Dixon (Munro Chambers), comes after Henry.

Knuckleball is a clever, sinuous winter horror movie that subverts expectations and goes to a dark place. Ironside and Chambers, who reunited after starring in Turbo Kid together, each delivered great performances. This disturbing as hell movie from the Great White North is best seen without too much prior knowledge.

Knuckleball is currently streaming on Tubi.

Paul Lê is a Texas-based, Tomato approved critic at Bloody Disgusting, Dread Central, and Tales from the Paulside. Bluesky: paulle.bsky.social

Click to comment

Editorials

Meet the Actors Who Brought the ‘Backrooms’ Still Life Monsters to Life [SPOILERS]

Published

on

Renate Reinsve in 'Backrooms' - Horror ARGs

Judging from the unprecedented box office success of Kane Parsons’ Backrooms adaptation, you’ve likely already seen the liminal horror hit that managed to make audiences afraid of empty hallways and bad wallpaper. And now that so many of us have already entered the yellow labyrinth (some of us more than once), the time has come to discuss the spoiler-filled details that make the movie so fascinating in the first place.

And if there’s one element here that makes the Backrooms movie stand out from any previous lore/mythology, it has to be the genius addition of the Still Life entities. Warped recreations of real people that somehow wandered into the Complex, these misremembered creatures are responsible for some of the most disturbing imagery of 2026 – as well as laugh-out-loud memes created by one of the film’s very own concept artists.

However, true to Parsons’ word that the movie would rely heavily on practical effects, each of these distorted monsters was brought to life by real actors under heavy layers of makeup and prosthetics (with the occasional splash of CGI enhancements). While Anora and If I Had Legs I’d Kick You actress Ivy Wolk wasn’t among these performers, despite what Letterboxd might have you believe, the creature cast did benefit from veteran players with plenty of genre experience.

For starters, Alien: Romulus alumni Robert Bobroczkyi (who previously brought that film’s horrific Offspring to life during its most memorable sequence) plays the flick’s main antagonist, the Still Life version of Captain Clark. And though there was some obvious CGI involved in making the character’s peg-leg and nightmarish face more believable, Bobroczkyi’s monstrous performance and his natural 7’7″ frame helped to make that final chase sequence a clear highlight among this year’s genre offerings.

The film’s Texas-Chain-Saw-inspired “dinner” scene also features a freaky collection of less-aggressive Still Life creatures in the form of the Bearded Man, the Red-Headed Woman and, strangest of them all, the cheekily named “Archibald Leland Sutter Still Life” (who earned this title among fans and crewmembers as a reference to his apparent affinity for lamps).

While this was the first major horror outing for both Patrick Baynham (The Bearded Man) and Dana Mahmood (Archibald), Rhiannon Roberts has worked as a stunt performer in everything from Yellowjackets to HBO’s The Last of Us adaptation – which is probably why The Red-Headed Woman is the most active out of Clark’s impromptu “family.” That being said, the Archibald Leland Sutter Still Life is my personal favorite of the bunch simply because his anachronistic outfit suggests that the Backrooms phenomenon might be a lot older than the Async Foundation. I also love how hard he tries to be helpful with that little light of his!

That might be it for the Still Life entities, but I think horror fans will also be pleased to hear that the film’s Found Footage prologue stars none other than Resident Evil: Welcome to Raccoon City star Avan Jogia as Naren Warne – and American Mary herself Katharine Isabelle also shows up in a blink-and-you’ll-miss-it cameo at Mary’s house party towards the middle of the story (though I have a feeling that she originally had a bigger part that was likely cut for time).

At the end of the day, Parsons’ Backrooms may have been an auteur-driven project motivated by the young director’s unique take on the classic creepypasta, but film has always been a collective artform, so it’s fun to see just how many talented performers it takes to bring this kind of supernatural nightmare to life in a way that connects with so many people.

Continue Reading