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I Was a Teenage Monster – Reappraising ‘The New Daughter’ Starring Kevin Costner
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‘No One Lives’ – Ryuhei Kitamura’s Gory and Brutal Action Slasher Turns 10 Years Old
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5 Deep Cut Horror Movies to Seek Out in May 2023
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‘Next of Kin’ – The 1982 Ozploitation Slasher Praised by Quentin Tarantino
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Into ‘The Woods’ We Go – Why Lucky McKee’s Coming-of-Rage Movie Demands a Revisit 17 Years Later
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The Snuff of Nightmares – Checking into ‘Vacancy’ 16 Years Later
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‘You’re Killing Me’ Review – An Uneven But Entertaining Ethical Thriller
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5 Deep Cut Horror Movies to Seek Out in April 2023
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‘Slumber Party Massacre III’ – Revisiting the Slasher Franchise’s Overlooked 1990 Sequel
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‘Dorothy Mills’ – This Unsettling Irish Horror Gem Is Full of Surprises
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‘The Beast Below’ Review – Thai Creature Feature Delivers Only Surface-Level Entertainment
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‘The Lake’ Review – An Average Kaiju Film Kept Afloat by Great Special Effects
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5 Deep Cut Horror Movies to Seek Out in March 2023
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‘Backcountry’ – This Killer Bear Movie Captures the Primal Fear of Nature
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‘The Long Dark Trail’ Review – Uneven Coming-of-Age Horror Drama Elevated by Its Artistry
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‘Red Rose’ Review – Netflix Teen Horror Series Makes the Internet Feel Unsafe Again
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5 Deep Cut Horror Movies to Seek Out in February 2023
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‘Tamara’ – Digging Up ‘Final Destination’ Creator’s 2006 Revenge Horror Movie
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‘Daughter’ Review – A Suspenseful Study of Traditional Family Roles
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‘The River’ – Rediscovering the ‘Paranormal Activity’ Director’s Found Footage TV Series
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‘Woman of the Photographs’ Review – A Dark Love Story About Authenticity and Image
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‘Viking Wolf’ Review – Netflix’s Norwegian Werewolf Movie Has a Weak Bite
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‘A Lot of Nothing’ Review – An Incoherent Social Thriller
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5 Deep Cut Winter Horror Movies You Maybe Haven’t Seen