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[Review] Avoid ‘Dark Moon Rising’ Unless You Hate Yourself
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[Review] Interesting Characters Can’t Save ‘Blood Moon’
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[Review] A New Twist and An Old Problem Sing in ‘Siren’
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[Review] ‘Old 37’ As a Crowdfunded Slasher Done Right
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[Review] ‘Closer to God’ Approaches with Great Acting, Wonderful Tension
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[Review] ‘Furious’ Is Wacky Martial Arts Cheese Ripe For Ridicule
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[Review] ‘Star Leaf’ Mixes Great Character Dynamics With PTSD, Weed
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[Review] ‘Pernicious’ Is Pretty, But Is Totally Derivative
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[Review] ‘The Midnight Swim’ Is Masterfully Acted and Captivating
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[Review] ‘Anarchy Parlor’ Is Derivative Fun For Torture Porn Fans
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[Review] ‘Amigo Undead’ Hits Most of the Horror-Comedy Notes, But Lacks Knockout Blow
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[Review] ‘Camp Massacre’ Is An Insult On So Many Levels
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[Review] ‘Throwback’ Isn’t a Perfect Send-up, But Has Heart
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[Review] Nightmarish Imagery and a Demanding Story Weigh On ‘Horsehead’
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[Review] ‘House With 100 Eyes’ Does Things We’ve Seen Many Times Before
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[Review] Flat Characters and Thin Story Dilute ‘The Drownsman’
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[Review] ‘Forbidden Empire’ Is Visually Impressive, But With a Disjointed, Frustrating Story
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[Review] More Shakycam Covering Up a Crappy Story With ‘Infernal’
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[Review] ‘Dark Star’ Is a Gloomy, Yet Intimate Look at H.R. Giger
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[Review] Low Expectations and Dumb Fun Is Found In ‘The Asylum’
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[Review] Plenty of Sinful Satire In ‘The Sins Of Dracula’
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[Review] ‘Hyena’ Is Brutal and Unapologetic, But Also Depressing and Bleak
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[Review] ‘The Babadook’ Smartly Scares With An Excellent Story!
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[Review] ‘The Sisterhood Of Night’ Is Predictable, But Story and Acting Win Out