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Bloody Disgusting’s Top 15 Best Horror Film Performances of 2024
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‘Dogtooth’: The Absurdist Family Drama and Blueprint of Yorgos Lanthimos’ Career
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Best of 2023: The 15 Best Horror Film Performances of the Year
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‘The Hong Kong Massacre’: The Definitive (and Unofficial) ‘John Wick’ Video Game Adaptation
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‘Mace: The Dark Age’ – The ‘Mortal Kombat’-Style Fighting Game Lost to the 1990s
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Best of 2022: The 15 Best Horror Film Performances of the Year
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‘Even the Wind is Afraid’: A Gothic Youth Rebellion Tale in 1960s Authoritarian Mexico
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‘Shrew’s Nest’: Exploring Generational Trauma Through Agoraphobia in the Underrated Spanish Thriller
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Returning to Atropos: The Evolution of the Roguelike Game in ‘Returnal’
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The 15 Best Horror Movie Performances of 2021
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Welcome Home: How ‘Silent Hill: Homecoming’ Pushed Me into the World of Horror Games
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M. Night Shyamalan: The Complicated Rebirth of an Auteur in the 2010s
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Killer Comedy: The Mismatched Appeal of Comedians in Horror
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The Fabulous Bakers: The ‘Resident Evil 7’ Villains Who Did Not Need ‘Resident Evil’
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‘Mortal Kombat: Deception’: The Under-the-Radar Ambition of a Stalling Franchise
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‘Colossal’: The Kaiju Romance Dramedy That Never Quite Took Off
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‘Eyes Without a Face’: Squeamishly Poetic Body Horror Even in the 21st Century
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Killer Style: ‘Slaxx’ and the Uncomfortably Intimate Terror of Clothing Horror
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‘Hardcore Henry’: A Revolutionary Action Film That Came at the Wrong Time
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Autism Within Horror: ‘Come Play’ and the Next Steps for Representation
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Golden Scares: Should Horror Receive Its Own Category at the Golden Globes?
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The Top 15 Horror Movie Performances of 2020
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New Year’s Disaster: How Tom Shankland’s ‘The Children’ Holds Up in a Pandemic-Stricken World
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‘Scooby-Doo’: A Franchise in Desperate Need of a Definitive Video Game