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‘The Hong Kong Massacre’: The Definitive (and Unofficial) ‘John Wick’ Video Game Adaptation

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Hong Kong Massacre

John Wick is arguably the most simple-to-understand blockbuster franchise to have come out in the 21st century. As blockbusters and high-value IPs continue to lean heavily on reliable nostalgia pops, name brand recognition, and in-universe lore expansion, John Wick thrives on the simplicity of its high-concept hook. 4 movies in and despite a gradually built-in lore to keep the universe alive, John Wick’s appeal boils down to two factors: an inciting revenge story and nonstop, bone-crunching action.

It is a formula regularly found in the world of action video games, wherein the story – or what little of it there actually is – serves almost purely as the inciting incident for the exhilarating action we hope to experience. John Wick has delved into the land of gaming within its IP, first with the 2017 VR shooter, John Wick Chronicles. Followed in 2019 with the tactical RPG game John Wick Hex, the franchise’s attempts to expand into video games have been often met with a muted reception.

Despite having crafted the kind of hokey and bombastic universe that is frankly tailormade for a large-scale and definitive video game adaptation, the Keanu Reeves-led franchise has yet to fully take advantage of the medium with a true breakout gaming project. Sure, dressing up as the Baba Yaga in Fortnite can make for a good laugh if you want the visual of Wick engaging in gun play with Rick Sanchez, Vegeta, and Thanos.

But as of this writing, only one game has managed to honor the spirit of the John Wick franchise. A revenge plot serving as the base for an entire narrative driven by an inhuman need to mow through crowds of NPCs, not unlike the humble beginnings of the John Wick series. A game where almost every character in sight aims to kill your player character – and can do so with a single bullet. A game that John Wick 4 paid homage to in arguably the most famous sequence in the film.

Vreski’s revenge crime thriller The Hong Kong Massacre is the John Wick experience decanted into a tight, top-down action spectacle. Released in 2019, The Hong Kong Massacre burst onto the scene a mere five years after the release of the first John Wick film and the same year that Parabellum broke franchise records. On the other end, the top-down shooter did not break out in the same regard, quickly fading into the background after initial interest from gaming YouTubers.

A revenge story concerning a former police detective taking on the Triad in 1980s Hong Kong to avenge the death of his partner, The Hong Kong Massacre’s thinly layered plot is told through various short flashbacks sprinkled throughout the game’s levels. The simplicity of the game’s narrative hook lies in the many levels the player character must shoot his way through, alternating between warehouses, kitchens, apartment complexes, and more warehouses.

Taking inspiration from classic Hong Kong action cinema, The Hong Kong Massacre also takes a page from Hotline Miami – one of the most notorious and influential top-down shooters – in both its gameplay and setting structure. Immediately dropping the player character in the heat of the action, the enemies in HKM have the ability to drop you with a single shot. Pistol, rifle, shotgun, any weapon is a one-shot like Hotline Miami, with your character able to dodge roll and briefly slow down time to help compensate.

The illusion of invincibility is stripped away as you are essentially forced to learn level layouts through near-endless trial and error. Level runs can end as quick as a stray bullet catching you as you poke your head out into the hallway. Unlike Hotline Miami allowing you to engage in fisticuffs with enemies, HKM has you picking up guns and ammo from the floor. With ammo being extremely sparse, stealing people’s guns after killing them is part of the norm, encouraging you to experiment with different guns and play styles to get through the levels.

A game with a top-down visual style of Hotline Miami and the slow-mo gunplay mechanics of Max Payne, The Hong Kong Massacre does not attempt to hide its clear appreciation for both its video game and cinematic influences. While Hong Kong cinema is the game’s most apparent and intentional homage, it’s difficult to not think of the Baba Yaga as you clear out room after room of armed men with a single pistol.

Though many of the films revolve around Wick being on the run from an entire assassination organization, the simplicity of the first film’s puppy revenge tale is the energy that permeates throughout The Hong Kong Massacre. Playing as a one-man wrecking crew faced against a whole crime organization, Wick’s one-track mindset towards bloody revenge lives on in the player character’s descent into land of the Triad.

The callbacks – intentional or otherwise – don’t stop at the revenge plots for each character. Shooting your way through the Triad is a trial in both endurance and on-the-spot thinking, given the game’s tendency to start your character off with minimal ammo for each gun unlocked. Though guns can be upgraded with star points, you are still likely to survive through scraps found on the floor and guns you swipe from their now-deceased owners. Whatever your initial setup is at the start of a level, don’t expect to end the level with anything close to your original inventory.

The cyclical act of emptying guns of their ammo and improvising kill weapons is one of – if not the strongest hook for any John Wick action sequence. From using pencils and books to putting together an antique revolver while getting chased by assassins, Wick’s combat ingenuity is peak video game energy. He can use anything as a weapon and even running out of ammo won’t stop him from speed reloading while the other guy is unfortunate enough to not even notice his window of opportunity shrinking by the second.

Despite the game itself having nothing to do with the John Wick universe story-wise, that combat ingenuity is the biggest draw of The Hong Kong Massacre. The game accomplishes making the player feel like a legitimate badass with its slow-mo mechanics and its push to use every weapon available to you at any moment’s time. Mowing through a living room of Triad thugs feels significantly more satisfying when you run out of shells for your shotgun, dodge roll to avoid the rain of bullets coming your way, and swiping the fully loaded pistol one of the casualties just dropped to finish the job.

That is but one of countless potential scenarios that are designed to make you feel like the Baba Yaga himself, embracing the game’s limitations by putting that much more into the simple, yet versatile gunplay. It could be argued that any action revenge game could present similar scenarios to accomplish the same goal, but the all thrills, no chill pacing of HKM is another seemingly intentional callback to the John Wick movies’ similarly paced action showdowns. Revenge and murder are the only driving forces for both the game and movies’ early beginnings and despite being an original standalone story, The Hong Kong Massacre is as close to a definitive John Wick game experience as you can get.

Hong Kong Massacre john wick

‘John Wick: Chapter 4’

Franchise helmsman Chad Stahelski evidently believes something similar in terms of The Hong Kong Massacre. In a recent interview in SlashFilm promoting the franchise’s fourth outing, the director/veteran stuntman directly shouted out The Hong Kong Massacre as the inspiration behind one of the film’s final shootouts. The now-acclaimed action sequence sees the camera slowly rise until everything is shot in a top-down motion as Wick clears out an abandoned building of assassins with everything from regular guns to an incendiary shotgun literally lighting up the scene.

The scene displays Wick shooting everywhere around him with the expert precision we’ve come to expect from him, all the while diving in and out of rooms to avoid certain death. If the inspiration in the game can be boiled down to circumstance or intentional homage, then the John Wick 4 shootout is as direct and complimentary as homages can be. A game with a closer connection to the John Wick franchise than we realized is now part of the behind-the-scenes lore of what is now one of the series’ most noteworthy action set pieces.

The Hong Kong Massacre is the rare action game with a throwback charm that never dates itself in spite of its clear limitations. No connection to the story of John Wick and yet somehow this under-the-radar top-down shooter captures the silly action ingenuity of one of the 21st century’s most popular action franchises. Seeing everything come full-circle with the fourth entry’s shoutout to the game has not only provided us with another jaw-dropping action set piece for the series, but will hopefully rejuvenate interest in one of the most underrated shooters of the 2010s.

Hong Kong Massacre game

Editorials

‘Immaculate’ – A Companion Watch Guide to the Religious Horror Movie and Its Cinematic Influences

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The Devils - Immaculate companion guide
Pictured: 'The Devils' 1971

The religious horror movie Immaculate, starring Sydney Sweeney and directed by Michael Mohan, wears its horror influences on its sleeves. NEON’s new horror movie is now available on Digital and PVOD, making it easier to catch up with the buzzy title. If you’ve already seen Immaculate, this companion watch guide highlights horror movies to pair with it.

Sweeney stars in Immaculate as Cecilia, a woman of devout faith who is offered a fulfilling new role at an illustrious Italian convent. Cecilia’s warm welcome to the picture-perfect Italian countryside gets derailed soon enough when she discovers she’s become pregnant and realizes the convent harbors disturbing secrets.

From Will Bates’ gothic score to the filming locations and even shot compositions, Immaculate owes a lot to its cinematic influences. Mohan pulls from more than just religious horror, though. While Immaculate pays tribute to the classics, the horror movie surprises for the way it leans so heavily into Italian horror and New French Extremity. Let’s dig into many of the film’s most prominent horror influences with a companion watch guide.

Warning: Immaculate spoilers ahead.


Rosemary’s Baby

'Rosemary's Baby' - Is Paramount's 'Apartment 7A' a Secret Remake?! [Exclusive]

The mother of all pregnancy horror movies introduces Rosemary Woodhouse (Mia Farrow), an eager-to-please housewife who’s supportive of her husband, Guy, and thrilled he landed them a spot in the coveted Bramford apartment building. Guy proposes a romantic evening, which gives way to a hallucinogenic nightmare scenario that leaves Rosemary confused and pregnant. Rosemary’s suspicions and paranoia mount as she’s gaslit by everyone around her, all attempting to distract her from her deeply abnormal pregnancy. While Cecilia follows a similar emotional journey to Rosemary, from the confusion over her baby’s conception to being gaslit by those who claim to have her best interests in mind, Immaculate inverts the iconic final frame of Rosemary’s Baby to great effect.


The Exorcist

Dick Smith makeup The Exorcist

William Friedkin’s horror classic shook audiences to their core upon release in the ’70s, largely for its shocking imagery. A grim battle over faith is waged between demon Pazuzu and priests Damien Karras (Jason Miller) and Lankester Merrin (Max von Sydow). The battleground happens to be a 12-year-old, Regan MacNeil (Linda Blair), whose possessed form commits blasphemy often, including violently masturbating with a crucifix. Yet Friedkin captures the horrifying events with stunning cinematography; the emotional complexity and shot composition lend elegance to a film that counterbalances the horror. That balance between transgressive imagery and artful form permeates Immaculate as well.


Suspiria

Suspiria

Jessica Harper stars as Suzy Bannion, an American newcomer at a prestigious dance academy in Germany who uncovers a supernatural conspiracy amid a series of grisly murders. It’s a dance academy so disciplined in its art form that its students and faculty live their full time, spending nearly every waking hour there, including built-in meals and scheduled bedtimes. Like Suzy Bannion, Cecilia is a novitiate committed to learning her chosen trade, so much so that she travels to a foreign country to continue her training. Also, like Suzy, Cecilia quickly realizes the pristine façade of her new setting belies sinister secrets that mean her harm. 


What Have You Done to Solange?

What Have You Done to Solange

This 1972 Italian horror film follows a college professor who gets embroiled in a bizarre series of murders when his mistress, a student, witnesses one taking place. The professor starts his own investigation to discover what happened to the young woman, Solange. Sex, murder, and religion course through this Giallo’s veins, which features I Spit on Your Grave’s Camille Keaton as Solange. Immaculate director Michael Mohan revealed to The Wrap that he emulated director Massimo Dallamano’s techniques, particularly in a key scene that sees Cecilia alone in a crowded room of male superiors, all interrogating her on her immaculate status.


The Red Queen Kills Seven Times

The Red Queen Kills Seven Times

In this Giallo, two sisters inherit their family’s castle that’s also cursed. When a dark-haired, red-robed woman begins killing people around them, the sisters begin to wonder if the castle’s mysterious curse has resurfaced. Director Emilio Miraglia infuses his Giallo with vibrant style, with the titular Red Queen instantly eye-catching in design. While the killer’s design and use of red no doubt played an influential role in some of Immaculate’s nightmare imagery, its biggest inspiration in Mohan’s film is its score. Immaculate pays tribute to The Red Queen Kills Seven Times through specific music cues.


The Vanishing

The Vanishing

Rex’s life is irrevocably changed when the love of his life is abducted from a rest stop. Three years later, he begins receiving letters from his girlfriend’s abductor. Director George Sluizer infuses his simple premise with bone-chilling dread and psychological terror as the kidnapper toys with Red. It builds to a harrowing finale you won’t forget; and neither did Mohan, who cited The Vanishing as an influence on Immaculate. Likely for its surprise closing moments, but mostly for the way Sluizer filmed from inside a coffin. 


The Other Hell

The Other Hell

This nunsploitation film begins where Immaculate ends: in the catacombs of a convent that leads to an underground laboratory. The Other Hell sees a priest investigating the seemingly paranormal activity surrounding the convent as possessed nuns get violent toward others. But is this a case of the Devil or simply nuns run amok? Immaculate opts to ground its horrors in reality, where The Other Hell leans into the supernatural, but the surprise lab setting beneath the holy grounds evokes the same sense of blasphemous shock. 


Inside

Inside 2007

During Immaculate‘s freakout climax, Cecilia sets the underground lab on fire with Father Sal Tedeschi (Álvaro Morte) locked inside. He manages to escape, though badly burned, and chases Cecilia through the catacombs. When Father Tedeschi catches Cecilia, he attempts to cut her baby out of her womb, and the stark imagery instantly calls Alexandre Bustillo and Julien Maury’s seminal French horror movie to mind. Like Tedeschi, Inside’s La Femme (Béatrice Dalle) will stop at nothing to get the baby, badly burned and all. 


Burial Ground

Burial Ground creepy kid

At first glance, this Italian zombie movie bears little resemblance to Immaculate. The plot sees an eclectic group forced to band together against a wave of undead, offering no shortage of zombie gore and wild character quirks. What connects them is the setting; both employed the Villa Parisi as a filming location. The Villa Parisi happens to be a prominent filming spot for Italian horror; also pair the new horror movie with Mario Bava’s A Bay of Blood or Blood for Dracula for additional boundary-pushing horror titles shot at the Villa Parisi.


The Devils

The Devils 1971 religious horror

The Devils was always intended to be incendiary. Horror, at its most depraved and sadistic, tends to make casual viewers uncomfortable. Ken Russell’s 1971 epic takes it to a whole new squeamish level with its nightmarish visuals steeped in some historical accuracy. There are the horror classics, like The Exorcist, and there are definitive transgressive horror cult classics. The Devils falls squarely in the latter, and Russell’s fearlessness in exploring taboos and wielding unholy imagery inspired Mohan’s approach to the escalating horror in Immaculate

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