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Upcoming Book ‘Night of the Living Dead 1990: The Unseen Version’ Will Present Tom Savini’s Original Vision

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NIGHT OF THE LIVING DEAD 1990

As much as horror fans tend to love Tom Savini‘s 1990 version of Night of the Living Dead, a damn fine remake, it’s no secret that the film doesn’t quite represent Savini’s intended vision from the outset. “The movie is about forty percent of what I intended,” Savini once said. “It would be a much better movie if I had got to put in all the stuff I really wanted to do.”

If you’ve ever been curious to experience Savini’s original vision for the remake, you’ll definitely want to pick up Night of the Living Dead 1990: The Unseen Version later this year, a paperback book just announced this morning by Happy Cloud Media. Through storyboard art, annotated by Savini himself, the book will present Savini’s planned vision…

“Disappointingly, for one reason or another, many of Savini’s most outrageous sequences were left unfilmed and unrealized. Now, for the first time, fans of the film can see for themselves the director’s unique vision for Night of the Living Dead 1990.

Happy Cloud Media, LLC is proud to announce the upcoming publication of Mr. Savini’s storyboards as realized by artist Brad Hunter, never before available in their entirety, and thoroughly annotated by the director himself.

Accompanied throughout by rare behind-the-scenes set photos, Night of the Living Dead 1990: The Unseen Version will be a valued addition to any horror fan’s bookshelf. A rare glimpse into the work done prior to the cameras rolling, before the first actor is cast, there is the script, the director, and the ideas.”

The book is scheduled to release in October 2019.

Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has four awesome cats. Still plays with toys.

Books

‘A Comedy of Tragedies’ – Steve “Uncle Creepy” Barton’s Autobiography Now Available for Pre-Order

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Known to horror fans as “Uncle Creepy,” prolific journalist and producer Steve Barton tells the wild story of his life and career in the upcoming autobiography A Comedy of Tragedies, which will be released by Encyclopocalypse Publications on December 10, 2024.

Paperback pre-orders in the USA are now available directly at encyclopocalypse.com, with International Pre-orders soon to be available via Amazon, Waterstones, and Booktopia. The first 100 paperback copies pre-ordered through the site will come with a signed bookplate.

Beginning today, eBook pre-orders are also now available for everyone via encyclopocalypse.com and all major online booksellers, including Amazon and Barnes and Noble.

All pre-orders via the Encyclopocalypse site will get the book 2 weeks early.

Check out the cover reveal below and read on for everything you need to know.

Encyclopocalypse Publications previews, “As the co-founder and former Editor-in-Chief of Dread Central, Barton is a pioneer of horror journalism who became one of the internet’s first genre influencers. His autobiography is a behind-the-scenes look at the horror filmmaking industry as it transitioned from cinema’s stepchild to mainstream media darling. Barton writes in a voice that is uniquely captivating, utterly enjoyable, and authentic as hell.

“This book is not just about industry insights; it’s a poignant journey through peaks and valleys, told with unfiltered emotional honesty. From grappling with the stark realities of 9/11 to being mentored by icons like George A. Romero and Sid Haig and ultimately playing a pivotal role in the success of the Terrifier film franchise, A Comedy of Tragedies is a story for everyone and anyone who dreams big in the face of daunting odds and lives to tell the tale.”

“I’ve spent my entire life creating things and places to feel like I belong, because I have never really fit in anywhere,” says Steve Barton. “If that sounds at all familiar to you, pull up a seat, there’s lots of room. You’re not alone, and if you just keep getting up when they knock you down, and keep breathing, you’ll make it through. If my story can help just one person, then every tear… every agony… every laugh…has been worth it.”

A Comedy of Tragedies features cover art by VFX artist KillJosh Petrino and layout by author Scott A. Johnson. The audiobook version will be available in conjunction with Redfield Arts Audio, featuring narration by actor Mark Redfield and original music and sound design by Jennifer Rouse.

Here’s some advanced praise for the upcoming autobiography…

“A wild rollercoaster ride filled with laughter, love, and passion for life, told with the brutal honesty of a true survivor. This isn’t your typical Hollywood memoir. A Comedy of Tragedies dives deep into the heart of a man who’s battled the darkness and emerged, not unscathed, but with a wicked wit and a captivating story to tell.”

− Director, Daniel Farrands, Never Sleep Again: The Elm Street Legacy

“Steve’s stories about the horror industry are the stuff of legend… this book gives horror fans a seat at the campfire as Uncle Creepy tells the tale!”

− Phil Nobile, Jr. – Fangoria

“Utterly compelling, courageous unflinching and at times hilarious, the author takes you through a childhood of trauma, the personal impact of 9/11 and into the highs and lows of the Hollywood film industry. An inspirational story of the indomitable human spirit, and one which I just couldn’t put down. A must read.”

− Sean Decker, Writer, Journalist

A Comedy of Tragedies is an evocative tale of Steve’s personal apocalypse with gallows humor. It’s a story of overcoming abuse and alienation with strength, wit, and a determination to thrive. Kudos to him for his courage and resilience.”

− Kyra Schon, Night of the Living Dead

A Comedy of Tragedies reflects how its author has lived his life, with an open heart and honest candor. There are hilarious anecdotes conveyed with a curious mix of vulgarity, humor, and incongruous, but somehow wholly appropriate, innocence and guile. The book will inspire readers to see ourselves in his struggle and realize we aren’t alone in this life.”

− Michael Felsher, Filmmaker and Historian

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