Comics
‘Spawn’: Todd McFarlane Still Battling to Get His New Movie Off the Ground
In the past, I had been pretty rough on Todd McFarlane, who has been talking up his Spawn remake for years now. Don’t get me wrong, I love the guy, his art, and the toys he brought into the world, but at some point, he became the boy who cried wolf.
My sources had told me several times that McFarlane is unreasonable in many of his demands, refusing to allow anyone else to work on his screenplay and that many hurdles would need to be crossed before Spawn ever made it back to the big screen. Hollywood doesn’t work this way, although it’s hard not to respect the man’s determination to do things his way. It’s hard to imagine he’d ever get it his way, which means it was even more unlikely that Spawn would be reborn.
Then Blumhouse got involved. Not only do they have the brand, but they also have the first-look distribution deal with Universal. I figured, shit, with Blumhouse maybe, just maybe they’ll get him to allow another screenwriter to come in and fix up his screenplay. Then there were reports of a spring 2017 shoot, which were anything but confirmation that the film would actually go into production. When he landed commitments from Jamie Foxx and Jeremy Renner to star, that’s when I threw in the towel and admitted that Blumhouse was going to help McFarlane get this done.
Yet here we are, back at square one. Or at least it sounds that way.
Nearly two years after Blumhouse joining the project, McFarlane speaks to Comicbook.com about what it’s going to take to get it off the ground, and it all comes down to agreement on a script.
“Yep. About the same spot,” McFarlane said, providing a not-so-promising update on the long-gestating project. “The money’s sitting on the sidelines ready to go. I just need to get everyone that wants to put in money to shake their heads to the same script. As you can imagine, everyone has a slightly different version of it in their head. You just go and trying to appease a handful of people while not giving in to what it is that I’m trying to do myself.”
“Because if I have to change it too much, I’ll just walk away from it all.”
If you’ve been following my inside reporting over the years, this lines up completely. McFarlane continues to push against the system in hopes of getting his dream project made the way he wants to. Again, it’s admirable, but also not realistic.
Here’s where fans are going to lose their lunch. If this is being reported correctly, Blumhouse hasn’t even approached a studio yet as, two years later, there’s been no mutual agreement on the script. (Are you serious?)
“Here’s how it would work, is that let’s say even we had let’s say, three studios, right? Let’s just pick three,” McFarlane said. “So we got Sony. I’m gonna make it all up. Sony, Universal, Paramount, the ones that don’t have Marvel and DC. They should hopefully be more interested. Even if they all showed interest at the same time, our questions are gonna be, “Well, what kind of marketing campaign are you gonna do with it?” And then number two, “What are your slots that you have?” Right?”
“And so, some of them may say, ‘Hey, I’ve got this campaign, and we’ve got this slot,'” McFarlane said. “‘We think it would be better, but you have to wait another three, four, five months till we got the opening that we think is right.’ And somebody else might say, ‘Hey, we can go sooner than that, but maybe we’re not gonna pour as much into advertising.’ And we’ll just have to weigh those variables, and then go, ‘Which one do we think makes the most sense for the project’s success as a whole?'”
This is all nauseating, especially the part where McFarlane exclaims that he’ll just “walk away from it all” if he has ‘to change it too much.” As a fan, I want to see Spawn back in any way shape or form. With Netflix and Amazon in the world, I think McFarlane has a chance to get his vision on screen in full, but his words don’t sound too promising and I think we have to accept that the odds of this happening are getting pretty slim. In fact, my insider also told me that, in order for McFarlane to get what he wants, he’d have to concede some sort of rights to Spawn. Why the fuck would he do that?
What do you all think?
Comics
‘You’ll Never Leave This Place Alive’ – IDW Dark’s Next Horror Comic Will Make You Question Reality
Five friends. Four houses. One perfect life. Bloody Disgusting is excited to exclusively announce You’ll Never Leave This Place Alive, a brand new horror comic from IDW Dark.
From Eisner-Nominated writers Jackson Lanzing and Collin Kelly, and rising horror artist Heather Vaughan, You’ll Never Leave This Place Alive is described as a “paranoia-laced, socially-conscious, horror mystery that will leave you questioning reality, and reveal that this crafted world is more of a nightmare than the idealistic dream they were expecting.”
Phoebe Joplin has never questioned the world her parents built: a secluded community where she and her friends were raised to be smarter, stronger, and better than anyone else. No distractions. No dangers. No secrets. Until the night of their graduation.
When one of them dies under impossible circumstances, Phee starts to pull at the edges of her perfect life—and what she finds is something far more terrifying than she ever imagined.
Because this place isn’t a sanctuary. It’s a cage. And no one who discovers the truth ever leaves it alive.
Collin Kelly & Jackson Lanzing (Batman – One Bad Day: Clayface, Star Trek: The Last Starship) co-write the upcoming IDW Dark horror comic, featuring art by Heather Vaughan.
Jackson Lanzing said in a statement to Bloody Disgusting, “You’ll Never Leave This Place Alive is in many ways a spiritual successor to our last creator-owned horror, The Principles of Necromancy – a dive into the promise and consequence of playing god with the blood of innocents. But the Hivemind book this reminds me of most is Clayface: One Bad Day. This is a deeply human story with intensely raw emotions – five best friends and their five mysterious parents, tearing one another apart for the promise of some impossible glory that’s waiting just beyond their darkest actions. We’re thrilled to be bringing this story to life with our long-time partner in crime, editor Heather Antos, at IDW Dark – and we’re particularly excited to give our Clayface fans a new, brutal and emotional horror made just for them.”
Adds Collin Kelly, “We’re deconstructing a feeling that seems universal these days; our elders have a death grip on their power, without any intention of giving it up to the generations that come next. YNLTPA is about growing up with the limitless potential of the future… and realizing how much it’s a lie we’ve been fed to keep us under the yoke of the past. Bringing this brutal experience to life is our artist and co-creator, Heather Vaughan, who brings an incredible amount of humanity to our cast. But it’s in our youthful leads that Heather’s art really shines – you are going to fall in love with these young people, even as they go through the worst experience of their lives. What we’ve all crafted together is going to be tragic, painful, but above all else, sincere – with a future so uncertain, there’s only one thing we can trust: you’ll never leave this place alive.”
“Some horror stories are about monsters in the dark. YNLTPA is about realizing the monsters raised you,” previews Senior Group Editor Heather Antos. “Working with Jackson Lanzing and Collin Kelly on this series has been a dream in the darkest possible way. They’ve built a story that’s layered, brutal, and deeply emotional, and every issue gives artist Heather Vaughan opportunities to push the art into places that feel both haunting and deeply personal. Some horror comics will keep you up at night…this is one that will stick with you for years to come.”
The first issue of You’ll Never Leave This Place Alive goes on sale October 14, 2026! Make sure to pre-order at your local comic shop by September to guarantee a copy.
Exclusively check out the various covers for Issue #1 down below.
IDW Publishing’s horror imprint IDW DARK features comics like A Quiet Place: Storm Warning, Smile: For the Camera, The Exorcism at 1600 Penn, Beneath The Trees Where Nobody Sees, The Twilight Zone, Event Horizon: Dark Descent & Event Horizon: Inferno, and more.






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